Musicology Today
Volume 18 (2021): Issue 1 (December 2021)
Pasticcio. Ways of arranging attractive operas
15 Artículos
Acceso abierto | 31 dic 2021
The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
Acceso abierto | 31 dic 2021
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Acceso abierto | 31 dic 2021
The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas
Acceso abierto | 31 dic 2021
‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy
Acceso abierto | 31 dic 2021
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
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Acceso abierto | 31 dic 2021
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Acceso abierto | 31 dic 2021
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
Acceso abierto | 31 dic 2021
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Acceso abierto | 31 dic 2021
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Acceso abierto | 31 dic 2021
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Acceso abierto | 31 dic 2021
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
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Volumen 19 (2022)
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Volumen 11 (2014)