An Uncanny Cinema, a Cinema of the Uncanny. The Trope of the Doll in the Films of Manoel de Oliveira

Published Online: Oct 16, 2018

Page range: 33 - 51

DOI: https://doi.org/10.1515/ausfm-2018-0002

Keywords

uncanny, doll, fetish, transitional object, modernity, modernism

© 2018 Hajnal Király, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.