Editorial

Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series

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Along with the rapid growth of China's music industry, laws and policies that protect music copyrights are also gradually improving. However, the distribution of copyrights among major music platforms is uneven. Music copyrights have become an effective implement for the major music companies in China to eliminate players in the market and create barriers to the industry. This paper analyses the cause of the uneven distribution of music copyrights among music platforms, discusses how this situation leads to an oligopoly that affects the consumers and music producers, and indicates some possible solutions.
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Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly

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This article takes a look at the ever expanding and increasingly commercially significant world of live music streaming through the nexus of electronic dance music. After charting the history of live music streaming, the article outlines the positive impacts that live music streaming has on promotion, sales and preservation of rare ethno-folk musics. However, interviews with industry insiders reveal opaque practices, where copyright enforcement is specifically utilised by a few large broadcasters in such a way as to maintain the dominance of their position within the live music streaming industry. A heightened agency in the hands of major corporations over what music audiences can see or hear is also identified. This article concludes that as live music streaming is co-opted across more music genres, these opaque practices will likely transfer across genre boundaries too. As such, it is important for live music streaming to come under further examination within the academy.
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Stream of Conscience? Live Music Streaming: Utility, Capital and Control

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The recent adoption of article 17 in the EU's new Directive on Copyright in the Digital Single Market has led to much debate. Proponents believe it will facilitate fair and balanced competition, while opponents fear increased censorship and surveillance on the Internet. Based on comprehensive document analysis, the paper explores the relationship between regulation and innovation. Through a study into article 17's implementation in Denmark, this paper investigates how article 17 will affect the innovation processes in the European music industry. The paper argues that although article 17 strengthens the rightsholders’ negotiation position, it does not decrease its dependence on the external IT Sector and its innovations.
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The Impact of Article 17 – A Study into its Effects on the Music Industry's Innovation Processes

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Volume 13 (2024): Issue 1 (April 2024)

Volume 12 (2023): Issue 2 (October 2023)

Volume 12 (2023): Issue 1 (April 2023)

Volume 11 (2022): Issue 2 (October 2022)

Volume 11 (2022): Issue 1 (April 2022)

Volume 10 (2021): Issue 2 (October 2021)

Volume 10 (2021): Issue 1 (April 2021)

International Journal of Music Business Research

The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research is a scientific approach at the intersection of economic, artistic, especially musical, cultural, social, legal, technological developments that aims at a better understanding of the creation/production, dissemination/distribution and reception/consumption of the cultural good music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy.  The journal is published biannual (April &amp; October) in English. The types of contribution include: research and review articles, research notes- and book reviews. The articles have been thoroughly peer reviewed by international specialists and promoted to researchers working in the same field.   With its generous financial support, the Universitetet i Agder/Norway enables the publication of the IJMBR.  There are no charges for authors to publishing articles in the IJMBR   Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 

International Journal of Music Business Research

Volume 11 (2022): Issue 1 (April 2022)

Editorial

Editorial

Book Review

Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series

Research Paper

Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly

Research Article

Stream of Conscience? Live Music Streaming: Utility, Capital and Control

The Impact of Article 17 – A Study into its Effects on the Music Industry's Innovation Processes

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