<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This article builds on previous research dealing with temporary theatres in the context of Europe and Slovakia, discusses the topic of pop-up pavilions in terms of architecture, their use in marketing and as a potential tool for reviving the theatre scene. Just as temporary architecture can activate neglected areas in the city and bring stimuli for a permanent change, we believe that it can be equally stimulating in the area of theatre. The Shed by Haworth Tompkins is one of the examples to demonstrate a possible positive contribution of such designs to a permanent theatre and its surroundings. Based on the analysis of similar examples and statistical data on the attendance of theatre performances, we decided to design and implement a prototype of a minimal theatre scene, which also provides wide variability and can be used beyond the time dedicated to theatre activities. In the design phase, we examine the limits of variability and explore the basics of kinetic architecture. In the second phase after the object is assembled and implemented, the subject of research will be its impact on the environment, the extent of user interaction with the object and the overall functionality of the object. The ambitions of our project do not reach as high as presented in <italic>The Shed.</italic> The aim was to test the possibilities and viability of a much smaller object, to document the cultural, educational, and even economic benefits, in domestic conditions of Slovakia. Thanks to <italic>The Program for the Support of Young Researchers</italic> of the Slovak University of Technology and <italic>The PUN (Universal Design Support) Project No. 321041APA3</italic> financed by the European Social Fund, the object is currently in production, and later will be moved to the faculty premises, surface-threated and then assembled for the very first time. The prototype should be fully available by the end of the year 2022.</p>
</abstract>

This article builds on previous research dealing with temporary theatres in the context of Europe and Slovakia, discusses the topic of pop-up pavilions in terms of architecture, their use in marketing and as a potential tool for reviving the theatre scene. Just as temporary architecture can activate neglected areas in the city and bring stimuli for a permanent change, we believe that it can be equally stimulating in the area of theatre. The Shed by Haworth Tompkins is one of the examples to demonstrate a possible positive contribution of such designs to a permanent theatre and its surroundings. Based on the analysis of similar examples and statistical data on the attendance of theatre performances, we decided to design and implement a prototype of a minimal theatre scene, which also provides wide variability and can be used beyond the time dedicated to theatre activities. In the design phase, we examine the limits of variability and explore the basics of kinetic architecture. In the second phase after the object is assembled and implemented, the subject of research will be its impact on the environment, the extent of user interaction with the object and the overall functionality of the object. The ambitions of our project do not reach as high as presented in The Shed. The aim was to test the possibilities and viability of a much smaller object, to document the cultural, educational, and even economic benefits, in domestic conditions of Slovakia. Thanks to The Program for the Support of Young Researchers of the Slovak University of Technology and The PUN (Universal Design Support) Project No. 321041APA3 financed by the European Social Fund, the object is currently in production, and later will be moved to the faculty premises, surface-threated and then assembled for the very first time. The prototype should be fully available by the end of the year 2022.

Pop-up architecture as a tool for popularizing theatre: Prototype No. 1

Architecture Papers of the Faculty of Architecture and Design STU

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Pop-up architecture as a tool for popularizing theatre: Prototype No. 1"}

This article builds on previous research dealing with temporary theatres in the context of Europe and Slovakia, discusses the topic of pop-up pavilions in...

Pop-up architecture as a tool for popularizing theatre: Prototype No. 1

Data publikacji: 29 mar 2022

Zakres stron: 40 - 42

Otrzymano: 26 sty 2022

Przyjęty: 11 mar 2022

DOI: https://doi.org/10.2478/alfa-2022-0006

Słowa kluczowe
architecture, theatre, pop-up, temporary, prototype

© 2022 Kristína Boháčová et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Pop-up architecture as a tool for popularizing theatre: Prototype No. 1

Data publikacji: 29 mar 2022

Zakres stron: 40 - 42

Otrzymano: 26 sty 2022

Przyjęty: 11 mar 2022

DOI: https://doi.org/10.2478/alfa-2022-0006

Słowa kluczowearchitecture, theatre, pop-up, temporary, prototype

© 2022 Kristína Boháčová et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
architecture, theatre, pop-up, temporary, prototype