[Andrew, Dudley, ed. 2011. Opening Bazin: Postwar Film Theory and its Afterlife. Oxford: Oxford University Press.]Search in Google Scholar
[Armes, Roy. 1971. Patterns of Realism. A study of Italian Neo-Realist Cinema. New York: A.S. Barmes.]Search in Google Scholar
[Auerbach, Erich. 1946. Mimesis: the representation of reality in western literature. Bern: Francke.]Search in Google Scholar
[Bazin, André. 1971. What is cinema? Volume II. University of California Press.]Search in Google Scholar
[Bazin, André. 2004. ¿Qué es el cine? [What is Cinema?]. Madrid: Rialp.]Search in Google Scholar
[Bordwell, David. 2009. Getting real. Observations on Film Art. http://www.davidbordwell.net/blog/2009/05/03/getting-real/ Last accessed at 27. 07. 2013.]Search in Google Scholar
[Bresson, Robert. 1997. Notes on the Cinematographer. Green Integer.]Search in Google Scholar
[Cardullo, Bert, ed. 2011. André Bazin and Italian Neorealism. New York: Continuum.]Search in Google Scholar
[Carroll, Noël. 2007. The philosophy of motion pictures. Oxford: Blackwell.]Search in Google Scholar
[Coplan, Amy. 2004. Empathic Engagement with Narrative Fictions. Journal of Aesthetics and Art Criticism vol. 62: 141-52.10.1111/j.1540-594X.2004.00147.x]Search in Google Scholar
[Coplan, Amy. 2006. Catching Characters’ Emotions. Film Studies: An International Review vol. 8: 26-28.10.7227/FS.8.5]Search in Google Scholar
[Coplan, Amy. 2009. Empathy and Character Engagement. In The Routledge Companion to Philosophy and Film, eds. Paisley Livingstone and Carl Plantinga, 97-110. New York: Routledge.]Search in Google Scholar
[Elsaesser, Thomas and Malte Hagener. 2010. Film Theory an introduction through the senses. New York and London: Routledge.10.4324/9780203876879]Search in Google Scholar
[Inouye, Shaun. 2011. Contemporary Realism. Cinephile: The University of British Columbia’s Film Journal vol. 7 no. 2 (Fall).]Search in Google Scholar
[Lapsley, Robert and Michael Westlakem. 1988. Film Theory: An Introduction. Manchester: Manchester University Press.]Search in Google Scholar
[MacCabe, Colin. 1976. Theory and Film: Principles of Realism and Pleasure. Screen vol. 17 no 3: 7-28.10.1093/screen/17.3.7]Search in Google Scholar
[Metz, C. 1999. Aural Objects. In Film Theory and Criticism, eds. Leo Braudy and Marshall Cohen, 356-59. Oxford: Oxford University Press.]Search in Google Scholar
[Nagib, Lúcia. 2011. World Cinema and the Ethics of Realism. London: Continuum.10.5040/9781628929188]Search in Google Scholar
[Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Indiana Indiana University Press.10.2307/j.ctv32bm1p2]Search in Google Scholar
[Plantinga, Carl. 2009. Moving Viewers: American Film and the Spectator’s Experience. University of California Press.10.1525/9780520943919]Search in Google Scholar
[Porton, Richard. 2008. A Sense of Place. An Interview with Ramin Bahrani. Cineaste vol. 33 no. 3 (Summer): 44-48.]Search in Google Scholar
[Prince, Stephen. 1996. True Lies: Perceptual Realism, Digital Images, and Film Theory. Film quarterly vol. 49 no. 3: 27-37.]Search in Google Scholar
[Quintana, Ángel. 2003. Fábulas de lo visible. El cine como creador de realidades [Fables of the visible: film as a creator of realities]. Barcelona: Acantilado.]Search in Google Scholar
[Rouch, Jean. 1962. Le cinéma de l´avenir? [The Cinema of the Future?] Domain Cinéma, vol. 1: 44-52.]Search in Google Scholar
[Rushton, Richard. 2011. The reality of film: Theories of Filmic Reality. Manchester: Manchester University Press.10.7228/manchester/9780719082689.001.0001]Search in Google Scholar
[Scott, A. O. 2009. Neo-Neo Realism. The New York Times 17 March. http://www.nytimes.com/2009/03/22/magazine/22neorealism-t.html?pagewanted=all&_r=0. Last accessed at 27. 07. 2013.]Search in Google Scholar
[Sherwood, Robert. 1979. Robert Flaherty’s Nanook of the North. In The Documentary Tradition, ed. Lewis Jacobs, 15-19. Toronto: George J. McLeod Limited.]Search in Google Scholar
[Smith, Greg G. 2003. Film Structure and the Emotion System. Cambridge: Cambridge University Press.10.1017/CBO9780511497759]Search in Google Scholar
[Smith, Murray. 2004. Engaging Characters: Fiction, Emotion, and the Cinema. New York: Oxford University Press.]Search in Google Scholar
[Tan, Ed S. 2009. Emotion and the structure of narrative film: film as an emotion machine. New York: Routledge ]Search in Google Scholar
[Trinh T. Minh-Ha. 2007-2008. The Totalizing Quest of Meaning. Archivos de la Filmoteca vol. 2 no. 57-58 (October-February): 223-247.]Search in Google Scholar
[Viestenz, William. 2009. Cinematic Ethics within the Picnoleptic Moment in José Luis Guerín’s En construcción. The Bulletin of Hispanic Studies vol. 86 no. 4: 537-553.10.1353/bhs.0.0059]Search in Google Scholar
[Winston, Brian. 1995. Claiming the real: The Griersonian documentary and its legitimations. London: British Film Institute. ]Search in Google Scholar
