[Agamben. Giorgio. 1993. Infancy and History: the Destruction of Experience. London and New York: Verso Books.]Search in Google Scholar
[Allan. Stuart. 2007. Citizen Journalism and the Rise of “Mass Self-communication. ” Reporting the London Bombings. Global Media Journal. Australian Edition no. 1:1-fZO.]Search in Google Scholar
[Azoulay. Ariella. 2012. Civil Imagination. Political Ontology of Photography. London: Verso.]Search in Google Scholar
[Barthes. Roland. 1982. Camera Lucida. Reflections on Photography. New York: Hill and Wang. Bolter. David J. and Richard Grasin. 1999. Remediation. Understanding New Media. Cambridge. Massachusetts: MIT Press.]Search in Google Scholar
[Butler. Judith. 1993. Bodies That Matter. On the Discursive Limits of “Sex.” New York: Routledge.]Search in Google Scholar
[Campeanu. Pavel. 1993. Romanian Television: From Image to History. In National Identity and Europe. The Tele\ision Revolution, eds. Drummond. Philippe. Janet Willis and Richard Paterson, 110-116. London: British Film Institute.]Search in Google Scholar
[Cramerotti. Alfredo. 2009. Aesthetic Journalism: How to Inform Without Informing. Bristol and Chicago: Intellect.]Search in Google Scholar
[Cristea. Mihaela. 1990. Die erste live iibertragene Revolution der Welt [The First Revolution in the World to be Transmitted Live]. In Von der Bilrokratie zur Telekratie. Rumdnien im Femsehen. Ein Symposion aus Budapest [From the Bureaucracy to Telecracy. Romania in Television], eds. Keiko Sei and Peter Weibel, 16-18. Berlin: Merve.]Search in Google Scholar
[Dayan. Daniel and Elihu Katz. 1992. Media Events: The Live Broadcasting of History. Cambridge and Massachusetts: Harvard University Press.10.4159/9780674030305]Search in Google Scholar
[Elsaesser. Thomas. 2005. Harun Farocki: Film-maker. Artist, Media Theorist. Afterall no. 11 (Spring/Summer). http://w\\7w.afterall.org/joumal/issue.ll/ <http://w//7w.afterall.org/joumal/issue.ll>harun.farocki.filmmaker.artist.media.theorist. Last accessed 03. 03. 2015.]Search in Google Scholar
[Farocki. Harun. 2001. Substandard. In Nachdruck/Imprint: Texte/Writings, 248-267. Berlin: Vorwerk.]Search in Google Scholar
[Farocki. Harun. 2010. War Always Finds a Way. Gagarin no. 21: 60-72.]Search in Google Scholar
[Gillmor. Dan. 2004. We, the Media. Grassroots Journalism by the People, for the People. Sebastopol. CA: O’Reilly Media. Inc.10.1145/1012807.1012808]Search in Google Scholar
[Jackel. Anne. 2001. Romania: From Tele-revolution to Public Service Broadcasting. National Images and International Image. Canadian Journal of Communication n o. 26:131 -13 7. h ttp ://www. cjc-online.ca/index.php/joumal/article/\iew/l200/ 1144. Last accessed 03. 03. 2015.10.22230/cjc.2001v26n1a1200]Search in Google Scholar
[Kittler. Friedrich and Milo Rau. 2010. So wird man Historiker. Ein Gesprach zwischen Milo Rau und Friedrich Kittler iiber die rumanische Telerevolution, die unterschwellige Kraft der Bilder und Reinhart Koselleck in Russland [This is How One Becomes a Historian. A Discussion Between Milo Rau and Friedrich Kittler About the Romanian Telerevolution. About the Power of Images and Reinhart Koselleck in Russia]. In Die letzten Tage der Ceau§escus: Materia lien, Dokumente. Theorie [The Last Days of Ceau§escu: Materials, Documents, Theories], eds. Milo Rau, Nina Wolters and Jens Dietrich, 143-152. Berlin: Verbrecher Verlag. ]Search in Google Scholar
[Kracauer. Siegfried. 1995. History: The Last Things Before the Last. Princeton: Markus Wiener Publishers.]Search in Google Scholar
[Mcgillivrav, Glen. 2009. The Discursive Formation of Theatricality as a Critical Concept. Metaphorik no. 1. http://www.metaphorik.de/de/journal/17/discur-sive-formation-theatricality-critical-concept.html <http://www.metaphorik.de/de/journal/17/discur-sive-formation-theatricality-critical-concept.html>. Last accessed 03. 03. 2015. Morse. Margaret. 1998. Virtualities: Television. Media Art, and Cyberculture. Bloomington: Indiana University Press.]Search in Google Scholar
[Mroue, Rabih. 2013a. Eleven Years. Three Months and Five Days. In Image(s), Mon Amour. Fabrications, Ral)ill Mrou6, 104-107. Madrid: CA2M Centro de Arte Dos de Mayo.]Search in Google Scholar
[Mroue, Rabih. 2013b. The Pixelated Revolution. In Image(s), Mon Amour. Fabrications, ed. Rabih Mrou£, 378-393. Madrid: CA2M Centro de Arte Dos de Mayo.]Search in Google Scholar
[Mroue, Rabih. 2013c. Theater in Oblique. In Image(s). mon amour. Fabrications.]Search in Google Scholar
[Rabih Mrou6, 250-257. Madrid: CA2M Centro de Arte Dos de Mayo.]Search in Google Scholar
[Reinelt. Janelle. 2010. Toward a Poetics of Theatre and Public Events: the Case of Stephen Lawrence. In The Dramaturgy of the Real, ed. Carol Martin, 27-44. Basingstoke and New York: Palgrave Macmillan.10.1057/9780230251311_3]Search in Google Scholar
[Rodowick. David N. 2007. An Elogv for Theory. October no. 122: 91-109. Stallabrass. Julian. 2013. The Power and Impotence of Images. In Memory of Fire: Images of War and the War of Images, ed. Julian Stallabrass, 22-55. Brighton: Photoworks.]Search in Google Scholar
[Steyerl, Hito. 2006. Look Out. it’s Real! Documentarism. Experience. Politics. In Production Unit. Slowly Learning to Survive the Desire to Simplify. A Symposium on Critical Documents, 23-26. Malmo: Nifca, Iaspis and The Nordic Culture Fund.]Search in Google Scholar
[Steyerl, Hito. 2009. In Defense of the Poor Image, e-flux journal vol. 10 no. 11. <http://wivw.e-flux.coin/journal/vievv/94>. Last accessed 03. 03. 2015. ]Search in Google Scholar
[Tismaneanu, Vladimir and Matei Calinescu. 1991. Epilogue. The 1989 Revolution and the Collapse of Communism in Romania. In The Romanians: a History. eds. Vlad Georgescu and Matei Calinescu, 279-298. Columbus: Ohio State University Press.]Search in Google Scholar
[Von Amelunxen, Hubertus and Andrei Ujica. 1990. Television-Revolution: Das Ultimatum des Bildes: Rumdnien im Dezember 1989. [Television-Revolution. The Ultimatum of Images: Romania in December 1989]. Marburg: Jonas.]Search in Google Scholar