<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our research shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.</p>
</abstract>

This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the Republic of China. By analysing a collection consisting of 259 traditional cheongsam material samples in various museums such as the China Silk Archives in Suzhou, we explored the transformation of cheongsam textile design during the Republic of China from the perspective of Eastern and Western art cultural exchanges and explored the spread of Western artistic thought in China. Our research shows that, firstly, with the development of industrialization, the traditional cheongsam textile business absorbed new design concepts; secondly, in terms of material selection and pattern style, it widened the range of fabrics used and broke the monotony of traditional Chinese patterns. Moreover, it reduced connotations of social class implied by traditional textile design. Finally, these textile designs reflect the progress that has been made in the development of this artistic trend and the cultural fusion of Eastern and Western arts during the Republic of China.

Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China

Fibres & Textiles in Eastern Europe

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

This paper aims to discuss the artistic characteristics of traditional cheongsam and the transformation that has taken place in cheongsam textile design in the...

Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China

Article Category: Research Article

Pubblicato online: 30 dic 2022

Pagine: 19 - 26

DOI: https://doi.org/10.2478/ftee-2022-0049

Parole chiave
Textile design, Cheongsam pattern, cultural exchange

© 2022 Jingnan Zhang, et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China

Article Category: Research Article

Pubblicato online: 30 dic 2022

Pagine: 19 - 26

DOI: https://doi.org/10.2478/ftee-2022-0049

Parole chiaveTextile design, Cheongsam pattern, cultural exchange

© 2022 Jingnan Zhang, et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Parole chiave
Textile design, Cheongsam pattern, cultural exchange