<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Family and kinship carry special significance to Holocaust survivors and their descendants. In autobiographies and family memoirs, writers of what Marianne Hirsch terms the postmemory generation employ different narrative strategies for coming to terms with the ways in which the Holocaust has marked their identities and family ties. This article focuses on women’s writing of the postmemory generation, examining three works in English by daughters of survivors in the UK, the US, and Canada, written during the 1990s. It investigates the narrative strategies used by Anne Karpf, Helen Fremont, and Lisa Appignanesi to represent maternal sexual agency and vulnerability in a survival context. It suggests that these representations are strongly influenced by matrophobia and matrophilia, defined as the conflicting dread of becoming and desire to be one’s mother, which are themselves strongly conditioned by Holocaust history, particularly the gendered history of vulnerability among women in open hiding during the war<sup>1</sup>.</p></abstract>

Family and kinship carry special significance to Holocaust survivors and their descendants. In autobiographies and family memoirs, writers of what Marianne Hirsch terms the postmemory generation employ different narrative strategies for coming to terms with the ways in which the Holocaust has marked their identities and family ties. This article focuses on women’s writing of the postmemory generation, examining three works in English by daughters of survivors in the UK, the US, and Canada, written during the 1990s. It investigates the narrative strategies used by Anne Karpf, Helen Fremont, and Lisa Appignanesi to represent maternal sexual agency and vulnerability in a survival context. It suggests that these representations are strongly influenced by matrophobia and matrophilia, defined as the conflicting dread of becoming and desire to be one’s mother, which are themselves strongly conditioned by Holocaust history, particularly the gendered history of vulnerability among women in open hiding during the war1.

Suspect Survival: Matrophobia in Postmemory Generational Writing

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Suspect Survival: Matrophobia in Postmemory Generational Writing"}

Family and kinship carry special significance to Holocaust survivors and their descendants. In autobiographies and family memoirs, writers of what Marianne...

Suspect Survival: Matrophobia in Postmemory Generational Writing

Data publikacji: 21 gru 2019

Zakres stron: 89 - 117

DOI: https://doi.org/10.2478/abcsj-2019-0017

Słowa kluczowe
postmemory, second generation, memoir, autobiography, mother-daughter relations, Lisa Appignanesi, Helen Fremont, Anne Karpf, Holocaust, sexuality

© 2019 Elizabeth Kella, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Suspect Survival: Matrophobia in Postmemory Generational Writing

Data publikacji: 21 gru 2019

Zakres stron: 89 - 117

DOI: https://doi.org/10.2478/abcsj-2019-0017

Słowa kluczowepostmemory, second generation, memoir, autobiography, mother-daughter relations, Lisa Appignanesi, Helen Fremont, Anne Karpf, Holocaust, sexuality

© 2019 Elizabeth Kella, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
postmemory, second generation, memoir, autobiography, mother-daughter relations, Lisa Appignanesi, Helen Fremont, Anne Karpf, Holocaust, sexuality