Accès libre

9. The Concept of Nature and Its Applications in the Legal, Musical and Educational Fields

   | 04 avr. 2016
À propos de cet article

Citez

1. Allain, Y.M. & Christiany J. (2006). L'art des jardins en Europe. Paris: Citadelles and MazenodSearch in Google Scholar

2. Annas, J. (1993). The Morality of Happiness. New York: Oxford University PressSearch in Google Scholar

3. Aquinas, T. (1988). Summa Theologica, trans. Fathers of the English Dominican Province, Hackett Publishing Co., Indianapolis, I-II, Q. 77, A. 2Search in Google Scholar

4. Begbie J. (2013). Music, Modernity, and God. Essays in Listening, Oxford: Oxford University Press10.1093/acprof:oso/9780199292448.001.0001Search in Google Scholar

5. Cohen, H.F. (1984). Quantifying Music. The Science of Music at the First Stage of the Scientific Revolution, 1580-1650, Springer-Science + Business Media, DordrechtSearch in Google Scholar

6. Creese, D. (2010). The Monochord in Ancient Greek Harmonic Science. Cambridge: Cambridge University PressSearch in Google Scholar

7. Crowe, M. B. (1977). The Changing Profile of the Natural Law. New York: Springer10.1007/978-94-015-0913-8Search in Google Scholar

8. Curzon, P. (1993). Jurisprudence Lecture Notes. London: Cavendish Publishing LimitedSearch in Google Scholar

9. Damschroder, D., Williams D. R. (1990). Music theory from Zarlino to Schenker. A Bibliography and Guide. Stuyvesant: Pendragon PressSearch in Google Scholar

10. Donald, J. A. (2015). Natural Law and Natural Rights. Retreived from http://jim.com/rights.html (accessed on 19 October 2015)Search in Google Scholar

11. Finnis, J. (1980). Natural Law and Natural Rights. Oxford: Clarendon PressSearch in Google Scholar

12. Grisez, G., Boyle J., Finnis, J. (1987). Practical Principles, Moral Truth, and Ultimate Ends. The American Journal of Jurisprudence, 32, 99-15110.1093/ajj/32.1.99Search in Google Scholar

13. Hittinger, R. (1987). A Critique of the New Natural Law Theory. Notre Dame: University of Notre Dame PressSearch in Google Scholar

14. Katz, R. (2009). A Language of its Own: Sense and Meaning in the Making of Western Art Music. Chicago: University of Chicago Press10.7208/chicago/9780226425986.001.0001Search in Google Scholar

15. Kuide, C. (1989). Man vs. Nature and Natural Man: One Aspect of the Concept of Nature in China and the West, in: Tang Yi-Jie, Li Zhen, George F. McLean (eds.), Man and Nature: The Chinese Tradition and the Future, (pp. 131-141). University Press of America, Lanham – New York – LondonSearch in Google Scholar

16. Levenson, T. (1994). Measure for Measure: A Musical History of Science. New York: TouchstoneSearch in Google Scholar

17. Martìnez de Anguita, P. (2012). Environmental Solidarity. How Religions can Sustain Sustainability. New York: Routledge10.4324/9780203117460Search in Google Scholar

18. Maxham, R. E. (1976). The contributions of Joseph Sauveur (1653-1716) to acoustics, [Dissertation], University of Rochester, 2 vol.Search in Google Scholar

19. Richardson, T. (2007). The Arcadian Friends: Inventing the English Landscape Garden. London – Toronto – Sydney – Auckland – Johannesburg: Bantam PressSearch in Google Scholar

20. Tang, Y.J., Li, Z., McLean, G.F. (eds.) (1989). Man and Nature: The Chinese Tradition and the Future. Lanham – New York – London: University Press of AmericaSearch in Google Scholar

21. Williams, M. (2006). Deforesting the Earth: From Prehistory to Global Crisis. An Abridgment. London: The University of Chicago Press10.7208/chicago/9780226899053.001.0001Search in Google Scholar

22. Willis, J. (2004). The Religion Book: Places, Prophets, Saints, and Seers. Canton: Visible InkSearch in Google Scholar