Lowbrows as Rebels: Under What Circumstances a “Low” Musical Genre Can Change its Cultural Value? The Case of Disco Polo and Populism in Poland

ABU-LUGHOD, L. (2005) Dramas of Nationhood: The Politics of Television in Egypt, Chicago–London: The University of Chicago Press.10.7208/chicago/9780226001982.001.0001Search in Google Scholar

ANG, I. (1985) Watching Dallas, London-New York: Methuen.Search in Google Scholar

Arts and Cultural Education at School in Europe. The Report 2017. Brussels: Education, Audiovisual and Culture Executive Agency.Search in Google Scholar

BECKER, J. Exploring the Habitus of Listening (1993), in: Patrik N. Juslin, Handbook of Music and Emotion: Theory, Research, Applications. Oxford: OUP.10.1093/acprof:oso/9780199230143.003.0006Search in Google Scholar

BENNETT, T., SAVAGE, M., SILVA, E., WARDE, A., GAYO-CAL, M., WRIGHT D. (2009) Culture, Class, Distinction, Abingdon: Routledge.10.4324/9780203930571Search in Google Scholar

BIAŁKOWSKI, A., GRUSIEWICZ, M. AND MICHALAK, M. (2010) Problemy i wyzwania edukacji muzycznej w Polsce, in Andrzej Białkowski, Mirosław Grusiewicz and Marcin Michalak (Eds.) Edukacja muzyczna w Polsce. Warszawa: Fundacja Muzyka jest dla wszystkich.Search in Google Scholar

BOURDIEU, P. (1988) Homo Academicus, Stanford: SUP.Search in Google Scholar

BOURDIEU, P. (1997) The Forms of Capital, w: Albert H. Halsey (red.), Education: Culture, Economy, and Society, New York: Oxford University Press, s. 46–58.Search in Google Scholar

BOURDIEU, P. (2001) Masculine Domination, Cambridge: Polity Press.Search in Google Scholar

BOURDIEU, PIERRE (1984). Distinction. A Social Critique of the Judgment of Taste, Cambridge: HUP.Search in Google Scholar

BOURDIEU, PIERRE AND JEAN-CLAUDE PASSERON. 1979. The Inheritors, Chicago and London: The University of Chicago Press.Search in Google Scholar

BORYS, M. (2019) Polski bajer. Disco polo i lata 90. Warszawa: W.A.B.Search in Google Scholar

BURKITT, I. (2002). “Technologies of the Self: Habitus and Capacities.” Journal for the Theory of Social Behaviour 32, no. 2: 219–37.10.1111/1468-5914.00184Search in Google Scholar

CALHOUN, C. (2002) Pierre Bourdieu, the centrality of the social, and the possibility of politics, LSE Rsearch Online, available at: http://eprints.lse.ac.uk/48814/Search in Google Scholar

CBOS (1996) Popularność muzyki disco polo. Warszawa: CBOS.Search in Google Scholar

DAVIES, CH. (2016) Poland is ‘on road to autocracy’, says constitutional court president, “Guardian.com”, https://www.theguardian.com/world/2016/dec/18/poland-is-on-road-to-autocracy-says-high-court-president [May 18, 2017].Search in Google Scholar

DE BOISE, S. (2016). “Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach.” Cultural Sociology 10: 178–94.10.1177/1749975516628309Search in Google Scholar

DISSANAYAKE, E. (1992) Homo Aestheticus. Where Art Comes From and Why, New York: The Free Press.Search in Google Scholar

DOMAŃSKI, H. (2000) Hierarchie i bariery społeczne w latach dziewięćdziesiątych, Warszawa: ISP.Search in Google Scholar

DUNAEVA, V. (2011) Badanie kultury w PRL i ZSRR oraz nowe spojrzenie na kulturę w polskiej i rosyjskiej socjologii po przełomie ustrojowym, “Studia Socjologiczne” 2-3, pp. 113-129.10.35757/KiS.2011.55.2-3.6Search in Google Scholar

DUNCAN, A. (2014) Reimagining the Self-Made Man: Myth, Risk, and the Pokerization of America, “Western Journal of Communication” 78: 39-57.10.1080/10570314.2013.807435Search in Google Scholar

DUTTON, DENIS (2009) The Art Instinct. Beauty, Pleasure & Human Evolution, Oxford: Oxford University Press.Search in Google Scholar

FENIMORE, C. (2014) All-American Redneck: Variations on an Icon, From James to the Dixie Chicks, Knoxville: Univ Tennessee Press.Search in Google Scholar

FISKE, J.(2010) Understanding Popular Culture, New York: Routledge.10.4324/9780203837177Search in Google Scholar

FRIEDMAN, S. (2016). “Habitus Clivé and the Emotional Imprint of Social Mobility.” The Sociological Review 64, no. 1: 129–47.10.1111/1467-954X.12280Search in Google Scholar

FULLER, R. (2006) All Rise: Somebodies, Nobodies, and the Politics of Dignity, San Francisco: Berrett-Koehler Publishers.Search in Google Scholar

GDULA, M. AND SADURA P. (2012) Style życia jako rywalizujące uniwersalności, w: Tychże, Style życia i porządek klasowy w Polsce, Warszawa: Scholar, s. 15-70.Search in Google Scholar

GDULA, M., LEWICKI M. I SADURA P. (2014). Praktyki kulturowe klasy ludowej. Warszawa: Instytut Studiów Zaawansowanych.Search in Google Scholar

GOCLOWSKI, M. 2016. Public media independence undermined in Poland: OSCE, Reuters.com, accessible: http://www.reuters.com/article/us-poland-media-osce-idUSKCN11S193 [June 1, 2017].Search in Google Scholar

GOFFMAN, E. (1986). Stigma: notes on the management of spoiled identity. NY, NY: Simon & Schuster Inc.Search in Google Scholar

GRAFF, A AND KOROLCZUK E. (2017) Towards An Illiberal Future: Anti-Genderism and Anti-Globalization, “Global Dialogue” 7.1: 30-31.Search in Google Scholar

GUS 2014. Uczestnictwo ludzi w kulturze, available: http://stat.gov.pl/obszary-tematyczne/kultura-turystyka-sport/kultura/uczestnictwo-ludnosci-w-kulturze-w-2014-r-,6,2.html#archive [1.12.2017].Search in Google Scholar

HALL, S. (1980) Encoding/Decoding, in Hall, S., Hobson, D., Lowe, A. and Willis, P. (eds) Culture, Media, Language, pp.128-138. London: HutchinsonSearch in Google Scholar

HOGGART, R. (1969). The Uses of Literacy. Harmondsworth.Search in Google Scholar

HOLT, DOUGLAS AND DOUGLAS CAMERON. 2010. Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, Oxford: Oxford University Press.Search in Google Scholar

HURST, ALLISON L. AND DEBORAH M. WARNOCK (2015). Les Miraculés: “The Magical Image of the Permanent Miracle”–Constructed Narratives of Self and Mobility from Working-Class Students at an Elite College. In: Elizabeth M. LEE AND CHAISE LADOUSA, College Students’ Experiences of Power and Marginality: Sharing Spaces and Negotiating Differences, New York: Routledge, pp. 102-117.Search in Google Scholar

IKEGAMI, E. (2005) Bonds of Civility. Aesthetic Networks and the Political Origins of Japanese Culture, Cambridge: Cambridge University Press.Search in Google Scholar

JACYNO, M. (1997) Iluzje codzienności. O teorii socjologicznej Pierre’a Bourdieu, Warszawa: IFiS PAN.Search in Google Scholar

KEMPER, T. (2006). Power and status and power-status theory of emotions, in: Jan Stets, Jonathan Turner, (Eds.), Handbook of the Sociology of Emotions, New York: Springer.Search in Google Scholar

KIRSCHBAUM, CH. (2012) “How Do Outsider Styles Become Legitimated? The Introduction of Bossa Nova in the Jazz Field.” Insper Working Paper, Insper Instituto de Ensino e Pesquisa, 2012.Search in Google Scholar

KŁOSKOWSKA, A. (1983) Socjologia kultury, Warszawa: PWN.Search in Google Scholar

KONECKI, T. (2014) Socjologia emocji według Thomasa Scheffa, w: Krzysztof Konecki i Beata Bawłowska (Ed.), Emocje w życiu codziennym, Łódź: WUŁ ss. 11-38.Search in Google Scholar

KOWALCZYK, A. (1997) Krótka historia Disco Polo, “Wiedza i Życie” nr 9.Search in Google Scholar

KUBISA, J. (2017) Defending Reproductive Rights in Poland, “Global Dialogue” 7.1: 27-29.Search in Google Scholar

KULKA, T. (1996) Kitsch and Art, University Park: PSU Press.Search in Google Scholar

LAMONT, M. (1992). Money, Morals, and Manners: The Culture of the French and the American Upper-Middle Class, Chciago: University of Chicago Press.10.7208/chicago/9780226922591.001.0001Search in Google Scholar

LAMONT, MICHÉLE. 2012. Toward a Comparative Sociology of Valuation and Evaluation, “Annual Review of Sociology” 38, 201–221.10.1146/annurev-soc-070308-120022Search in Google Scholar

LOPES, P. (2000) Pierre Bourdieu’s Fields of Cultural Production: A Case Study of Modern Jazz. In: N. Brown and I. Szeman (eds.) Pierre Bourdieu: Fieldwork in Culture. Oxford: Rowman and Littlefield.Search in Google Scholar

MATUCHNIAK-KRASUSKA A. (2003) “Culture and Society”, In: Bielawska-Batorowicz E., Rasiński R., red.) Poland. History, Culture and Society. Łódź: Wydawnictwo Tercja, pp. 177-201.Search in Google Scholar

MIELCZAREK, TOMASZ. 2013. Polsat – od wytwórcy do dytrybutora telewizyjnych treści, „Naukowy Przegląd Dziennikarski” 4/2013 (8), pp. 53-72.Search in Google Scholar

ORLIŃSKI, WOJCIECH (2004) Śmierć disco polo, “Gazeta Wyborcza” 188, 12/08/2004, p. 10Search in Google Scholar

PARETO, V. (1983) The Mind and Society, New York: Ams Pr Inc.Search in Google Scholar

PAWLICKA, K. AND SZYPUŁKA T. (2014) Od „Disco Relax” do „Disco Star” – zmiany statusu artysty disco polo w świetle przemian współczesnej kultury i najnowszych mediów, dostępny: http://obserwatorium.ikm.gda.pl/wp-content/uploads/2014/12/Od-„Disco-Relax”-do-„Disco-Star”.pdfSearch in Google Scholar

PENDERGAST, T. (2000). Creating the modern man: American magazines and consumer culture, 1900–1950. Columbia, Mo.: Univ. of Missouri Press.Search in Google Scholar

PETERS, J, EIJCK, K, MICHAEL, J. (2017). “Secretly Serious? Maintaining and Crossing Cultural Boundaries in the Karaoke Bar Through Ironic Consumption.” Cultural Sociology, 2017, Online First.10.1177/1749975517700775Search in Google Scholar

PETERSON, R.A. (1999). Creating country music: fabricating authenticity. Chicago: University of Chicago Press.Search in Google Scholar

POWER, M.J., DILLANE A. AND DEVEREUX, E. (2014) ‘Shame Makes the World go Around’ Morrissey and the Gendered Discourse of Class Disgust, University of Limerick Working Paper Series WP2014-01, available: http://www.ul.ie/sociology/pubs/wp2014-01.pdfSearch in Google Scholar

PRIOR, N. (2011). “Critique and Renewal in the Sociology of Music: Bourdieu and Beyond.” Cultural Sociology 5: 121–38.10.1177/1749975510389723Search in Google Scholar

PROBYN, E (2004). Shame in the Habitus, “The Sociological Review” 52, no. s2 (2004): 224–48.10.1111/j.1467-954X.2005.00533.xSearch in Google Scholar

REAY, D., G. CROZIER, AND J. CLAYTON (2009) “‘Strangers in Paradise’?: Working-Class Students in Elite Universities.” Sociology 43, no. 6: 1103–21.10.1177/0038038509345700Search in Google Scholar

SCHEFF, THOMAS J. (1990). Microsociology: Discourse, Emotion, and Social Structure. Chicago: University of Chicago Press.Search in Google Scholar

SCHWARZ, ORI. (2016) “The Sociology of Fancy-Schmancy” Cultural Sociology 2: 141-159.10.1177/1749975515627186Search in Google Scholar

SIERAKOWSKA, J. (2019) Nikt nie słucha. Reportaże o disco polo, Poznań: Wydawnictwo Poznańskie.Search in Google Scholar

SKEGGS B. (2005) The making of class and gender through visualizing moral subject formation. Sociology 39(5): 965–982.10.1177/0038038505058381Search in Google Scholar

SONTAG, SUSAN (2018) Notes on Camp. Penguin Random House (2018).Search in Google Scholar

SOROKIN, P. (1959) Social and Cultural Mobility. NewYork: The Free Press.Search in Google Scholar

STĘPIŃSKA, A. LIPIŃSKI, A. HESS, D. PIONTEK (2017) Poland: A fourth wave of populism?. In: T. Aalberg, F. Esser, C. Reinemann, J. Stromback, C.H. De Vreese (Eds). Populist political communication in Europe, New York: Routledge, pp. 311-325.Search in Google Scholar

TNS OBOP. 2008. Muzyczny portet Polaków, Warszawa: TNS OBOP.Search in Google Scholar

TVP. 1996. Muzyczne upodobania Polaków, Warszawa: TVPSearch in Google Scholar

TYLER, I. (2008) ‘“Chav Mum Chav Scum” Class disgust in contemporary Britain’, Feminist Media Studies, 8(1), 17-34.10.1080/14680770701824779Search in Google Scholar

TYLER, I. (2011) Revolting Subjects, Zed Books.Search in Google Scholar

WARD, P. (1996) Kitsch in Sync: A Consumer’s Guide to Bad Taste, London: Plexus.Search in Google Scholar

WHITE, H. (1980) The Value of Narrativity in the Representation of Reality.” Critical Inquiry 7, no. 1: 5–27.10.1086/448086Search in Google Scholar

WILLIAMS, R. (1973). The Country and the City. London: Chatto & Windus.Search in Google Scholar

ZABORSKI, A. 2017. Polska tańczy dla mnie, „Wprost” 27, available: https://www.wprost.pl/10063066/Polskatanczy-dla-mnie.htmlSearch in Google Scholar