Primary are | To manage primary contacts with patients dealing | Doc Hollywood (1991, Michael Caton-Jones) |
management | with unselected problems | The Last King of Scotland (2006, Kevin McDonald) |
| | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| | Once Upon a Time Was I, Veronica (2012, Marcelo Gomez) |
| | Steel Magnolias (1989, Herbert Ross) |
| |
| To cover the full range of health conditions | Amour (2012, Michael Haneke) |
| | Doc Hollywood (1991, Michael Caton-Jones) |
| | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| | Once Upon a Time Was I, Veronica (2012, Marcelo Gomez) |
| |
| To co-ordinate care with other professionals | Dr. T & the Women (2000, Robert Altman) |
| in primary care and with other specialists | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| |
| To master effective and appropriate care | As Good as It Gets (1997, James L. Brooks) |
| provision and health service utilisation | |
| |
| To make available to the patient the appropriate | The Doctor (1991, Randa Haines) |
| services within the health care system | |
| |
| To act as an advocate for the patient | Once Upon a Time Was I, Veronica (2012, Marcelo Gomez) |
| | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
|
Person-centred | To adopt a person-centred approach in dealing | What’s Eating Gilbert Grape? (1993, Lasse Hallström) |
care | with patients and problems in the context of the | The Last King of Scotland (2006, Kevin McDonald) |
| patient’s circumstances | 4 Months, 3 Weeks and 2 Days (2007, Cristian Mungiu) |
| | 50/50 (2011, Jonathan Levine) |
| | Intouchables (2011, Olivier Nakache & Eric Toledano) |
| | Stopped on Track (2011, Andreas Dresen) |
| | The Doctor (1991, Randa Haines) |
| |
| To develop and apply the general practice | Wit (2001, Mike Nichols) |
| consultation, so as to bring about an effective | Steel Magnolias (1989, Herbert Ross) |
| doctor-patient relationship, with respect for the | As Good as It Gets (1997, James L. Brooks) |
| patient’s autonomy | The Doctor (1991, Randa Haines) |
| | |
| | |
| To communicate, set priorities and act in | The King’s Speech (2010, Tom Hooper) |
| partnership | 50/50 (2011, Jonathan Levine) |
| |
| To provide longitudinal continuity of care as | Dr. T & the Women (2000, Robert Altman) |
| determined by the needs of the patient, referring | Doc Hollywood (1991, Michael Caton-Jones) |
| to continuing and co-ordinated care management | |
|
Specific problem | To relate specific decision making processes to | Dr. T & the Women (2000, Robert Altman) |
solving skills | the prevalence and incidence of illness in a | Doc Hollywood (1991, Michael Caton-Jones) |
| community | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| | Amour (2012, Michael Haneke) |
| |
| To selectively gather and interpret information | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| from history-taking, physical examination and | Wit (2001, Mike Nichols) |
| Investigations, and apply it to an appropriate | |
| management plan in collaboration with the patient | |
|
Specific problem | To adopt appropriate working principles (e.g., | The Doctor (1991, Randa Haines) |
solving skills | incremental investigation), using time as a tool | Dr. T & the Women (2000, Robert Altman) |
| and to tolerate uncertainty | |
| |
| To intervene urgently when necessary | Doc Hollywood (1991, Michael Caton-Jones) |
| | The Last King of Scotland (2006, Kevin McDonald) |
| | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| |
| To manage conditions which may present | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| early and in an undifferentiated way | Dr. T & the Women (2000, Robert Altman) |
| | The Doctor (1991, Randa Haines) |
| |
| To make effective and efficient use of diagnostic | The Doctor (1991, Randa Haines) |
| and therapeutic interventions | Dr. T & the Women (2000, Robert Altman) |
| | Hannah and Her Sisters (1996; Woody Allen) |
|
Comprehensive | To manage multiple complaints and pathologies, | Steel Magnolias (1989, Herbert Ross) |
approach | both acute and chronic health problems in the | As Good as It Gets (1997, James L. Brooks) |
| individual, simultaneously | Doc Hollywood (1991, Michael Caton-Jones) |
| |
| To promote health and well-being by applying | Hannah and Her Sisters (1996; Woody Allen) |
| health promotion and disease prevention | Steel Magnolias (1989, Herbert Ross) |
| strategies appropriately | Dr. T & the Women (2000, Robert Altman) |
| |
| To manage and co-ordinate health promotion, | Stopped on Track (2011, Andreas Dresen) |
| prevention, cure, care, palliation and | As Good as It Gets (1997, James L. Brooks) |
| rehabilitation | Dr. T & the Women (2000, Robert Altman) |
|
Community | To reconcile health needs of individual patients | As Good as It Gets (1997, James L. Brooks) |
orientation | and the community in which they live, in balance | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
| with available resources | Intouchables (2011, Olivier Nakache & Eric Toledano) |
| | The Doctor (1991, Randa Haines) |
| | 4 Months, 3 Weeks and 2 Days (2007, Cristian Mungiu) |
| | The Death of Mr. Lazarescu (2005, Cristi Puiu) |
|
Holistic | To use a bio-psycho-social model, taking into | Amour (2012, Michael Haneke) |
approach | account cultural and existential dimensions | What’s Eating Gilbert Grape? (1993, Lasse Hallstr&m) |
| | The Last King of Scotland (2006, Kevin McDonald) |
| | The Doctor (1991, Randa Haines) |
| | Steel Magnolias (1989, Herbert Ross) |