10 Articoli
Accesso libero | 24 set 2016
The Impression of Reality and the Awareness of the Medium in Alexander Sokurov’s Family Trilogy
Accesso libero | 24 set 2016
Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer’s The Lady and the Duke
Accesso libero | 24 set 2016
The Polaroid and the Cross. Media-Reflexivity and Allegorical Figurations in Lucian Pintilie’s The Oak (1992)
Accesso libero | 24 set 2016
Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema
Accesso libero | 24 set 2016
Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema
Accesso libero | 24 set 2016
When the Copywriter is the Protagonist. History and Intermediality in Pablo Larraín’s No (2012)
Accesso libero | 24 set 2016
Accommodating the Mess: The Politics of Appropriation in It for Others (2013)
Accesso libero | 24 set 2016
Media-Morphosis. Intermediality, (Re-)Animation and the Medial Uncanny in Tsukamoto Shinya’s Tetsuo: The Iron Man (1989)
Accesso libero | 24 set 2016
Indexicality or Technological Intermediate? Moving Image Representation, Materiality, and the Real
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