<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Starting from the basic process of piano music recognition, this paper focuses on the feature extraction process of piano art performance. In the feature extraction of piano art performance, the fundamental frequency characteristics of piano music signals were analyzed by using short-time Fourier transform theory, focusing on the feature extraction of musical pitch, time value, and tonality, and the spectrum analysis of piano music signals and the reconstruction of piano timbre were completed. The piano performance work, “Autumn Moon on the Peaceful Lake,” is used as an example to analyze the musical characteristics and personality. The overall structure of “Autumn Moon on the Peaceful Lake” is a typical three-part structure: the key is the <sup>b</sup>D palace seven-tone mode, the key is single, and the marking range of performance strength is ppp-pp-p-mf-mf-f-ff. In the three versions played by Yin Chengzong, Lang Lang, and Chen Jie, the average tempo of the performance was 31.5 beats, 26.5 beats, and 26.8 beats, respectively. The performance process of different pianists is a “slow-fast-slow” layout, and other passages are added to the individual free processing to further enhance the charm of the work.</p>
</abstract>

Starting from the basic process of piano music recognition, this paper focuses on the feature extraction process of piano art performance. In the feature extraction of piano art performance, the fundamental frequency characteristics of piano music signals were analyzed by using short-time Fourier transform theory, focusing on the feature extraction of musical pitch, time value, and tonality, and the spectrum analysis of piano music signals and the reconstruction of piano timbre were completed. The piano performance work, “Autumn Moon on the Peaceful Lake,” is used as an example to analyze the musical characteristics and personality. The overall structure of “Autumn Moon on the Peaceful Lake” is a typical three-part structure: the key is the bD palace seven-tone mode, the key is single, and the marking range of performance strength is ppp-pp-p-mf-mf-f-ff. In the three versions played by Yin Chengzong, Lang Lang, and Chen Jie, the average tempo of the performance was 31.5 beats, 26.5 beats, and 26.8 beats, respectively. The performance process of different pianists is a “slow-fast-slow” layout, and other passages are added to the individual free processing to further enhance the charm of the work.

Feature Extraction and Musical Personality Analysis of Piano Artistic Performances

Applied Mathematics and Nonlinear Sciences

This work is licensed under the Creative Commons Attribution 4.0 International License.

Starting from the basic process of piano music recognition, this paper focuses on the feature extraction process of piano art performance. In the feature...

Feature Extraction and Musical Personality Analysis of Piano Artistic Performances

Data publikacji: 30 maj 2024

Zakres stron: -

Otrzymano: 10 lut 2024

Przyjęty: 20 kwi 2024

DOI: https://doi.org/10.2478/amns-2024-1283

Słowa kluczowe
Piano string vibration equation, Timbre reconstruction, Short-time Fourier transform, Feature extraction

© 2024 Shuai Liu, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Feature Extraction and Musical Personality Analysis of Piano Artistic Performances

Data publikacji: 30 maj 2024

Zakres stron: -

Otrzymano: 10 lut 2024

Przyjęty: 20 kwi 2024

DOI: https://doi.org/10.2478/amns-2024-1283

Słowa kluczowePiano string vibration equation, Timbre reconstruction, Short-time Fourier transform, Feature extraction

© 2024 Shuai Liu, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Słowa kluczowe
Piano string vibration equation, Timbre reconstruction, Short-time Fourier transform, Feature extraction