<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The present study stems from the question of the type of mechanisms which drive viewers to root for the main character in a movie, and it focuses on key scenes in the movie Hotel Transylvania 3: Summer Vacation (2018), which develop the main character’s personality and endear him to the audience.</p></abstract>

The present study stems from the question of the type of mechanisms which drive viewers to root for the main character in a movie, and it focuses on key scenes in the movie Hotel Transylvania 3: Summer Vacation (2018), which develop the main character’s personality and endear him to the audience.

Hook, Line and Sinker in Hotel Transylvania 3: Summer Vacation (2018)

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"Hook, Line and Sinker in Hotel Transylvania 3: Summer Vacation (2018)"}

The present study stems from the question of the type of mechanisms which drive viewers to root for the main character in a movie, and it focuses on key scenes...

Hook, Line and Sinker in Hotel Transylvania 3: Summer Vacation (2018)

Data publikacji: 18 sty 2019

Zakres stron: 67 - 71

DOI: https://doi.org/10.1515/rjes-2018-0010

Słowa kluczowe
character allegiance, character alignment, empathy, film structure, humour

© 2019 Eliza Claudia Filimon, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Hook, Line and Sinker in Hotel Transylvania 3: Summer Vacation (2018)

Data publikacji: 18 sty 2019

Zakres stron: 67 - 71

DOI: https://doi.org/10.1515/rjes-2018-0010

Słowa kluczowecharacter allegiance, character alignment, empathy, film structure, humour

© 2019 Eliza Claudia Filimon, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Słowa kluczowe
character allegiance, character alignment, empathy, film structure, humour