The Communion of Digital Media Art and the Aesthetics of Smart City Public Art in an Interdisciplinary Context

[1] Isto, R. (2020). Representing the worker in postsocialist public space: art and politics under neoliberalism. International Labor and Working-Class History, 98, 43-76. Search in Google Scholar

[2] Lobo, M. (2018). Re-framing the creative city: fragile friendships and affective art spaces in darwin, australia. Urban Studies, 55(3), 004209801668651. Search in Google Scholar

[3] Rainey, E. C., Storm, S., Castek, J., & Manderino, M. (2017). Teaching digital literary literacies in secondary english language arts. Journal of Adolescent & Adult Literacy, 61(2), 203-207. Search in Google Scholar

[4] Sacco, P. L., Ghirardi, S., Tartari, M., & Trimarchi, M. (2019). Two versions of heterotopia: the role of art practices in participative urban renewal processes. Cities, 89(JUN.), 199-208. Search in Google Scholar

[5] Christina, K., Claire, W., & Simon, M. (2021). Embedding creativity into digital resources: improving information discovery for art history. Digital Scholarship in the Humanities. Search in Google Scholar

[6] Licht, K. P. D. F. (2018). Hostile urban architecture: a critical discussion of the seemingly offensive art of keeping people away. Etikk i Praksis, 11(2), 27. Search in Google Scholar

[7] Jackson, & Kristi. (2017). Where qualitative researchers and technologies meet: lessons from interactive digital art. Qualitative Inquiry, 818-826. Search in Google Scholar

[8] Xu, W. (2022). Can one artist name an unnamed road after himself?:. Cultural Geographies, 29(2), 309-315. Search in Google Scholar

[9] Halle, D. (2019). Contested city: art and public history as mediation at new york’s seward park urban renewal area, by gabrielle bendiner-viani. iowa city: university of iowa press, 2018. isbn:978-1-60938-611-5; 234 pp; $50; hardcover. City & Community, 18. Search in Google Scholar

[10] Smith, B. J. (2020). ‘berlin does you good’: experimental art, place marketing and the urban public sphere in 1980s west berlin. Contemporary European History, 1-13. Search in Google Scholar

[11] Ochoa, R. (2022). The “expo” and the post-”expo”: the role of public art in urban regeneration processes in the late 20th century. Sustainability, 14. Search in Google Scholar

[12] Matthews, T., & Gadaloff, S. (2022). Public art for placemaking and urban renewal: insights from three regional australian cities. Cities(Aug.), 127. Search in Google Scholar

[13] Sylvanna M Falcón. (2018). Intersectionality and the arts: counterpublic memory-making in postconflict peru. International Journal of Transitional Justice, 12(1), 26-44. Search in Google Scholar

[14] Campos, R., & Barbio, L. (2021). Public strategies for the promotion of urban art: the lisbon metropolitan area case. City & Community, 20, 121 - 140. Search in Google Scholar

[15] Iannelli, L., & Marelli, C. M. (2019). Performing civic cultures: participatory public art and its publics. International Journal of Cultural Studies, 22(5), 630-646. Search in Google Scholar

[16] Kelly, C. (2021). Dirt(y) media: dirt in ecological media art practices. European Journal of Cultural Studies, 26, 31 - 46. Search in Google Scholar

[17] Aharoni, T. (2019). When high and pop culture (re)mix: an inquiry into the memetic transformations of artwork:. New Media & Society, 21(10), 2283-2304. Search in Google Scholar

[18] Piancatelli, C., Massi, M., & Vocino, A. (2020). #artoninstagram: engaging with art in the era of the selfie. International Journal of Market Research. Search in Google Scholar