[
Alaimo, Stacy. 2010. Bodily natures: Science, environment, and the material self. Indiana University Press.
]Search in Google Scholar
[
Annoni, Marco, Giuseppe Schiavone, Luca Chiapperino & Giovanni Boniolo. 2012. Constructing the Medical Humanities gaze. Critical Reviews in Oncology/Hematology 84(s2). 5–10. DOI: 10.1016/s1040-8428(13)70003-910.1016/S1040-8428(13)70003-9
]Search in Google Scholar
[
Barad, Karen, 2003. Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs: Journal of Women in Culture and Society 28(3). 801–831. DOI: 10.1086/34532110.1086/345321
]Search in Google Scholar
[
Barad, Karen. 2007. Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Duke University Press.10.2307/j.ctv12101zq
]Search in Google Scholar
[
Barad, Karen. 2010. Quantum entanglements and hauntological relations of inheritance: Dis/continuities, spacetime enfoldings, and justice-to-come. Derrida Today 3(2). 240–268. DOI: 10.3366/drt.2010.020610.3366/drt.2010.0206
]Search in Google Scholar
[
Barad, Karen. 2012a. On touching – The inhuman that therefore I am. Differences: A Journal of Feminist Studies 23(3). 206–223. DOI: 10.1215/10407391-189294310.1215/10407391-1892943
]Search in Google Scholar
[
Barad, Karen. 2012b. Nature’s queer performativity. Kvinder, Køn & Forskning 1–2. 25–54. DOI: 10.7146/kkf.v0i1-2.2806710.7146/kkf.v0i1-2.28067
]Search in Google Scholar
[
Bök, Christian. 2003. Crystallography (2nd edn). Coach House Press.
]Search in Google Scholar
[
Bök, Christian. 2015. The xenotext. Coach House Press.
]Search in Google Scholar
[
Braidotti, Rosi. 2013. The posthuman. Polity Press.
]Search in Google Scholar
[
Calvert-Minor, Chris. 2014. Epistemological misgivings of Karen Barad’s ‘posthumanism’. Human Studies 37(1). 123–137. 10.1007/s10746-013-9285-x10.1007/s10746-013-9285-x
]Search in Google Scholar
[
Campbell, Norah. 2007. The technological gaze in advertising. Irish Marketing Review 19(1–2). 3–18. DOI: 10.21427/D72B6J
]Search in Google Scholar
[
Dickinson, Adam. 2013. Better living through ‘pataphysics’: The biosemiotics of Kenneth Goldsmith. In Mark J. Smith (ed.), Time in time: Short poems, long poems, and the rhetoric of North American avant-gardism, 1963–2008, McGill-Queen’s University Press. 132–151.
]Search in Google Scholar
[
Dickinson, Adam. 2014. Pataphysics and postmodern eco-criticism: A prospectus. In Greg Garrard (ed.), The Oxford handbook of eco-criticism, Oxford University Press. 132–153. DOI: 10.1093/oxfordhb/9780199742929.013.01110.1093/oxfordhb/9780199742929.013.011
]Search in Google Scholar
[
Dickinson, Adam. 2018a. Anatomic. Coach House Books.
]Search in Google Scholar
[
Dickinson, Adam. 2018b. “The human endocrine system represents a kind of poetics”: Adam Dickinson on his poetic, chemical autobiography. Lucky Seven Interview. Open Book 24/05/2018. https://open-book.ca/News/The-Human-Endocrine-System-Represents-a-Kind-of-Poetics-Adam-Dickinson-on-his-Poetic-Chemical-Autobiography (accessed 02/09/2019).
]Search in Google Scholar
[
Dickinson, Adam. 2018c. The body as bacteria: A conversation with Amatoritsero Ede. Maple Tree Literary Supplement 23. https://www.mtls.ca/round-table/ (accessed 06/07/2019).
]Search in Google Scholar
[
Dickinson, Adam. 2019. ‘Prickly new cells’: Diffractive reading and writing in Juliana Spahr’s The Transformation. Jacket2 17/07/2019. https://jacket2.org/commentary/prickly-new-cells (accessed 15/02/2020).
]Search in Google Scholar
[
Dijck, José van. 2005. The transparent body: A cultural analysis of medical imaging. University of Washington Press.
]Search in Google Scholar
[
Haraway, Donna J. 1991. Situated knowledges: The science question in feminism and the privilege of partial perspectives. In Donna Haraway (ed.), Simians, cyborgs, and women: The reinvention of nature, Routledge. 183–201,
]Search in Google Scholar
[
Haraway, Donna J. 1997. ModestˍWitness@SecondˍMillennium. FemaleMan©ˍMeetsˍOncoMouse™: Feminism and technoscience. Routledge.
]Search in Google Scholar
[
Herzogenrath, Bernd. 2009. Nature/geophilosophy/machinics/ecosophy. In Bernd Herzogenrath (ed.), Deleuze/Guattari & ecology, Palgrave-MacMillan. 145–165.
]Search in Google Scholar
[
Hoffmann, Roald & Iain Boyd Whyte (eds). 2011. Beyond the finite. The sublime in art and science. Oxford University Press.
]Search in Google Scholar
[
Hoffmeyer, Jesper. 1996. Signs of meaning in the universe (translated by Barbara J. Haveland). Indiana University Press.
]Search in Google Scholar
[
Keller, Lynn. 2017. Recomposing ecopoetics: North American poetry of the self-conscious Anthropocene. Virginia University Press.10.2307/j.ctv6sj6qg
]Search in Google Scholar
[
Krauss, Rosalind E. 1986 [1978]. Grids. In Rosalind E. Krauss, The originality of the avant-garde and other modernist myths, MIT Press. 9–22.
]Search in Google Scholar
[
Ladkin, Sam. 2007. Problems for lyric poetry. In Robin Purves & Sam Ladkin (eds.), Complicities: British poetry 1945–2007, Litteraria Pragensis. 271–322.
]Search in Google Scholar
[
Leon, Sam. 2018. Review of Anatomic. Colorado Review 18/10/2018. https://coloradoreview.colostate.edu/reviews/anatomic/ (accessed 05/08/2019)
]Search in Google Scholar
[
Levinas, Emmanuel. 1981. Otherwise than being, or beyond essence (translated by Alphonso Lingis). Martinus Nijhoff.
]Search in Google Scholar
[
Man, Paul de. 1984. The rhetoric of Romanticism. Columbia University Press.
]Search in Google Scholar
[
Mulvey, Laura. 1992 [1975]. Visual pleasure and narrative cinema. In Leo Braudy & Marshall Cohen (eds), Film theory and criticism, Oxford University Press. 746–757.
]Search in Google Scholar
[
Nicholls, Peter. 2013. Modernism and the limits of lyric. In Marion Thain (ed.), The lyric poem: Formations and transformations, Cambridge University Press. 177–194. DOI: 10.1017/CBO9780511863202.01010.1017/CBO9780511863202.010
]Search in Google Scholar
[
Rugg, Linda Haverty. 1997. Picturing ourselves: Photography and autobiography. Chicago University Press.10.7208/chicago/9780226731483.001.0001
]Search in Google Scholar
[
Scigaj, Leonard M. 1996. Contemporary ecological and environmental poetry: Différance or référance? Interdisciplinary Studies in Literature and Environment 3(2). 1–25. DOI: 10.1093/isle/3.2.110.1093/isle/3.2.1
]Search in Google Scholar
[
Slovic, Scott. 2019. Too small, too slow: Making toxicity poignant through poetry. The Arithmetic of Compassion 06/06/2019. https://www.arithmeticofcompassion.org/blog/2019/6/5/too-small-too-slow-making-toxicity-poignant-through-poetry (accessed 04/07/2019)
]Search in Google Scholar
[
Smith, Mark. J. 2013. Introduction. In Mark J. Smith (ed.), Time in time: Short poems, long poems, and the rhetoric of North American avant-gardism, 1963–2008, McGill-Queen’s University Press. 3–22.
]Search in Google Scholar
[
Smith, Sidonie & Julia Watson. 2002. Reading autobiography: A guide for interpreting life narrative. University of Minnesota Press.10.5749/minnesota/9780816669851.001.0001
]Search in Google Scholar
[
Thiele, Kathrin. 2018. Ethos of diffraction: New paradigms for a (post)humanist ethics. In Brigit M. Kaiser & Kathrin Thiele (eds.), Diffracted worlds – diffractive reading: Onto-epistemologies and the critical humanities, Routledge. 202–216.
]Search in Google Scholar
[
Voyce, Stephen. 2007. The xenotext experiment: An interview with Christian Bök. Postmodern Culture 17(2). http://pmc.iath.virginia.edu/issue.107/17.2voyce.html (accessed 17/08/2019)10.1353/pmc.2007.0025
]Search in Google Scholar
[
Whitman, Walt. 2007 [1881]. Song of myself. In Reesman Jeanne Campbell & Arnold Krupat (eds.), Norton anthology of American literature. Vol. C: 1865–1914 (7th edn), WW Norton & Company. 30–74.
]Search in Google Scholar