[Altheide, D. L. (1987). Reflections: ethnographic content analysis. Qualitative Sociology 10, 65–77.10.1007/BF00988269]Search in Google Scholar
[Baetens, J. & Bleyen M. (2010). Photo narrative, sequential photography, photonovels. In M. Grishakova & M.-L. Ryan (Eds.), Intermediality and storytelling, (pp. 165–182). Berlin: Walter de Gruyter.]Search in Google Scholar
[Barthes, R. (1989). Die helle Kammer. Bemerkungen zur Photographie [The light chamber. Comments on photography]. Stuttgart: Suhrkamp.]Search in Google Scholar
[Beckwith, C. (1990). African ceremonies. New York: Harry N. Abrahams, Inc.]Search in Google Scholar
[Beloff, H. (1983). Social interaction in photography. Leonardo 16 (3), 165–171.10.2307/1574906]Search in Google Scholar
[Degele, N. (2004). Sich schön machen. Zur Soziologie von Geschlecht und Schön-heitsidealen [Making oneself beautiful. About the sociology of gender and beauty ideals]. Wiesbaden: VS Verlag.10.1007/978-3-322-80567-6]Search in Google Scholar
[DeMello, M. (2014). Inked. Tattoos and body art around the world, volume 1: A-L. Santa Barbara, Denver and Oxvord: ABC-CLIO.]Search in Google Scholar
[Di Martino, E. (2018). Painting social changes on a body canvas: Trans bodies and their social impact. In P. Baker & G. Balirano (Eds.) Queering masculinities in language and culture, (pp. 149–174). London: Palgrave Macmillan.]Search in Google Scholar
[Eberle, T. S. (2017). Fotografie und Gesellschaft. Thematische Rahmung. In Fotografie und Gesellschaft. Phänomenologische und wissenssoziologische Perspektiven, [Photography and society. A framing. In Photography and Society. Phenomenological and knowledge sociologial perspectives]. Bielefeld: Transcript, 11–72.]Search in Google Scholar
[Entwistle, J. (2000). Fashion and The Fleshy Body: Dress as Embodied Practice. Fashion Theory 4(3), 323–348.10.2752/136270400778995471]Search in Google Scholar
[Fayers-Kerr, K. N. (2012). The ‘Miranda‘ and the ‘cultural archive‘. From Mun (Mursi) lipplates, to body painting and back again. Paideuma 58, 245–259.]Search in Google Scholar
[Fedorak, S. A. (2009). Pop culture. The culture of everyday life. Toronto: University of Toronto Press.]Search in Google Scholar
[Fischer, L. & Wiswede, G. (2009). Grundlagen der Sozialpsychologie. [Foundations in Social Psychology]. München: Oldenbourg.10.1524/9783486847826]Search in Google Scholar
[Fisher, A. (1990). Africa adorned. New York: Harry N.Abrahams, Inc.]Search in Google Scholar
[Fortin, M. (2009). Takona: Body painting in Rapa Nui performing arts. Australasian Drama Studies 55, 150–163.]Search in Google Scholar
[Gelder, K. (2005). The subcultures reader. London and New York: Routledge.]Search in Google Scholar
[Gillies, V., A. Harden, K. Johnson, P. Reavey, V. Strange and C. Willig (2004). Women’s collective constructions of embodied practices through memory work: Cartesian dualism in memories of sweating and pain. British Journal of Social Psychology 43, 99–112.10.1348/014466604322916006]Search in Google Scholar
[Goldner, V. (2011). Trans: Gender in free fall. Psychoanalytic Dialogues 21, 159–171.10.1080/10481885.2011.562836]Search in Google Scholar
[Gunn, J. (2007). Dark admissions: Gothic subculture and the ambivalence of misogyny and resistance. In L.M.E. Goodlad and M. Bibby (Eds.) Goth undead subculture, (pp. 41–64). Durham and London: Duke University Press.]Search in Google Scholar
[Henning, T. (2012). Personale Identität und personale Identitäten - Ein Problemfeld der Philosophie. In Petzold, H.G. (Ed.) Identität. Ein Kernthema moderner Psychothera-pie - Interdisziplinäre Perspektiven, [Personal identity and personal identities - a field in philosophy. In: Identity. A core topic in modern psychotherapy - interdisciplinary perspectives]. (pp. 19–38). Wiesbaden: VS Verlag.]Search in Google Scholar
[Hershman, P. (1974). Hair, Sex and Dirt. Man, New Series 9, 274–298.10.2307/2800078]Search in Google Scholar
[Hill, D. (2013). Body art. Canberra: National Library of Australia.]Search in Google Scholar
[Hitzler, R., T. Bucher & A. Niederbacher (2005). Leben in Szenen. Formen jugendlicher Vergemeinschaftung heute. [Life in scenes. Forms of young societies today]. 2. Aufl. Wiesbaden: VS Verlag.10.1007/978-3-322-95691-0]Search in Google Scholar
[Jerrentrup, M. T.(2018). Therapie vor der Kamera? Zum Potential inszenierter Menschen-fotografie [Therapy in front of the camera? The potential of staged people photography]. Münster: Waxmann.]Search in Google Scholar
[Jerrentrup, M. T. (2020). Kein Fokus auf das Foto. Fotografieren als Aktivität [No focus on the photograph. Photography as activity]. kommunikation@gesellschaft 21.10.15460/kommges.2020.21.1.613]Search in Google Scholar
[Jettmar, K. (1994). Body-painting and the roots of the Scytho-Siberian animal style. In B. Genito (Ed.) The Archeology of the Steppes. Methods and Strategies, (pp. 3–25). Papers from the International Symposium held in Naples 9–12 November 1992. Napoli: Estratto.]Search in Google Scholar
[Joffe, H. (2011). Thematic analysis. In Harper V.D. & Thompson A.R. (Eds.) Qualitative methods in mental health and psychotherapy: A guide for students and practitioners, (pp. 209–223). Chichester: Wiley,10.1002/9781119973249.ch15]Search in Google Scholar
[Katic, E. K. (2009). The living canvas: Bodies that serve and simulate art. The American Journal of Semiotics 25 (1/2), 77–101.10.5840/ajs2009251/24]Search in Google Scholar
[Krause, R. (1972). Kreativität. Untersuchungen zu einem problematischen Konzept [Creativity. Examinations on a problematic concept.] München: Wilhelm Goldmann Verlag.]Search in Google Scholar
[Leimgruber, W. (2005). Die visuelle Darstellung des menschlichen Körpers. Gesellschaftliche Aus- und Eingrenzungen in der Fotografie In Haibl H. & Gerndt, M. (Eds.) Der Bilderalltag. Perspektiven einer volkskundlichen Bildwissenschaft, (pp. 213–232). [The visual presentation of the human body. Social boundaries of photography. In Pictures everyday. Perspectives of an ethnological picture science]. Münster: Waxmann.]Search in Google Scholar
[Liebelt, C. (2016): Grooming Istanbul: Intimate Encounters and Concerns in Turkish Beauty Salons. Journal of Middle East Women’s Studies 12(2): 181–202.10.1215/15525864-3507628]Search in Google Scholar
[Matike, E. M., Ngole, V.E., Mpako M.P. & Ekosse G. I. (2011). Ceremonial usage of clays for body painting according to traditional Xhosa culture. Indilinga African Journal of Indigenous Knowledge System 10 (2), 235–244.]Search in Google Scholar
[McMenamin, P. G. (2008). Body painting as a tool in clinical anatomy teaching. Anatomical Sciences Education 1 (4), 139–144.10.1002/ase.32]Search in Google Scholar
[Morphy, H. (2011). Moving the body painting into the art gallery - knowing about and appreciating works of Aboriginal art. Journal of Art Historiography 4, 1–20.]Search in Google Scholar
[Mundt, C. (2009). Neurobiologische Aspekte kreativer Therapie. In Hampe, R., Martius, P., Ritschl, D., von Spreti F. & Stadler, P.B. (Eds.), KunstReiz. Neurobiologische Aspekte künstlerischer Therapien, (pp. 91–104) [Neurobiological aspects of creative Therapy. In: Art appeal. Neurobiological aspects in art therapy]. Berlin: Frank & Timme.]Search in Google Scholar
[Nanjundaiah, K. & Sheshgiri C. (2012). Body-Painting: A tool which can be used to teach surface anatomy. Journal of Clinical & Diagnostic Research 6 (8), 1405–1408.10.7860/JCDR/2012/4700.2370]Search in Google Scholar
[Op de Akker, J.W., A. Bohnen, W.J. Oudegeest & B. Hillen (2002). Giving color to a new curriculum: Bodypaint as a tool in medical education. Clinical Anatomy 15 (5): 356–362.]Search in Google Scholar
[Park, J. (2015). A Study on body painting according to physical types. Journal of Fashion Business 19 (5), 175–187.10.12940/jfb.2015.19.5.175]Search in Google Scholar
[Pike, K. L. (2015 [1954]). Language in relation to a unified theory of the structure of human behavior. Berlin: De Gruyter Mouton.]Search in Google Scholar
[Riquelme, I. H., M. Samar & P. Montoya (2018). Reduction of pain sensitivity after soma-tosensory therapy in children with autism spectrum disorders. Journal of Abnormal Child Psychology 46, 1731–1740.10.1007/s10802-017-0390-6]Search in Google Scholar
[Roach-Higgins, M.E. & J. B. Eicher (1992). Dress and identity. Clothing and Textiles Research Journal 10 (4), 1–8.10.1177/0887302X9201000401]Search in Google Scholar
[Rogers, C. (1951). Client-centered therapy. Boston: Houghton Mifflin.]Search in Google Scholar
[Scheiper, P. (2008). Textile Metamorphosen als Ausdruck gesellschaftlichen Wandels [Textile metamorphoses as expression of social change]. Wiesbaden: VS Verlag für Sozialwissenschaften.]Search in Google Scholar
[Schmidt, B. (1999). What sense do the senses make? Aspects of corporeality in the works of Miriam Cahn and Maureen Connor. In A. Jones & A. Stephenson, (Eds.) Performing the Body. Performing the Text, (pp. 283–293). New York: Routledge.]Search in Google Scholar
[Schönhuth, M. (2005). Vademecum durch den Kulturdschungel [Vademecum through the cultural jungle]. Eschborm: GTZ.]Search in Google Scholar
[Schuster, M. (2015). Alltagskreativität [Everyday Creativity]. Wiesbaden: Springer.]Search in Google Scholar
[Shukla, P. (2008). The Grace of four moons. Dress, adornment, and the art of the body in modern India. Bloomington: Indiana University Press.]Search in Google Scholar
[Solomon, M. R. & J. Schopler (1982). Self-consciousness and clothing. Personality and Social Psychology Bulletin 8 (3), 508–514.10.1177/0146167282083018]Search in Google Scholar
[Von Matuschka, M. (1999). Bodypainting. Fantastische Gesichter [Bodypainting: Phantastic faces]. Ravensburg: Ravensburger Verlag.]Search in Google Scholar
[Weiss, M. (2010). Was ist ‘inszenierte Fotografie‘? Eine Begriffsbestimmung [What is „staged photography“? A definition. In The photographic reality. Staging. Fiction. Narration]. In Blunk L. (Ed.) Die Fotografische Wirklichkeit. Inszenierung. Fiktion. Narration. (pp. 37–52). Bielefeld: Transcript.]Search in Google Scholar
[Young, J. O. (2019). Cultural appropriation and the arts. Hoboken: John Wiley & Sons.]Search in Google Scholar
