<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The concept of nature changed over time, modifying the relationship between nature and man: in some cultures man and nature are considered as deeply connected, in others definitely separated. The leading ideas about nature are reflected in work pertaining to the legal, musical and educational fields. This study provides insights into these issues, trying to highlight specific analogies which connect the concept of nature and its application in the cited fields.</p></abstract>

The concept of nature changed over time, modifying the relationship between nature and man: in some cultures man and nature are considered as deeply connected, in others definitely separated. The leading ideas about nature are reflected in work pertaining to the legal, musical and educational fields. This study provides insights into these issues, trying to highlight specific analogies which connect the concept of nature and its application in the cited fields.

9. The Concept of Nature and Its Applications in the Legal, Musical and Educational Fields

Doctoral Candidate, Ghent University from Ghent of Belgium

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The concept of nature changed over time, modifying the relationship between nature and man: in some cultures man and nature are considered as deeply connected,...

9. The Concept of Nature and Its Applications in the Legal, Musical and Educational Fields

Publié en ligne: 04 avr. 2016

Pages: 73 - 78

DOI: https://doi.org/10.1515/rae-2016-0009

Mots clés
aesthetic experience, anthropocentrism, consonant musical intervals, natural law, Notre Dame Law School, play

© 2016 Flavia Marisi, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

9. The Concept of Nature and Its Applications in the Legal, Musical and Educational Fields

Publié en ligne: 04 avr. 2016

Pages: 73 - 78

DOI: https://doi.org/10.1515/rae-2016-0009

Mots clésaesthetic experience, anthropocentrism, consonant musical intervals, natural law, Notre Dame Law School, play

© 2016 Flavia Marisi, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
aesthetic experience, anthropocentrism, consonant musical intervals, natural law, Notre Dame Law School, play