<abstract xmlns="http://www.w3.org/1999/xhtml"><p> This paper presents an attempt to critically investigate the literary work of Japanese artist Kusama Yayoi (b. 1929). It takes as its object two of Kusama’s early prose texts and, by reading them through a feminist account of identity as fetishism, shows that the two novels presented in this paper-Kurisutofā danshō kutsu (1984) and Rijin kāten no shūjin (1984)-can be understood as a critical engagement with a potentially non-normative feminine self and, in a broader sense, as a negotiation of the state of being a woman in a patriarchal/androcentric society. These features can be traced back to her 1960s sculptural work and her Infinity Net Paintings. By not only situating Kusama’s literary work in a socio-historical context but also demonstrating that it constitutes an intertextual continuum with the rest of her artistic oeuvre, this paper offers an understanding of Kusama’s work besides the dominant narrative of her mental illness and lays the ground for further investigations into her literary texts.</p></abstract>

This paper presents an attempt to critically investigate the literary work of Japanese artist Kusama Yayoi (b. 1929). It takes as its object two of Kusama’s early prose texts and, by reading them through a feminist account of identity as fetishism, shows that the two novels presented in this paper-Kurisutofā danshō kutsu (1984) and Rijin kāten no shūjin (1984)-can be understood as a critical engagement with a potentially non-normative feminine self and, in a broader sense, as a negotiation of the state of being a woman in a patriarchal/androcentric society. These features can be traced back to her 1960s sculptural work and her Infinity Net Paintings. By not only situating Kusama’s literary work in a socio-historical context but also demonstrating that it constitutes an intertextual continuum with the rest of her artistic oeuvre, this paper offers an understanding of Kusama’s work besides the dominant narrative of her mental illness and lays the ground for further investigations into her literary texts.

Writing In/Difference to the M/Other: Kusama Yayoi’s Prose as Proto-Feminist Agency

Vienna Journal of East Asian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

This paper presents an attempt to critically investigate the literary work of Japanese artist Kusama Yayoi (b. 1929). It takes as its object two of Kusama’s...

Writing In/Difference to the M/Other: Kusama Yayoi’s Prose as Proto-Feminist Agency

Pubblicato online: 05 dic 2018

Pagine: 227 - 266

DOI: https://doi.org/10.2478/vjeas-2016-0008

Parole chiave
Kusama Yayoi, contemporary art, contemporary literature, feminism, mental illness

© 2018 Stefan Würrer, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Writing In/Difference to the M/Other: Kusama Yayoi’s Prose as Proto-Feminist Agency

Pubblicato online: 05 dic 2018

Pagine: 227 - 266

DOI: https://doi.org/10.2478/vjeas-2016-0008

Parole chiaveKusama Yayoi, contemporary art, contemporary literature, feminism, mental illness

© 2018 Stefan Würrer, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Parole chiave
Kusama Yayoi, contemporary art, contemporary literature, feminism, mental illness