Editorial

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The academic study of music business is becoming increasingly relevant as the creative industries evolve with developing digital and knowledge economies. Utilising a small-scale survey, this study considers indicators of successful career development as perceived by music business graduates to examine the ambitions of music business students, the design of inclusive competency frameworks and implications for policy discourse beyond a reliance on simplistic metrics.
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Music Business Education in the Global Creative Industries: Curriculum design, inclusive practice and measures of success

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The research focusses on understanding the controls and predicting singers’ work efficiency, which is measured by rework times (RwT) in the recording studios. We conducted a comprehensive literature synthesis to identify a set of nine critical factors combining advancements in both acoustic field and recording practice. We measured each of these potential variables while 10 individual singers performed the same original song independently. The pieces of music sentences (n = 380) were analyzed by the multiple linear regression method. We found that:
<list list-type="order">
<list-item>In the recording process, the RwT of a singer are predicted mainly by intensity, singing duration (SinD) and rhythm consistency.</list-item>
<list-item>SinD mediates the connection between intensity and RwT.</list-item>
<list-item>A singing peak exists in the performance.</list-item></list>
</abstract>

Factors Predicting Singers’ Work Efficiency and Singers’ Singing Peak

Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labour Markets and How We Will Win Them Back

Artificial Intelligence and Music Ecosystem

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International Journal of Music Business Research

The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research is a scientific approach at the intersection of economic, artistic, especially musical, cultural, social, legal, technological developments that aims at a better understanding of the creation/production, dissemination/distribution and reception/consumption of the cultural good music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy.  The journal is published biannual (April &amp; October) in English. The types of contribution include: research and review articles, research notes- and book reviews. The articles have been thoroughly peer reviewed by international specialists and promoted to researchers working in the same field.   With its generous financial support, the Universitetet i Agder/Norway enables the publication of the IJMBR.  There are no charges for authors to publishing articles in the IJMBR   Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 

International Journal of Music Business Research

Volume 13 (2024): Issue 1 (April 2024)

Editorial

Editorial

Research Article

Music Business Education in the Global Creative Industries: Curriculum design, inclusive practice and measures of success

Factors Predicting Singers’ Work Efficiency and Singers’ Singing Peak

Book Review

Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labour Markets and How We Will Win Them Back

Artificial Intelligence and Music Ecosystem

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