<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Colour and space are pervasive topics in both perception and art. This article investigates the role of colour and pattern in relation to space and time in the art works by two artists: Frank Stella, a well-known Post-War American abstract painter, and Pieter Vermeersch, an emerging Belgian abstract painter, representing a contemporary trend to break the barriers between artistic disciplines. While Stella adheres to the Modernist logic of non-illusionistic, non-spatial, non-referential art as object, perceived instantaneously, Vermeersch explores ways to enhance the viewers’ spatial and temporal experiences through complex art installations with multiple objects and architectural elements interacting with each other and with the spaces in which they are embedded. We discuss these major themes in some representative art works, and in the way they are perceived and appreciated by contemporary viewers, investigated in four empirical studies: two laboratory experiments using well-controlled stimuli derived from at works, and two museum studies employing a variety of methods, including mobile eye-tracking and questionnaires.</p>
</abstract>

Colour and space are pervasive topics in both perception and art. This article investigates the role of colour and pattern in relation to space and time in the art works by two artists: Frank Stella, a well-known Post-War American abstract painter, and Pieter Vermeersch, an emerging Belgian abstract painter, representing a contemporary trend to break the barriers between artistic disciplines. While Stella adheres to the Modernist logic of non-illusionistic, non-spatial, non-referential art as object, perceived instantaneously, Vermeersch explores ways to enhance the viewers’ spatial and temporal experiences through complex art installations with multiple objects and architectural elements interacting with each other and with the spaces in which they are embedded. We discuss these major themes in some representative art works, and in the way they are perceived and appreciated by contemporary viewers, investigated in four empirical studies: two laboratory experiments using well-controlled stimuli derived from at works, and two museum studies employing a variety of methods, including mobile eye-tracking and questionnaires.

Colour, Pattern, Space and Time in Art Perception: Two Case Studies

Department of Brain & Cognition and Art History

Gestalt Theory

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"Colour, Pattern, Space and Time in Art Perception: Two Case Studies"}

Colour and space are pervasive topics in both perception and art. This article investigates the role of colour and pattern in relation to space and time in the...

Colour, Pattern, Space and Time in Art Perception: Two Case Studies

Publié en ligne: 10 nov. 2022

Pages: 7 - 26

DOI: https://doi.org/10.2478/gth-2022-0013

Mots clés
painting, art, colour, space, time

© 2022 Johan Wagemans et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Colour, Pattern, Space and Time in Art Perception: Two Case Studies

Publié en ligne: 10 nov. 2022

Pages: 7 - 26

DOI: https://doi.org/10.2478/gth-2022-0013

Mots cléspainting, art, colour, space, time

© 2022 Johan Wagemans et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
painting, art, colour, space, time