The Integration of Lingnan Water Culture in Red Dance Art in the Context of Big Data

[1] Chun, L. (2023). Market maoists: the communist origins of china’s capitalist ascent. by jason m. kelly. Pacific Affairs. Search in Google Scholar

[2] Li, C., Cui, Z., Chen, J., & Zhou, N. (2019). Brand revitalization of heritage enterprises for cultural sustainability in the digital era: a case study in china. Sustainability, 11(6). Search in Google Scholar

[3] Liu, Q., Liao, Z., Wu, Y., Degefu, D. M., & Zhang, Y. (2019). Cultural sustainability and vitality of chinese vernacular architecture: a pedigree for the spatial art of traditional villages in jiangnan region. Sustainability, 11. Search in Google Scholar

[4] Choi, S. H., Imon, S. S., & Couto, U. (2020). Negotiating with authenticity to ensure sustainability of traditional cultural festivals: residents’ perspectives about macao’s drunken dragon festival. Sustainability, 12. Search in Google Scholar

[5] Tian-Bo, P. (2018). The zilsel’s thesis in the qing dynasty:scholars on the mediation of artisans. Science and Society. Search in Google Scholar

[6] Anderson, M. (2020). Dance overview of the australian performing arts collection. Dance Research, 38(2), 149-167. Search in Google Scholar

[7] Kevin, G. (2019). American honor: the creatin of the nation’s ideals during the revolutionary era. Journal of American History(2), 2. Search in Google Scholar

[8] Lim, W. (2022). Queer orientalism and modernism in dance photographs of harald kreutzberg and yvonne georgi. The German Quarterly, 95(2), 167-182. Search in Google Scholar

[9] Grashoff, U. (2021). Outwitting the gestapo? german communist resistance between loyalty and betrayal. Journal of Contemporary History. Search in Google Scholar

[10] Yan, L., Shaowei, N., Isao, O., & Li, L. (2017). Study informing policy on chinese ancient town tourism based on a tourist satisfaction survey: a case study in the city of chengdu. Sustainability, 9(7), 1087. Search in Google Scholar

[11] Nykl, H. (2020). T. g. masaryk’s the spirit of russia: between positivism, axiology and orientalism. Studies in East European Thought, 72(3). Search in Google Scholar

[12] Messner, W. (2022). Cultural differences in an artificial representation of the human emotional brain system: a deep learning study. Journal of International Marketing, 30, 21 - 43. Search in Google Scholar

[13] Chomsky, A. (2020). Rewriting gender in the new revolutionary song. Radical History Review, 2020(136), 142-155. Search in Google Scholar

[14] Tsai, W. H., & Liao, X. (2021). Institutional changes, influences and historical junctures in the communist youth league of china. The China Quarterly, 248, 161 - 180. Search in Google Scholar

[15] Chan, C. S. C. (2018). Hegemony and agency in staged mah meri indigenous music and dance performances for tourists in malaysia. Journal of Southeast Asian Studies, 23(1), 132-155. Search in Google Scholar

[16] Assche, A. V., Pewny, K., & Laermans, R. (2019). Mayday, mayday, mayday! moving from european discourses on the precarious and art to the realities of contemporary dance. Dance Research, 37(2). Search in Google Scholar

[17] Yoo, L. K. (2022). George balanchine’s artof choreographic musicality in tschaikovsky pas de deux. Music Theory Spectrum(2), 2. Search in Google Scholar