Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema

Data publikacji: 29 paź 2020

Zakres stron: 57 - 71

DOI: https://doi.org/10.2478/ausfm-2020-0003

Słowa kluczowe

arresting image, self-reflexion, intermediality, stillness, painterly reference, professional sensitivization

© 2020 Hajnal Király, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.