<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Using the example of the village novel <italic>Three Kilometers</italic> from the final phase of the Ceaușescu dictatorship, the article follows the discovery of memory, examining the image of the Banat village community, which is dominated by hopelessness, fear and thoughts of flight. The emptiness and the cold motif used at the end point to the dissolution of the Swabian village world. The Banat village is presented at the interface between real life reality and a landscape of memories.</p>
</abstract>

Using the example of the village novel Three Kilometers from the final phase of the Ceaușescu dictatorship, the article follows the discovery of memory, examining the image of the Banat village community, which is dominated by hopelessness, fear and thoughts of flight. The emptiness and the cold motif used at the end point to the dissolution of the Swabian village world. The Banat village is presented at the interface between real life reality and a landscape of memories.

„[Überall] stand eine Erinnerung wie ein Gespenst“: Die Darstellung der Banater Provinz in Nadine Schneiders Roman <italic>Drei Kilometer</italic>

Doz. Dr. Grazziella Predoiu; West-Universität Temeswar

Germanistische Beiträge

This work is licensed under the Creative Commons Attribution 4.0 International License.

„[Überall] stand eine Erinnerung wie ein Gespenst“: Die Darstellung der Banater Provinz in Nadine Schneiders Roman 

Using the example of the village novel Three Kilometers from the final phase of the Ceaușescu dictatorship, the article follows the discovery of memory,...

„[Überall] stand eine Erinnerung wie ein Gespenst“: Die Darstellung der Banater Provinz in Nadine Schneiders Roman Drei Kilometer

Published Online: Mar 19, 2024

Page range: 50 - 65

DOI: https://doi.org/10.2478/gb-2023-0003

Keywords
Memory, home, escape, friendship, turning point

© 2023 Grazziella Predoiu, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

„[Überall] stand eine Erinnerung wie ein Gespenst“: Die Darstellung der Banater Provinz in Nadine Schneiders Roman Drei Kilometer

Published Online: Mar 19, 2024

Page range: 50 - 65

DOI: https://doi.org/10.2478/gb-2023-0003

KeywordsMemory, home, escape, friendship, turning point

© 2023 Grazziella Predoiu, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Keywords
Memory, home, escape, friendship, turning point