<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Crescent (2003) is an example of the kind of Arab-American literature that has emerged noticeably in the early years of the 21st century. It signifies a hypothesis that culinary practice is an essential cultural component for diasporic figures to define their identities, especially in a multi-cultural society. These figures embrace such component to strategically define themselves and assert their belonging and affiliation to their original homelands. This paper, as such, examines the extent to which Arab-American characters in the novel, namely Sirine and Han, consider culinary practice as a key tool to understanding their identity, locate themselves in a multi-cultural society, and re-discover their true belonging. The study of this novel shows that culinary practices, as indicated in the narratives, deconstruct Arab-American identity through various dimensions, including memory, nostalgia, hybridity, and essentialism. In addition to employing critical and analytical approaches to the novel, this paper relies on a socio-cultural conceptual framework based on perspectives of prominent critics and theorists such as Homi Bhabha, Brinda Mehta, Dallen Timothy, and Stuart Hall, to name a few.</p></abstract>

Crescent (2003) is an example of the kind of Arab-American literature that has emerged noticeably in the early years of the 21st century. It signifies a hypothesis that culinary practice is an essential cultural component for diasporic figures to define their identities, especially in a multi-cultural society. These figures embrace such component to strategically define themselves and assert their belonging and affiliation to their original homelands. This paper, as such, examines the extent to which Arab-American characters in the novel, namely Sirine and Han, consider culinary practice as a key tool to understanding their identity, locate themselves in a multi-cultural society, and re-discover their true belonging. The study of this novel shows that culinary practices, as indicated in the narratives, deconstruct Arab-American identity through various dimensions, including memory, nostalgia, hybridity, and essentialism. In addition to employing critical and analytical approaches to the novel, this paper relies on a socio-cultural conceptual framework based on perspectives of prominent critics and theorists such as Homi Bhabha, Brinda Mehta, Dallen Timothy, and Stuart Hall, to name a few.

The Power of Recipes: Culinary Practice as a Strategy to Deconstruct Arab-American Identity in Diana Abu-Jaber’s Crescent

Prague Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Crescent (2003) is an example of the kind of Arab-American literature that has emerged noticeably in the early years of the 21st century. It signifies a...

The Power of Recipes: Culinary Practice as a Strategy to Deconstruct Arab-American Identity in Diana Abu-Jaber’s Crescent

Publié en ligne: 02 oct. 2020

Pages: 115 - 132

DOI: https://doi.org/10.2478/pjes-2020-0006

Mots clés
Arab-American, culinary practice, food, identity, hybridity, multiculturalism, essentialism, memory

© 2020 Ishak Berrebbah, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Power of Recipes: Culinary Practice as a Strategy to Deconstruct Arab-American Identity in Diana Abu-Jaber’s Crescent

Publié en ligne: 02 oct. 2020

Pages: 115 - 132

DOI: https://doi.org/10.2478/pjes-2020-0006

Mots clésArab-American, culinary practice, food, identity, hybridity, multiculturalism, essentialism, memory

© 2020 Ishak Berrebbah, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
Arab-American, culinary practice, food, identity, hybridity, multiculturalism, essentialism, memory