<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Kazuo Ishiguro’s <italic>Never Let Me Go</italic> lures readers into a dystopic world that has the artifice of a country boarding school. When the characters to which readers have become attached are revealed to be clones raised for organ harvesting, the novel forces the readers to confront questions about what it means to be human, and at what cost humanity is willing to preserve itself. In this science fiction narrative about cloning, Ishiguro invokes multiple representations of the disabled body: the clones have been created, to ameliorate disability from the rest of society. Their organs are harvested to forestall the inevitable disabilities that the ailing or aging body will experience. The novel also replicates the social apparatuses that have traditionally been used to contain and eliminate disability. Reading Ishiguro’s narrative of cloning from a disability studies perspective reveals the novel’s use of defamiliarization as a literary technique to examine both the ideological constructions of disability and the physical structures that have contained disabled bodies during the nineteenth and twentieth centuries. Finally, approaching <italic>Never Let Me Go</italic> from this critical perspective reveals the novel’s answer to the central question it poses: What does it mean to be human?</p></abstract>

Kazuo Ishiguro’s Never Let Me Go lures readers into a dystopic world that has the artifice of a country boarding school. When the characters to which readers have become attached are revealed to be clones raised for organ harvesting, the novel forces the readers to confront questions about what it means to be human, and at what cost humanity is willing to preserve itself. In this science fiction narrative about cloning, Ishiguro invokes multiple representations of the disabled body: the clones have been created, to ameliorate disability from the rest of society. Their organs are harvested to forestall the inevitable disabilities that the ailing or aging body will experience. The novel also replicates the social apparatuses that have traditionally been used to contain and eliminate disability. Reading Ishiguro’s narrative of cloning from a disability studies perspective reveals the novel’s use of defamiliarization as a literary technique to examine both the ideological constructions of disability and the physical structures that have contained disabled bodies during the nineteenth and twentieth centuries. Finally, approaching Never Let Me Go from this critical perspective reveals the novel’s answer to the central question it poses: What does it mean to be human?

Precarity as Personhood in Kazuo Ishiguro’s <italic>Never Let Me Go</italic>

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Precarity as Personhood in Kazuo Ishiguro’s 

Kazuo Ishiguro’s Never Let Me Go lures readers into a dystopic world that has the artifice of a country boarding school. When the characters to which readers...

Precarity as Personhood in Kazuo Ishiguro’s Never Let Me Go

Data publikacji: 03 sty 2019

Zakres stron: 65 - 85

DOI: https://doi.org/10.2478/abcsj-2018-0017

Słowa kluczowe
Cloning, disability, eugenics, asylums, precarity, forced sterilization, trash aesthetic

© 2018 ABC Studies, Journal of the Academic Anglophone Society of Romania, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Precarity as Personhood in Kazuo Ishiguro’s Never Let Me Go

Data publikacji: 03 sty 2019

Zakres stron: 65 - 85

DOI: https://doi.org/10.2478/abcsj-2018-0017

Słowa kluczoweCloning, disability, eugenics, asylums, precarity, forced sterilization, trash aesthetic

© 2018 ABC Studies, Journal of the Academic Anglophone Society of Romania, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Słowa kluczowe
Cloning, disability, eugenics, asylums, precarity, forced sterilization, trash aesthetic