Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*

Assis, P. de, and P. Giudici (eds), Machinic Assemblages of Desire: Deleuze and Artistic Research 3, Leuven, Leuven University Press, 2021. AssisP. de GiudiciP. (eds), Machinic Assemblages of Desire: Deleuze and Artistic Research 3 Leuven Leuven University Press 2021 10.2307/j.ctv1595mb9 Search in Google Scholar

Battaglia, S. Grande dizionario della lingua italiana, Turin, Unione Tipografico-Editrice Torinese, 1984. BattagliaS. Grande dizionario della lingua italiana Turin Unione Tipografico-Editrice Torinese 1984 Search in Google Scholar

Borgdorff, H., ‘The Production of Knowledge in Artistic Research’, in M. Biggs and H. Karlsson (eds), The Routledge Companion to Research in the Arts, London and New York, Routledge, 2010, pp. 44–63. BorgdorffH. ‘The Production of Knowledge in Artistic Research’ in BiggsM. KarlssonH. (eds), The Routledge Companion to Research in the Arts London and New York Routledge 2010 44 63 10.4324/9780203841327.ch3 Search in Google Scholar

Clausen, H.D., ‘Die Opernpartitur als “Werk“. Sommer 1723: Händels neuer Anspruch und Aspekte seiner Realisierung in Giulio Cesare’, Händel-Jahrbuch, vol. 64, 2018, pp. 367–385. ClausenH.D. ‘Die Opernpartitur als “Werk“. Sommer 1723: Händels neuer Anspruch und Aspekte seiner Realisierung in Giulio Cesare’ Händel-Jahrbuch 64 2018 367 385 Search in Google Scholar

Deshoulières, C., L’Opéra baroque et la scène moderne : essai de synthèse dramatique, Paris, Fayard, 2000. DeshoulièresC. L’Opéra baroque et la scène moderne : essai de synthèse dramatique Paris Fayard 2000 Search in Google Scholar

Feldman, M., ‘Arias: Form, Feeling, Exchange’, in Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy, Chicago, University of Chicago Press, 2007. FeldmanM. ‘Arias: Form, Feeling, Exchange’ in Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy Chicago University of Chicago Press 2007 10.7208/chicago/9780226044545.001.0001 Search in Google Scholar

Forment, B., ‘Ifigenia & Ipermestra: de belichaamde mythe in de opera seria’ [‘Ifigenia & Ipermestra: The Embodied Myth in Opera Seria’], Tijdingen van het Koninklijk Conservatorium Brussel, vol. 20, no. 3, 2006, pp. 3–7. FormentB. ‘Ifigenia & Ipermestra: de belichaamde mythe in de opera seria’ [‘Ifigenia & Ipermestra: The Embodied Myth in Opera Seria’] Tijdingen van het Koninklijk Conservatorium Brussel 20 3 2006 3 7 Search in Google Scholar

Forment, B., ‘Moonlight on Endymion: In Search of ‘Arcadian Opera,’ 1688–1721’, Journal of Seventeenth-Century Music, vol. 14, no. 1, 2008, https://sscm-jscm.org/v14/no1/forment.html (accessed 13 July 2021). FormentB. ‘Moonlight on Endymion: In Search of ‘Arcadian Opera,’ 1688–1721’ Journal of Seventeenth-Century Music 14 1 2008 https://sscm-jscm.org/v14/no1/forment.html (accessed 13 July 2021). Search in Google Scholar

Forment, B., ‘Jommelli’s ‘Tenacious Memory’: Replications in L’Ifigenìa (1751)’, Studi musicali, vol. 38, no. 2, 2010, pp. 361–387. FormentB. ‘Jommelli’s ‘Tenacious Memory’: Replications in L’Ifigenìa (1751)’ Studi musicali 38 2 2010 361 387 Search in Google Scholar

Forment, B., ‘Frederick’s Athens: Crushing Superstition and Resuscitating the Marvellous at the Königliches Opernhaus, Berlin’, Cambridge Opera Journal, vol. 24, no. 1, 2012, pp. 1–42, 34–40. FormentB. ‘Frederick’s Athens: Crushing Superstition and Resuscitating the Marvellous at the Königliches Opernhaus, Berlin’ Cambridge Opera Journal 24 1 2012 1 42 34 40 10.1017/S0954586712000146 Search in Google Scholar

Forment, B., ‘Music-Making Ghosts: Eighteenth-Century Rome as Operatic Memory Machine’, in S. Beghein, B. Blondé and E. Schreurs, Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and Beyond, c. 1650–1800, Leuven, Leuven University Press, 2013, pp. 59–77. FormentB. ‘Music-Making Ghosts: Eighteenth-Century Rome as Operatic Memory Machine’ in BegheinS. BlondéB. SchreursE. Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and Beyond, c. 1650–1800 Leuven Leuven University Press 2013 59 77 10.2307/j.ctt9qdzm6.6 Search in Google Scholar

Forment, B., ‘The Mechanics of Magic (or Vice Versa): Sigrid T’Hooft and the Historically Informed Performance of Opera’, in B. Forment and C. Stalpaert (eds), Theatrical Heritage: Challenges and Opportunities, Leuven, Leuven University Press, 2015, pp. 105–114. FormentB. ‘The Mechanics of Magic (or Vice Versa): Sigrid T’Hooft and the Historically Informed Performance of Opera’ in FormentB. StalpaertC. (eds), Theatrical Heritage: Challenges and Opportunities Leuven Leuven University Press 2015 105 114 Search in Google Scholar

Forment, B., ‘“Am I in Rome, or in Aulis?”: Jommelli’s Cajo Mario (1746) as Operatic Capriccio’, Eighteenth-Century Music, vol. 13, no. 1, 2016, pp. 35–50. FormentB. ‘“Am I in Rome, or in Aulis?”: Jommelli’s Cajo Mario (1746) as Operatic Capriccio’ Eighteenth-Century Music 13 1 2016 35 50 10.1017/S147857061500041X Search in Google Scholar

Huizinga, J., Homo ludens: proeve eener bepaling van het spel-element der cultuur, Haarlem, Tjeenk Willink, 1938. HuizingaJ. Homo ludens: proeve eener bepaling van het spel-element der cultuur Haarlem Tjeenk Willink 1938 Search in Google Scholar

Martinoty, J.-L., Voyages à l’intérieur de l’opéra baroque, Paris, Fayard, 1990, pp. 195–213. MartinotyJ.-L. Voyages à l’intérieur de l’opéra baroque Paris Fayard 1990 195 213 Search in Google Scholar

Mellace, R., ‘Tre intonazioni dell’«Achille in Sciro» a confronto: Caldara, Leo, Hasse’, Il saggiatore musicale, vol. 3, no. 1, 1996, pp. 33–70. MellaceR. ‘Tre intonazioni dell’«Achille in Sciro» a confronto: Caldara, Leo, Hasse’ Il saggiatore musicale 3 1 1996 33 70 Search in Google Scholar

Menchelli-Buttini, F., ‘Note all’Ifigenia e al Cajo Mario di Niccolò Jommelli’, in G. Bocchino and C. Nicolò (eds), Jommelliana: Un operista sulla scena capitolina. Studi sul periodo romano di Niccolò Jommelli, Lucca, Libreria Musicale Italiana, 2017, pp. 143–164. Menchelli-ButtiniF. ‘Note all’Ifigenia e al Cajo Mario di Niccolò Jommelli’ in BocchinoG. NicolòC. (eds), Jommelliana: Un operista sulla scena capitolina. Studi sul periodo romano di Niccolò Jommelli Lucca Libreria Musicale Italiana 2017 143 164 Search in Google Scholar

Over, B. and G. zur Nieden (eds), Operatic Pasticcios in 18th-Century Europe: Contexts, Materials and Aesthetics Bielefeld, [transcript], 2021. OverB. zur NiedenG. (eds), Operatic Pasticcios in 18th-Century Europe: Contexts, Materials and Aesthetics Bielefeld [transcript] 2021 10.1515/9783839448854 Search in Google Scholar

Quantz, J.J., ‘Herrn Johann Joachim Quantzens Lebenslauf, von ihm selbst entworfen’, in F.W. Marpurg (ed.), Historisch-kritische Beyträge zur Aufnahme der Musik, Berlin, Schüßen & Lange, 1755, vol. 1, pp. 197–250. QuantzJ.J. ‘Herrn Johann Joachim Quantzens Lebenslauf, von ihm selbst entworfen’ in MarpurgF.W. (ed.), Historisch-kritische Beyträge zur Aufnahme der Musik Berlin Schüßen & Lange 1755 1 197 250 Search in Google Scholar

Rosen, C., The Classical Style: Haydn, Mozart, Beethoven, London, Faber and Faber, 1997. RosenC. The Classical Style: Haydn, Mozart, Beethoven London Faber and Faber 1997 Search in Google Scholar

Rousset, J., La littérature de l’âge baroque en France: Circé et le Paon, Paris, Corti, 1953 RoussetJ. La littérature de l’âge baroque en France: Circé et le Paon Paris Corti 1953 Search in Google Scholar

Sommer-Mathis, A., Tu felix Austria nube: Hochzeitsfeste der Habsburger im 18. Jahrhundert, Vienna, Musikwissenschaftlicher Verlag, 1994. Sommer-MathisA. Tu felix Austria nube: Hochzeitsfeste der Habsburger im 18. Jahrhundert Vienna Musikwissenschaftlicher Verlag 1994 Search in Google Scholar

Sommer-Mathis, A., ‘Achille in Sciro – eine Europäische Oper? Drei Aufführungen von Metastasios dramma per musica in Wien, Neapel und Madrid’, A. Sommer-Mathis and E. T. Hilscher (eds), Pietro Metastasio, uomo universale (1698–1782), Vienna, Verlag der Österreichischen Akademie der Wissenschaften, 2000, pp. 221–250. Sommer-MathisA. ‘Achille in Sciro – eine Europäische Oper? Drei Aufführungen von Metastasios dramma per musica in Wien, Neapel und Madrid’ Sommer-MathisA. HilscherE. T. (eds), Pietro Metastasio, uomo universale (1698–1782) Vienna Verlag der Österreichischen Akademie der Wissenschaften 2000 221 250 Search in Google Scholar

Strohm, R., Dramma per Musica: Italian Opera Seria of the Eighteenth Century, New Haven and London, Yale University Press, 1997. StrohmR. Dramma per Musica: Italian Opera Seria of the Eighteenth Century New Haven and London Yale University Press 1997 Search in Google Scholar

Strohm, R., ‘Zenobia: Voices and Authorship in Opera Seria’, in S. Paczkowski and A. Żórawska-Witkowska, Johann Adolf Hasse in seiner Epoche und in der Gegenwart: Studien zur Stil- und Quellenproblematik, Warsaw, Instytut Muzykologii Uniwersytetu Warszawskiego, 2002, pp. 53–81. StrohmR. ‘Zenobia: Voices and Authorship in Opera Seria’ in PaczkowskiS. Żórawska-WitkowskaA. Johann Adolf Hasse in seiner Epoche und in der Gegenwart: Studien zur Stil- und Quellenproblematik Warsaw Instytut Muzykologii Uniwersytetu Warszawskiego 2002 53 81 Search in Google Scholar

Strohm, R., ‘Iphigenia’s Curious Ménage à trois in Myth, Drama, and Opera’, in B. Forment (ed.), (Dis)Embodying Myths in Ancien Régime Opera: Multidisciplinary Perspectives, Leuven, Leuven University Press, 2012, pp. 117–138. StrohmR. ‘Iphigenia’s Curious Ménage à trois in Myth, Drama, and Opera’ in FormentB. (ed.), (Dis)Embodying Myths in Ancien Régime Opera: Multidisciplinary Perspectives Leuven Leuven University Press 2012 117 138 10.2307/j.ctt9qf0j3.9 Search in Google Scholar

Weigel, S., ‘Pathosformel und Oper: Die Bedeutung des Musiktheaters für Aby Warburgs Konzept der Pathosformel’, KulturPoetik, vol. 6, no. 2, pp. 234–253. WeigelS. ‘Pathosformel und Oper: Die Bedeutung des Musiktheaters für Aby Warburgs Konzept der Pathosformel’ KulturPoetik 6 2 234 253 Search in Google Scholar

Wolff, H.C., ‘Leonardo Leo’s Oper “L’Andromaca” (1742)’, Studi musicali, vol. 1, no. 2, 1972, pp. 285–315. WolffH.C. ‘Leonardo Leo’s Oper “L’Andromaca” (1742)’ Studi musicali 1 2 1972 285 315 Search in Google Scholar