The Beginnings of Musical Italianità in Gdańsk and Elbląg in the Renaissance Era

Polyphonic Music in Fragments: A New Perspective for Polish Musicology?

The Musical Repertory Between the Confessions. Re-Catholicising Strategies in the Songbook of Johannes Schubart from Neisse (1625)

Research into the Resources of Polish Courts. Notes on the Musicians of Stanisław Ciołek Poniatowski (1676–1762)

&lt;Alla Maestà Clementina Regina Della Gran Bretagna&gt;: The Political Significance of Dedications on the Example of Selected Operas Staged in the Teatro d’Alibert in Rome (1720-1730)

Department II: Piano, Harpsichord and Organ,

A Collection of Music for Keyboard Instrument from Manuscript L 1668 (Book of Jadwiga Dygulska) of Sandomierz Diocese Library

Some Remarks on the Formation of the Classical Style: Instrumental Music by Amandus Ivanschiz

AHEAD OF PRINT

Volume 19 (2022): Issue 1 (December 2022)

Volume 18 (2021): Issue 1 (December 2021) Pasticcio. Ways of arranging attractive operas

Volume 17 (2020): Issue 1 (December 2020)

Volume 16 (2019): Issue 1 (December 2019) Women-Composers in Poland

Volume 15 (2018): Issue 1 (December 2018) Deconstructing the Myth of Polishness in Music

Volume 14 (2017): Issue 1 (December 2017) ‘Warsaw Autumn’ International Festival of Contemporary Music

Volume 13 (2016): Issue 1 (December 2016) [Polish] Musicology Today

Volume 12 (2015): Issue 1 (December 2015) The Musical Languages of Contemporary Polish Composers: Self-Reflections

Volume 11 (2014): Issue 1 (December 2014) Oskar Kolberg

Volume 10 (2013): Issue 1 (December 2013) Musical Historiography in Poland. New Sources – New Methodologies

Musicology Today

 ISSN - 1734-1663eISSN - 2353-5733  Musicology Today is a double-blind peer reviewed journal published since 2004 by the Institute of Musicology, University of Warsaw and the Union of Polish Composers, Poland.  The main objective of Musicology Today is to provide an intellectual platform for international scholars and to promote interdisciplinary studies in musicology. We publish articles in the fields of historical musicology, ethnomusicology, music theory, and other sub-disciplines of musicology. The journal is a forum for research in all areas of music scholarship, seeking to reflect the breadth and diversity of approaches and topics. Musicology Today distinctly promotes studies on Central and Eastern European music and aims to become a leading musicological journal in this part of the world. Special issues devoted to important topics within Central and Eastern European musicology are occasionally published.  Why read Musicology Today?   Musicology Today is a valuable source of information from different branches of musicology providing a wide array of high-quality original articles;  The journal is a platform for exchanging ideas among international scholars with a particular focus on musical culture in Central and Eastern Europe;  The articles cover a wide spectrum of scholarly activity, including works of young scholars;  The articles are published after a double-blind peer review provided by international experts on the subject and the Scientific Committee;  Musicology Today strives for high-resolution publishing quality.   Why submit your research to Musicology Today?   Musicology Today invites scholars to submit articles in all branches of musicology, including historical musicology, ethnomusicology, and music theory. We especially encourage submissions from scholars of Central and Eastern Europe;  The articles are published after double-blind peer review provided by subject experts;  The articles of both Polish and foreign authors are always up-to-date, original, have never been printed before in other academic publications, and reflect high academic standards;  Online indexing guarantees the worldwide distribution and promotion of the authors’ academic achievements;  Free language assistance is provided for authors from non-English speaking countries;  The editors provide a fast route through the publication process and full access to DeGruyter e-technology.   Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process.   PREVIOUS ISSUESmusicologytoday.hist.plwww.imuz.uw.edu.pl/index.php/pl/2013-03-09-17-43-16/musicology-today

Volume 10 (2013): Issue 1 (December 2013) - Musical Historiography in Poland. New Sources – New Methodologies

Musical Historiography in Poland. New Sources – New Methodologies

Volume 10 (2013): Issue 1 (December 2013)