<abstract xmlns="http://www.w3.org/1999/xhtml"><p> Less visible to the general public, the area of the Prothesis inside the sanctuary of the “Pentecost” heritage church, of Dragomirna Monastery, shows a particular casuistic due to the diversity of types of degradation recorded at the time of its restoration (2011). The dominant form is the adherent candlewax deposits, present on the surface of the paint layer in various stages of hardness. The particular state of conservation features occurring in this area, corroborated with a series of aggravating environmental factors, imposed the application of a special restoration intervention methodology in the area of the Prothesis.</p></abstract>

Less visible to the general public, the area of the Prothesis inside the sanctuary of the “Pentecost” heritage church, of Dragomirna Monastery, shows a particular casuistic due to the diversity of types of degradation recorded at the time of its restoration (2011). The dominant form is the adherent candlewax deposits, present on the surface of the paint layer in various stages of hardness. The particular state of conservation features occurring in this area, corroborated with a series of aggravating environmental factors, imposed the application of a special restoration intervention methodology in the area of the Prothesis.

6. Some Methodology Aspects Regarding the Organic Deposits Removal Interventions in the Prothesis of the Church of Dragomirna Monastery

Lecturer PhD., “George Enescu” National University of Arts from Iași,

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Less visible to the general public, the area of the Prothesis inside the sanctuary of the “Pentecost” heritage church, of Dragomirna Monastery, shows a...

6. Some Methodology Aspects Regarding the Organic Deposits Removal Interventions in the Prothesis of the Church of Dragomirna Monastery

Article Category: Part III. Fine Arts

Data publikacji: 17 mar 2017

Zakres stron: 166 - 174

DOI: https://doi.org/10.1515/rae-2017-0022

Słowa kluczowe
Heritage monuments, Northern Moldavia wall paintings, murals restoration, organic deposits, vandalism

© 2017

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

6. Some Methodology Aspects Regarding the Organic Deposits Removal Interventions in the Prothesis of the Church of Dragomirna Monastery

Article Category: Part III. Fine Arts

Data publikacji: 17 mar 2017

Zakres stron: 166 - 174

DOI: https://doi.org/10.1515/rae-2017-0022

Słowa kluczoweHeritage monuments, Northern Moldavia wall paintings, murals restoration, organic deposits, vandalism

© 2017

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Słowa kluczowe
Heritage monuments, Northern Moldavia wall paintings, murals restoration, organic deposits, vandalism