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Volumen 11 (2022): Heft 1 (April 2022)

Volumen 10 (2021): Heft 2 (October 2021)

Volumen 10 (2021): Heft 1 (April 2021)

Zeitschriftendaten
Format
Zeitschrift
eISSN
2227-5789
Erstveröffentlichung
20 Apr 2021
Erscheinungsweise
2 Hefte pro Jahr
Sprachen
Englisch

Suche

Volumen 11 (2022): Heft 1 (April 2022)

Zeitschriftendaten
Format
Zeitschrift
eISSN
2227-5789
Erstveröffentlichung
20 Apr 2021
Erscheinungsweise
2 Hefte pro Jahr
Sprachen
Englisch

Suche

5 Artikel

Editorial

access type Uneingeschränkter Zugang

Editorial

Online veröffentlicht: 27 Mar 2022
Seitenbereich: 1 - 1

Zusammenfassung

Book Review

access type Uneingeschränkter Zugang

Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series

Online veröffentlicht: 13 Apr 2022
Seitenbereich: 43 - 44

Zusammenfassung

Research Paper

access type Uneingeschränkter Zugang

Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly

Online veröffentlicht: 13 Apr 2022
Seitenbereich: 19 - 27

Zusammenfassung

Abstract

Along with the rapid growth of China's music industry, laws and policies that protect music copyrights are also gradually improving. However, the distribution of copyrights among major music platforms is uneven. Music copyrights have become an effective implement for the major music companies in China to eliminate players in the market and create barriers to the industry. This paper analyses the cause of the uneven distribution of music copyrights among music platforms, discusses how this situation leads to an oligopoly that affects the consumers and music producers, and indicates some possible solutions.

Schlüsselwörter

  • Music Copyrights
  • Music Business
  • Digital Music
  • Oligopoly

Research Article

access type Uneingeschränkter Zugang

Stream of Conscience? Live Music Streaming: Utility, Capital and Control

Online veröffentlicht: 08 Apr 2022
Seitenbereich: 29 - 42

Zusammenfassung

Abstract

This article takes a look at the ever expanding and increasingly commercially significant world of live music streaming through the nexus of electronic dance music. After charting the history of live music streaming, the article outlines the positive impacts that live music streaming has on promotion, sales and preservation of rare ethno-folk musics. However, interviews with industry insiders reveal opaque practices, where copyright enforcement is specifically utilised by a few large broadcasters in such a way as to maintain the dominance of their position within the live music streaming industry. A heightened agency in the hands of major corporations over what music audiences can see or hear is also identified. This article concludes that as live music streaming is co-opted across more music genres, these opaque practices will likely transfer across genre boundaries too. As such, it is important for live music streaming to come under further examination within the academy.

Schlüsselwörter

  • Live Music
  • Live Streaming
  • Copyright
  • Corporations
  • Social Media
access type Uneingeschränkter Zugang

The Impact of Article 17 – A Study into its Effects on the Music Industry's Innovation Processes

Online veröffentlicht: 27 Feb 2022
Seitenbereich: 3 - 17

Zusammenfassung

Abstract

The recent adoption of article 17 in the EU's new Directive on Copyright in the Digital Single Market has led to much debate. Proponents believe it will facilitate fair and balanced competition, while opponents fear increased censorship and surveillance on the Internet. Based on comprehensive document analysis, the paper explores the relationship between regulation and innovation. Through a study into article 17's implementation in Denmark, this paper investigates how article 17 will affect the innovation processes in the European music industry. The paper argues that although article 17 strengthens the rightsholders’ negotiation position, it does not decrease its dependence on the external IT Sector and its innovations.

Schlüsselwörter

  • digitalisation
  • music industry
  • innovation
  • EU
  • regulation
  • sociotechnology
5 Artikel

Editorial

access type Uneingeschränkter Zugang

Editorial

Online veröffentlicht: 27 Mar 2022
Seitenbereich: 1 - 1

Zusammenfassung

Book Review

access type Uneingeschränkter Zugang

Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series

Online veröffentlicht: 13 Apr 2022
Seitenbereich: 43 - 44

Zusammenfassung

Research Paper

access type Uneingeschränkter Zugang

Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly

Online veröffentlicht: 13 Apr 2022
Seitenbereich: 19 - 27

Zusammenfassung

Abstract

Along with the rapid growth of China's music industry, laws and policies that protect music copyrights are also gradually improving. However, the distribution of copyrights among major music platforms is uneven. Music copyrights have become an effective implement for the major music companies in China to eliminate players in the market and create barriers to the industry. This paper analyses the cause of the uneven distribution of music copyrights among music platforms, discusses how this situation leads to an oligopoly that affects the consumers and music producers, and indicates some possible solutions.

Schlüsselwörter

  • Music Copyrights
  • Music Business
  • Digital Music
  • Oligopoly

Research Article

access type Uneingeschränkter Zugang

Stream of Conscience? Live Music Streaming: Utility, Capital and Control

Online veröffentlicht: 08 Apr 2022
Seitenbereich: 29 - 42

Zusammenfassung

Abstract

This article takes a look at the ever expanding and increasingly commercially significant world of live music streaming through the nexus of electronic dance music. After charting the history of live music streaming, the article outlines the positive impacts that live music streaming has on promotion, sales and preservation of rare ethno-folk musics. However, interviews with industry insiders reveal opaque practices, where copyright enforcement is specifically utilised by a few large broadcasters in such a way as to maintain the dominance of their position within the live music streaming industry. A heightened agency in the hands of major corporations over what music audiences can see or hear is also identified. This article concludes that as live music streaming is co-opted across more music genres, these opaque practices will likely transfer across genre boundaries too. As such, it is important for live music streaming to come under further examination within the academy.

Schlüsselwörter

  • Live Music
  • Live Streaming
  • Copyright
  • Corporations
  • Social Media
access type Uneingeschränkter Zugang

The Impact of Article 17 – A Study into its Effects on the Music Industry's Innovation Processes

Online veröffentlicht: 27 Feb 2022
Seitenbereich: 3 - 17

Zusammenfassung

Abstract

The recent adoption of article 17 in the EU's new Directive on Copyright in the Digital Single Market has led to much debate. Proponents believe it will facilitate fair and balanced competition, while opponents fear increased censorship and surveillance on the Internet. Based on comprehensive document analysis, the paper explores the relationship between regulation and innovation. Through a study into article 17's implementation in Denmark, this paper investigates how article 17 will affect the innovation processes in the European music industry. The paper argues that although article 17 strengthens the rightsholders’ negotiation position, it does not decrease its dependence on the external IT Sector and its innovations.

Schlüsselwörter

  • digitalisation
  • music industry
  • innovation
  • EU
  • regulation
  • sociotechnology

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