Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division

Published Online: Aug 09, 2024

Page range: 223 - 238

DOI: https://doi.org/10.2478/prm-2023-0009

Keywords

Zofia Lissa, expression, socialist realism, Ausdrucksbewegungen, Auguste Flach

© 2023 Izabela Zymer, published by Sciendo

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.