<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Appropriation is one of the determining concepts of the post-productive theory, denoting the choice of an object and its use or modification according to a specific intention. Operating in an index of famous images from universal art, the photographer artist calls upon the performative strategies of the environment to structure behavioral positionings observed in social space. The series of examples accesses a segment of these artistic practices in which the biblical icon plays the role of the symbolic reference, but especially of the pretextual condition within the author's conceptual construction.</p>
</abstract>

Appropriation is one of the determining concepts of the post-productive theory, denoting the choice of an object and its use or modification according to a specific intention. Operating in an index of famous images from universal art, the photographer artist calls upon the performative strategies of the environment to structure behavioral positionings observed in social space. The series of examples accesses a segment of these artistic practices in which the biblical icon plays the role of the symbolic reference, but especially of the pretextual condition within the author's conceptual construction.

8. Post-Production Aspects in Performative Photography

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"8. Post-Production Aspects in Performative Photography"}

Appropriation is one of the determining concepts of the post-productive theory, denoting the choice of an object and its use or modification according to a...

8. Post-Production Aspects in Performative Photography

Online veröffentlicht: 06. Apr. 2023

Seitenbereich: 198 - 205

DOI: https://doi.org/10.2478/rae-2023-0028

© 2023 Bogdan Teodorescu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.