A Study on the Innovation of Traditional Drama Performance Forms by Intelligent Media Based on AI-Assisted Analysis Framework

[1] Ieiri, Y., Tsai, H. Y., Mizobuchi, K., Tengfei, S., & Hishiyama, R. (2023). Design of traditional cultural experiences using augmented reality based on environmental presence. IEEE transactions on human-machine systems. Search in Google Scholar

[2] Ames, M., Calvert, D., Glrstad, V., Maguire-Rosier, K., & Schmidt, Y. (2019). Responding to per.art’s dis_sylphide : six voices from iftr’s performance and disability working group. Theatre Research International, 44(1), 82-101. Search in Google Scholar

[3] Yu, N., & Jia, D. (2016). Metaphor in culture: life is a show in chinese. Cognitive Linguistics, 27(2), 147-180. Search in Google Scholar

[4] Lin, Y., & François Colbert. (2018). Chinese opera and the international market. International Journal of Arts Management, 20(3), 75-82. Search in Google Scholar

[5] Robinson, & Fagan, K. (2017). Conscious artistic translanguaging onstage. Applied Linguistics Review. Search in Google Scholar

[6] Grover-Friedlander, M. (2021). Voice and the sleepwalking body. Theatre Research International, 46(2), 128-147. Search in Google Scholar

[7] Ryan, M. (2019). Opera and/as theatricality: notes from across the aisle. The Opera Quarterly(1-2), 1-2. Search in Google Scholar

[8] Li, W. (2017). Performance of the shakespearean classic by chinese operas:from shakespeare’s tragedy macbeth to anhui opera jing hun ji. Forgn Literature Studies, 39(4), 153-160. Search in Google Scholar

[9] Hautsalo, L., & Westerlund, H. (2021). The “operatic of opera” in music history pedagogy - exploring the temporal narrativization of opera 1. Journal of Research in Music Education, 2(1), 71-88. Search in Google Scholar

[10] Yang, Z. (2022). Scientific and technological creative stage design using artificial intelligence. Computers and Electrical Engineering. Search in Google Scholar

[11] Thomson, P., Jaque, S. V., & Baltz, A. (2016). Intensive opera training program effects: a psychological investigation. International Journal of Music Education, 0255761416667467. Search in Google Scholar

[12] Sigman, A. (2020). Robot opera: bridging the anthropocentric and the mechanized eccentric. Computer Music Journal, 43(1), 21-37. Search in Google Scholar

[13] Deldonna, A. R. (2016). Tradition, innovation, and experimentation: the dramatic stage and new modes of performance in late eighteenth-century naples. Quaderni d’Italiana, 36(1), 139-171. Search in Google Scholar

[14] Rdzioch-Korkuz, A. (2018). Constraints on opera surtitling: hindrance or help?. Meta, 63(1), 216. Search in Google Scholar

[15] Cachopo, J. P. (2019). The aura of opera reproduced: fantasies and traps in the age of the cinecast. The Opera Quarterly. Search in Google Scholar