[Anon. 1930. Museums and Movies. Museums Journal vol. 29 no. 10: 334-351.]Search in Google Scholar
[Arnold-de Simine, Silke. 2013. Mediating Memory in the Museum: Trauma, Empathy, Nostalgia. Houndmills: Palgrave Macmillan.10.1057/9781137352644]Search in Google Scholar
[Arnold-de Simine, Silke. 2012. Memory Museum and Museum Text: Intermediality in Daniel Libeskind's Jewish Museum and W.G. Sebald’s Austerlitz. Theory, Culture & Society vol. 29 no. 1: 14-35.10.1177/0263276411423034]Search in Google Scholar
[Billing, Scott. 2008. Smoke and Mirrors. Museum Practice (Summer): 36-40.]Search in Google Scholar
[Casetti, Francesco. 1998 [1986]. Inside the Gaze: The Fiction Film and Its Spectator. Bloomington and Indianapolis: Indiana University Press.]Search in Google Scholar
[Chittenden. Tara. 2011. The Cook, the Marquis, his Wife, and her Maids: The Use of Dramatic Characters in Peter Greenaway’s Peopling the Palaces as a Way of Interpreting Historic Buildings. Curator vol. 54 no. 3 (July): 261-278.]Search in Google Scholar
[Cirifino, Fabio, Elisa Giardina Papa and Paolo Rosa, eds. 2011. Studio Azzurro: musei di narrazione: percorsi interattivi e affreschi multimediali = Museums as narration: interactive experiences and multimedia frescoes. Cinisello Balsamo: Silvana Editoriale.]Search in Google Scholar
[Demaria, Cristina. 2014. Spaces, Memoryscapes and the Cinematic Imaginary: Ghosts and Stories. Versus. Quaderni di studi semiotici no. 119 (July- December): 109-129.]Search in Google Scholar
[Felman, Shoshana and Dori Laub. 1992. Testimony: Crises of Witnessing in Literature. Psychoanalysis, and Histoiv. New York: Routledge.]Search in Google Scholar
[Hein, Hilde. 2000. The Museum in Transition: A Philosophical Perspective. Washington D.C.: Smithsonian Institution Press.]Search in Google Scholar
[Huyssen, Andreas. 2003. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford: Stanford University Press.10.1515/9781503620308]Search in Google Scholar
[Gaudreault. Andre and Tom Gunning. 2006 [1986]. Early Cinema as a Challenge to Film History? In The Cinema of Attractions Reloaded, ed. Wanda Strauven, 365-380. Amsterdam: Amsterdam University Press.]Search in Google Scholar
[Griffiths, Alison. 2008. Shivers Down Your Spine. Cinema, Museums and the Immersive View. New York: Columbia University Press.]Search in Google Scholar
[Gunning, Tom. 2006 [1986]. The Cinema of Attraction: Early Film, Its Spectator and the Avant-Garde. In The Cinema of Attractions Reloaded, ed. Wanda Strauven, 381-388. Amsterdam: Amsterdam University Press.]Search in Google Scholar
[Gunning. Tom. 2004. Illusions Past and Future: The Phantasmagoria and its Specters, http:/7pl02.donau-uni.ac.at/jspui/bitstream/10002/296/1/Gunning.pdf. Last accessed 03. 12. 2015.]Search in Google Scholar
[Hein, Hilde. 2000. The Museum in Transition: A Philosophical Perspective. Washington D.C.: Smithsonian Institution Press.]Search in Google Scholar
[Hooper-Greenhill, Eilean. 2000. Museums and the Interpretation of Visual Culture. London and New York: Routledge.]Search in Google Scholar
[Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums and Heritage. Berkeley: University of California Press.]Search in Google Scholar
[Landsberg, Ahson. 2004. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press.]Search in Google Scholar
[Mannoni, Laurent. 2000 [1994]. The Great Art of Light and Shadow: Archaeology of the Cinema. Exeter: University of Exeter Press.]Search in Google Scholar
[Païni, Dominique and Guy Cogeval, eds. 2000. Hitchcock et PArt: coincidences fatales. Paris and Milan: Centre Pompidou-Mazzotta.]Search in Google Scholar
[Irina O. Rajewskv. 2005. Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality. Intermedialites no. 6 (automne): 43-64.]Search in Google Scholar
[Sarkar, Bhaskar and Janet Walker, eds. 2009. Documentary Testimonies: Global Archives of Suffering. New York and London: Routledge.10.4324/9780203883419]Search in Google Scholar
[Strauven, Wanda, ed. 2006. The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press.10.5117/9789053569443]Search in Google Scholar
[Violi, Patrizia. 2014. Spectacularizing Trauma: the Experientialist Visitor of Memory Museums. Versus. Quaderni di studi semiotici no. 119 (July- December): 51-70.]Search in Google Scholar
[Williams, Paul. 2007. Memorial Museums: The Global Rush to Commemorate Atrocities. Oxford and New York: Berg.]Search in Google Scholar
[Williams, Paul. 2011. Memorial Museums and the Objectification of Suffering. In The Routledge Companion to Museum Ethics, ed. Janet C. Marstine, 220-235. London and New York: Routledge.]Search in Google Scholar
