<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>In the context of coronavirus (COVID-19) pandemic, large-scale events have been forced to stop as well as movement of people between cities. At Daxi in Taoyuan, Taiwan, there is an event that lasts for over a century, <italic>Puji Temple Annual Celebration of Saintly Emperor Guan’s Birthday</italic>, held every summer on June 24 of the lunar calendar. It is not only registered as Taoyuan City’s intangible cultural heritage but also considered as the second Chinese New Year for local people. In order to express gratitude to Saintly Emperor Guan for his blessing, the local groups ‘She-Tou’, residents, shopkeepers and volunteers make a great effort on the preparations before the celebration. Local people who at the time do not live in Daxi because they are studying, working or after marriage are living in other cities would also come back to the town on this day. This traditional and cultural event bred from belief has become a mechanism of community cohesion and has shaped Daxi’s unique sense of place. Unfortunately, the traditional pilgrimage of the celebration in 2021 has been paused due to the pandemic situation. However, thanks to the long-term collaboration and participation of the local museum, the ritual of faith can continue in a new way. This article takes the DaxiDaxi “Lord Guan Online” website and its Facebook page as an example. By analysing how the Daxi Wood Art Ecomuseum interprets the traditional celebration and its culture in a digital way, we try to explore the possibility of digital tools as a powerful medium for connecting people and people and place during the pandemic period.</p>
</abstract>

In the context of coronavirus (COVID-19) pandemic, large-scale events have been forced to stop as well as movement of people between cities. At Daxi in Taoyuan, Taiwan, there is an event that lasts for over a century, Puji Temple Annual Celebration of Saintly Emperor Guan’s Birthday, held every summer on June 24 of the lunar calendar. It is not only registered as Taoyuan City’s intangible cultural heritage but also considered as the second Chinese New Year for local people. In order to express gratitude to Saintly Emperor Guan for his blessing, the local groups ‘She-Tou’, residents, shopkeepers and volunteers make a great effort on the preparations before the celebration. Local people who at the time do not live in Daxi because they are studying, working or after marriage are living in other cities would also come back to the town on this day. This traditional and cultural event bred from belief has become a mechanism of community cohesion and has shaped Daxi’s unique sense of place. Unfortunately, the traditional pilgrimage of the celebration in 2021 has been paused due to the pandemic situation. However, thanks to the long-term collaboration and participation of the local museum, the ritual of faith can continue in a new way. This article takes the DaxiDaxi “Lord Guan Online” website and its Facebook page as an example. By analysing how the Daxi Wood Art Ecomuseum interprets the traditional celebration and its culture in a digital way, we try to explore the possibility of digital tools as a powerful medium for connecting people and people and place during the pandemic period.

Digital Interpretation as a Bridge to Support the Sense of Place: “Lord Guan Online!” DaxiDaxi Website

National Taiwan University of Science and Technology

Architecture and Urban Planning

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

In the context of coronavirus (COVID-19) pandemic, large-scale events have been forced to stop as well as movement of people between cities. At Daxi in...

Digital Interpretation as a Bridge to Support the Sense of Place: “Lord Guan Online!” DaxiDaxi Website

Online veröffentlicht: 29. Mai 2022

Seitenbereich: 17 - 29

Eingereicht: 15. Okt. 2021

Akzeptiert: 22. Apr. 2022

DOI: https://doi.org/10.2478/aup-2022-0003

Schlüsselwörter
COVID 19, Daxi Wood Art Ecomuseum, digital interpretation, folk belief, sense of place

© 2022 Chi-Hui Chen et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Digital Interpretation as a Bridge to Support the Sense of Place: “Lord Guan Online!” DaxiDaxi Website

Online veröffentlicht: 29. Mai 2022

Seitenbereich: 17 - 29

Eingereicht: 15. Okt. 2021

Akzeptiert: 22. Apr. 2022

DOI: https://doi.org/10.2478/aup-2022-0003

SchlüsselwörterCOVID 19, Daxi Wood Art Ecomuseum, digital interpretation, folk belief, sense of place

© 2022 Chi-Hui Chen et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
COVID 19, Daxi Wood Art Ecomuseum, digital interpretation, folk belief, sense of place