Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division

Publié en ligne: 09 août 2024

Pages: 223 - 238

DOI: https://doi.org/10.2478/prm-2023-0009

Mots clés

Zofia Lissa, expression, socialist realism, Ausdrucksbewegungen, Auguste Flach

© 2023 Izabela Zymer, published by Sciendo

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