This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
AKM (2021) Musikprogramme melden: Häufig gestellte Fragen. Available at: https://www.akm.at/service/programmmeldung/fragen-antworten/#1468829816060-632c5cbe-48ea (30 September 2021).AKM2021Available at: https://www.akm.at/service/programmmeldung/fragen-antworten/#1468829816060-632c5cbe-48ea (30 September 2021).Search in Google Scholar
Anonymous (2011) “Note – A Justification for Allowing Fragmentation in Copyright”, Harvard Law Review, vol. 124, pp. 1751–1772.Anonymous2011“Note – A Justification for Allowing Fragmentation in Copyright”12417511772Search in Google Scholar
Awbi, A. (2018) Peermusic and ICE ink direct deal: Global independent music publisher Peermusic has entered into a direct licensing and administration agreement with online copyright company ICE. Available at: https://www.prsformusic.com/m-magazine/news/peermusic-and-ice-ink-direct-deal/ (1 March 2022).AwbiA.2018Available at: https://www.prsformusic.com/m-magazine/news/peermusic-and-ice-ink-direct-deal/ (1 March 2022).Search in Google Scholar
AXELOS (2019) ITIL Foundation: ITIL 4. The Stationery Office Ltd, London.AXELOS2019The Stationery Office LtdLondonSearch in Google Scholar
Besen, S. M., Kirby, S. N. & Salop, S. C. (1992) “An Economic Analysis of Copyright Collectives”, Virginia Law Review, vol. 78, no. 1, p. 383.BesenS. M.KirbyS. N.SalopS. C.1992“An Economic Analysis of Copyright Collectives”78138310.2307/1073313Search in Google Scholar
Butler, S. (2020) Collective Rights Management Practices Around the World: A Survey of CMO Practices to Reduce the Occurrence of Unclaimed Royalties in Musical Works. Available at: https://www.copyright.gov/policy/unclaimed-royalties/cmo-report/ (02 March 2022).ButlerS.2020Available at: https://www.copyright.gov/policy/unclaimed-royalties/cmo-report/ (02 March 2022).Search in Google Scholar
CISAC (2021) Global Collections Report (2021). Available at: https://www.cisac.org/Newsroom/global-collections/global-collections-report-2021 (01 March 2022).CISAC2021Available at: https://www.cisac.org/Newsroom/global-collections/global-collections-report-2021 (01 March 2022).Search in Google Scholar
DIW Econ GmbH, Girard, Y., Neuhoff, J., Mecke, M., Gatsou, M. & Schulze Düding, J. (2020) Musikwirtschaft in Deutschland: Studie zur volkswirtschaftlichen Bedeutung von Musikunternehmen unter Berücksichtigung aller Teilsektoren und Ausstrahlungseffekte.DIW Econ GmbHGirardY.NeuhoffJ.MeckeM.GatsouM.Schulze DüdingJ.2020Search in Google Scholar
Drexl, J. (2013) Copyright, Competition and Development: Report to the World Intellectual Property Organization 2013, Munich.DrexlJ.2013MunichSearch in Google Scholar
European Commission (2005) Commission Recommendation of 18 May 2005 on Collective Cross-Border Management of Copyright and Related Rights for Legitimate Online Music Services (2005/737/EC).European Commission2005Search in Google Scholar
European Commission, ECORYS., IViR. & Erasmus University Rotterdam (2021) Study on Emerging Issues on Collective Licensing Practices in the Digital Environment: Final Report.European Commission, ECORYS., IViR. & Erasmus University Rotterdam2021Search in Google Scholar
Friedrich, J. & Klingner, S. (2017) “Status Quo and Perspectives of Licensing Synchronisation Rights”, International Journal of Music Business Research, vol. 6, pp. 69–86.FriedrichJ.KlingnerS.2017“Status Quo and Perspectives of Licensing Synchronisation Rights”66986Search in Google Scholar
Goldberg, M., Satzger, G. & Kieninger, A. (2015) “A Capability Framework for IT Service Integration and Management in Multi-Sourcing”, in ECIS 2015 Completed Research Papers, ed. AIS Electronic Library.GoldbergM.SatzgerG.KieningerA.2015inECIS 2015 Completed Research Papersed.AIS Electronic LibrarySearch in Google Scholar
Guibault, L. & Gompel, S. (2016) “Collective Management in the European Union”, in Collective Management of Copyright and Related Rights, 3rd edn, ed. D. J. Gervais, Wolters Kluwer, Alphen aan den Rijn, the Netherlands, pp. 139–174.GuibaultL.GompelS.2016“Collective Management in the European Union”in3rd edned.GervaisD. J.Wolters Kluwer, Alphen aan den Rijnthe Netherlands139174Search in Google Scholar
IMPF (2021) Independent Music Publishing Global Market View. Available at: http://www.impforum.org/wp-content/uploads/2021/12/2021-IMPF-Independent-Music-Publishing-Global-Market-View.pdf (01 March 2022).IMPF2021Available at: http://www.impforum.org/wp-content/uploads/2021/12/2021-IMPF-Independent-Music-Publishing-Global-Market-View.pdf (01 March 2022).Search in Google Scholar
Kaplan, R. S. & Norton, D. P. (1992) “The Balanced Scorecard – Measures that Drive Performance”, Harvard Business Review, vol. 70, no. 1, pp. 71–79.KaplanR. S.NortonD. P.1992“The Balanced Scorecard – Measures that Drive Performance”7017179Search in Google Scholar
KEA European Affairs (2006) The Collective Management of Rights in Europe: The Quest for Efficiency. Available at: https://www.europarl.europa.eu/meetdocs/2004_2009/documents/dv/study-collective-management-rights-/study-collective-management-rights-en.pdf (27 January 2022).KEA European Affairs2006Available at: https://www.europarl.europa.eu/meetdocs/2004_2009/documents/dv/study-collective-management-rights-/study-collective-management-rights-en.pdf (27 January 2022).Search in Google Scholar
Klingner, S., Miller, M., Becker, M. & Schumacher, F. (2021) “Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions”, Journal of Cultural Economics, vol. 45, no. 4, pp. 633–670.KlingnerS.MillerM.BeckerM.SchumacherF.2021“Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions”45463367010.1007/978-3-031-18195-5_6Search in Google Scholar
Klobučník, L. (2021) “Navigating The Fragmented Online Music Licensing Landscape In Europe A Legislative Compass In Sight?” JIPITEC, vol. 11, no. 3, pp. 340–357.KlobučníkL.2021“Navigating The Fragmented Online Music Licensing Landscape In Europe A Legislative Compass In Sight?”113340357Search in Google Scholar
Kulembayeva, F., Seitkaziyeva, A. & Yelshibayev, R. (2022) “Economic Efficiency of Outsourcing Business Models: A Comparative Assessment”, Global Journal of Flexible Systems Management, vol. 23, no. 1, pp. 75–88.KulembayevaF.SeitkaziyevaA.YelshibayevR.2022“Economic Efficiency of Outsourcing Business Models: A Comparative Assessment”231758810.1007/s40171-021-00290-wSearch in Google Scholar
Lyons, F., Sun, H., Collopy, D., O’Hagan, P. & Curran, K. (2019) Music 2025: The Music Data Dilemma: Issues Facing the Music Industry in Improving Data Management. IPO.LyonsF.SunH.CollopyD.O’HaganP.CurranK.201910.2139/ssrn.3437670Search in Google Scholar
McIvor, R. (2000) “A Practical Framework for Understanding the Outsourcing Process”, Supply Chain Management: An International Journal, vol. 5, no. 1, pp. 22–36.McIvorR.2000“A Practical Framework for Understanding the Outsourcing Process”51223610.1108/13598540010312945Search in Google Scholar
McIvor, R. (2003) “Strategic Outsourcing: Lessons from a Systems Integrator”, Business Strategy Review, vol. 11, pp. 41–50.McIvorR.2003“Strategic Outsourcing: Lessons from a Systems Integrator”11415010.1111/1467-8616.00147Search in Google Scholar
Mol, J., Wijnberg, N. & Carroll, C. (2005) “Value Chain Envy: Explaining New Entry and Vertical Integration in Popular Music”, Journal of Management Studies, vol. 42, pp. 251–276.MolJ.WijnbergN.CarrollC.2005“Value Chain Envy: Explaining New Entry and Vertical Integration in Popular Music”4225127610.1111/j.1467-6486.2005.00496.xSearch in Google Scholar
Oron, G. (2019) Collective Management of Rights in a Transforming Market: A Speech by Gadi Oron, Director General, CISAC, at the ALAI Copyright Congress, Prague.OronG.2019PragueSearch in Google Scholar
Reguera, L., Muñoz, B., Planas, N. & Pozo, N. (2016) Report on Collecting Schemes Europe.RegueraL.MuñozB.PlanasN.PozoN.2016Search in Google Scholar
Riis, T. (2016) User Generated Law: Re-Constructing Intellectual Property Law in a Knowledge Society, Edward Elgar Publishing Limited, University of Copenhagen, Denmark.RiisT.2016Edward Elgar Publishing Limited, University of CopenhagenDenmark10.4337/9781783479566Search in Google Scholar
Rochelandet, F. (2003) “Are Copyright Collecting Societies Efficient Organisations? An Evaluation of Collective Administration of Copyright in Europe,” in The Economics of Copyright: Developments in Research and Analysis, eds W. J. Gordon & R. Watt, Elgar, Cheltenham, pp. 176–191.RochelandetF.2003“Are Copyright Collecting Societies Efficient Organisations? An Evaluation of Collective Administration of Copyright in Europe,”inedsGordonW. J.WattR.ElgarCheltenham176191Search in Google Scholar
Schwemer, S. F. (2019) Licensing and Access to Content in the European Union: Regulation between Copyright and Competition Law, Cambridge University Press, University of Cambridge, England.SchwemerS. F.2019Cambridge University Press, University of CambridgeEngland10.1017/9781108653213Search in Google Scholar
Smith, A. (1827) An Inquiry into the Nature and Causes of the Wealth of Nations. Printed at the University Press for T. Nelson and P. Brown.SmithA.1827Printed at the University Press for T. Nelson and P. BrownSearch in Google Scholar
Towse, R. (2017) “Economics of Music Publishing: Copyright and the Market”, Journal of Cultural Economics, vol. 41, no. 4, pp. 403–420.TowseR.2017“Economics of Music Publishing: Copyright and the Market”41440342010.1007/s10824-016-9268-7Search in Google Scholar
Towse, R. (2020) “Dealing with Digital: The Economic Organisation of Streamed Music”, Media, Culture & Society, vol. 42, no. 7–8, pp. 1461–1478.TowseR.2020“Dealing with Digital: The Economic Organisation of Streamed Music”427–81461147810.1177/0163443720919376Search in Google Scholar
Tschmuck, P. (2009) Copyright, Contracts and the Production of Music. Information, Communication & Society, vol. 12, no. 2, pp. 251–266.TschmuckP.2009Copyright, Contracts and the Production of Music12225126610.1080/13691180802459971Search in Google Scholar
Tschmuck, P. (2021) “Music Publishing”, in The Economics of Music, 2nd edn, ed. P. Tschmuck, Agenda Publishing, Newcastle upon Tyne, pp. 71–88.TschmuckP.2021“Music Publishing”in2nd edned.TschmuckP.Agenda PublishingNewcastle upon Tyne718810.2307/j.ctv1wgvb9x.9Search in Google Scholar
Wallis, R., Baden-Fuller, C., Kretschmer, M. & Klimis, G. M. (1999) “Contested Collective Administration of Intellectual Property Rights in Music”, European Journal of Communication, vol. 14, no. 1, pp. 5–35.WallisR.Baden-FullerC.KretschmerM.KlimisG. M.1999“Contested Collective Administration of Intellectual Property Rights in Music”14153510.1177/0267323199014001001Search in Google Scholar
Watt, R. (2016) An Introduction to the Economics of Collective Management of Copyright and Related Rights, WIPO, Geneva.WattR.2016WIPOGenevaSearch in Google Scholar
Weinstein, L. & Bukovinsky, D. (2009) “Use of the Balanced Scorecard and Performance Metrics to Achieve Operational and Strategic Alignment in Arts and Culture Not-for-Profits”, International Journal of Arts Management, vol. 11, no. 2, pp. 42–55.WeinsteinL.BukovinskyD.2009“Use of the Balanced Scorecard and Performance Metrics to Achieve Operational and Strategic Alignment in Arts and Culture Not-for-Profits”1124255Search in Google Scholar
Williamson, O. E. (1991) “Strategizing, Economizing, and Economic Organization”, Strategic Management Journal, vol. 12, no. S2, pp. 75–94.WilliamsonO. E.1991“Strategizing, Economizing, and Economic Organization”12S2759410.1002/smj.4250121007Search in Google Scholar