Trust and Technologies of Sense. VR and Proprioception in Hamlet Encounters

Bakk, Ágnes Karolina. (2019). Sending Shivers down the Spine. VR Productions as Seamed Media. Acta Universitatis Sapientiae, Film and Media Studies 17: 143–156. DOI: 10.2478/ausfm-2019-0020. http://www.acta.sapientia.ro/acta-film/C17/film17-09.pdf (accessed on: 24.08.2020).10.2478/ausfm-2019-0020Search in Google Scholar

Barthes, Roland. (1980). Camera Lucida. Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang.Search in Google Scholar

Eifert, Anna. (1997). A kép az eltűnés esztétikájában. Interaktív environment mint kinesztetikus tapasztalati tér [The Image in the Aesthetics of Disappearance. Interactive Environment as a Kinesthetic Space of Experience]. In: Bacsó, Béla (ed.), Kép – Fenomén – Valóság [Image – Phenomenon – Reality]. Budapest: Kijárat, 381–396.Search in Google Scholar

Foucault, Michel. (1988). Technologies of the Self. In: Martin, Luther H.–Gutman, Huck–Hutton, Patrick H. (eds.), Technologies of the Self. A Seminar with Michel Foucault. Tavistock Publications. The University of Massachusetts Press, 16–49.Search in Google Scholar

Gochfeld, David – Molina, Javier. (2017). To Be with Hamlet. In: Weijdom, Joris (ed.), Mixed Reality and the Theatre of the Future. Fresh Perspectives on Arts and New Technologies. Brussels: IETM – International Network for Contemporary Performing Arts, 47–54. https://www.ietm.org/en/system/files/publications/ietm_fp_mixed-reality_march2017_1.pdf (accessed on: 24.08.2020).Search in Google Scholar

Grau, Oliver. (2003). Virtual Art. From Illusion to Immersion. Transl. by Gloria Custance. Cambridge, Massachusetts – London, England: The MIT Press.Search in Google Scholar

Hansen, Mark. (2004). New Philosophy for New Media. Massachusetts Institute of Technology (2015). Feed / Forward. The Future of 21st Century Media. Chicago.Search in Google Scholar

Kattenbelt, Chiel M. (2019). Performativity and Worldmaking. Interview with Chiel M. Kattenbelt by Ágnes Karolina Bakk. Acta Universitatis Sapientiae, Film and Media Studies 17: 169–178. DOI: 10.2478/ausfm-2019-0022. http://www.acta.sapientia.ro/acta-film/C17/film17-11.pdf (accessed on: 24.08.2020).10.2478/ausfm-2019-0022Search in Google Scholar

Kolta, Magdolna. (2003). Képmutogatók. A fotográfiai látás kultúrtörténete [Image Displayers. The Cultural History of Photographic Vision]. Magyar Fotográfiai Múzeum [Hungarian Museum of Photography]. http://www.fotoklikk.hu/fm/kepmutogatok/iii_b.html (accessed on: 24.08.2020).Search in Google Scholar

Manovich, Lev. (2001). The Language of New Media. Cambridge: The MIT Press.10.22230/cjc.2002v27n1a1280Search in Google Scholar

Mellby, Julie L. (2008). A Peep Egg. https://www.princeton.edu/~graphicarts/2008/05/a_peep_egg.html (accessed on: 24.08.2020).Search in Google Scholar

Murray, Janet H. (2017). Hamlet on the Holodeck, Updated Edition. The Future of Narrative in Cyberspace. The MIT Press.Search in Google Scholar

Nelson, Robin–Joris, Eric–Kattenbelt, Chiel. (2018). Theatre In-Between Live Action, VR and Cinema: Crew’s Hamlet Encounters. The presentations of Robin Nelson (University of London), Eric Joris (Brussels, founder of Crew), Chiel Kattenbelt (Utrecht University) at the international conference Intermediality Now: Remapping In-Betweenness, 18–20 Oct. 2018, organized by Sapientia Hungarian University of Transylvania, Cluj-Napoca. https://www.youtube.com/watch?v=yGWsCp26Cco (accessed on: 24.08.2020).Search in Google Scholar

Rouse, Rebecca. (2016). Media of Attraction: A Media Archaeology Approach to Panoramas, Kinematography, Mixed Reality and Beyond. In: Nack, F.–Gordon, A. S. (eds.), ICIDS 2016. LNCS, vol. 10045. Cham: Springer, 97–107.10.1007/978-3-319-48279-8_9Search in Google Scholar

Salter, Chris. (2015). Displace 2.0: Mediation of Sensations. A Conversation with Chris Salter. Digicult. https://digicult.it/news/a-conversation-with-chris-salter-on-displace-2-0/ (accessed on: 24.08.2020).Search in Google Scholar

(2017). Technologies of Sense. Expanding the Sensorium in the Age(s) of Immersion. In: Limits of Knowing. Catalogue. Berlin: Kerber Verlag, 174–183.Search in Google Scholar

(2019). Presence Is the Lingua Franca. ZipScene Magazine. Performing arts&games&tech&more. https://zip-scene.com/2019/06/10/presence-is-the-lingua-franca/ (accessed on: 24.08.2020).Search in Google Scholar

Sontag, Susan. (1973). On Photography. New York: Rosetta Books LLC.Search in Google Scholar