“Never enough, never perfect”: Participatory activist practice in the museum

1Arnstein, S. (1969). A ladder of citizen participation. Journal of the American Institute of Planners, 34(4), 216–224. Search in Google Scholar

2Basu, P. (2021). Towards the pluriversal museum. Study day Voir le Musée autrement, Marseille.Search in Google Scholar

3Black, G. (2005). The engaging museum: Developing museums for visitor involvement. Routledge.Search in Google Scholar

4Borg, C., & Mayo, P. (2010). Museums: Adult education as cultural politics. New Directions for Adult and Continuing Education, Fall, 35–44.Search in Google Scholar

5Byrne, J. (Ed.), 2018. The constituent museum: Constellations of knowledge, politics and mediation. A generator of social change. Valiz.Search in Google Scholar

6Coffee, K. (2008). Cultural inclusion, exclusion and the formative roles of museums. Museum Management and Curatorship, 23(3), 261–279.Search in Google Scholar

7Cooke, B. and Kothari, U. (Eds.). (2001). Participation: The New Tyranny. Zed Books.Search in Google Scholar

8Cornwall, A. (2008). Unpacking participation: Models, meanings, practices. Community Development Journal, 43(3), 269–283.Search in Google Scholar

9Craig T., & Molle, F. (2021). J’ai voulu capter cette ambiance de tristesse et de colère. In S. Abriol, C. Broqua, R.Search in Google Scholar

10Chantraine, C. Chenu, V. Douris, F. Loux, F. Molle, & S. Musso (Eds.), VIH / sida. L’épidémie n’est pas finie, exhibition catalogue (pp. 52–58). Mucem/Anamosa.Search in Google Scholar

11De Hann, P., (nd). Het NAMENproject. With pride [online], https://withpride.ihlia.nl/story/het-namenproject/.Search in Google Scholar

12Eriksson, B., Stage, C. & Valtysson B.,(eds.), (2019). Cultures of Participation, Routledge.Search in Google Scholar

13Eriksson, B. (2023). Bonding and bridging: Social cohesion in collaborative cultural practices in shared local spaces. Nordisk Kulturpolitisk Tidsskrift, 26(1), 26–41.Search in Google Scholar

14Elffers, A. & Sitzia, E. (2016) Defining participation: practices in the Dutch artworld, in K. McSweeney & J. Kavanagh (eds), Museum participation: New directions for audience participation, pp. 39–67.Search in Google Scholar

15Ferloni, J., Maggiore, A. & Molle, F. (2022). Partager l’autorité muséale. La rémunération de la participation des communautés-sources en question (Sharing authority in the museum. Compensation of source-community participation). Culture et Musées, 39(1), 342–347.Search in Google Scholar

16Ferloni, J., & Sitzia, E. (2022). Quand le musée de société donne du pouvoir : enjeux de la construction participative d’expositions au Mucem (When the society museum gives power: Challenges of participatory exhibition co-creation at Mucem). Culture & Musées, 39(1), 135–162.Search in Google Scholar

17Golding, V., & Modest, W. (Eds), (2013). Museums and communities: Curators, collections and colla boration, Bloomsbury Academic.Search in Google Scholar

18Graham, B., Ashworth, G. J., & Tunbridge, J. E. (2016). A geography of heritage: Power, culture and economy. Routledge.Search in Google Scholar

19Hainard, J. & Le Mao G. (2016) Entretien avec Alain Morel, video, 180 min., La Huit production / ministère de la Culture, coll. “L’ethnologie en heritage.”Search in Google Scholar

20Haraway, D. (1988). Situated knowledges: The science question in feminism and the privilege of partial perspective. Feminist Studies, 14(3), 575–599.Search in Google Scholar

21Heinich, N. (2018). Ce que n’est pas l’identité. Gallimard.Search in Google Scholar

22Janes, R., & Sandell, R. (2019). Museum activism. Routledge.Search in Google Scholar

23Jung, Y. (2010). The ignorant museum: Transforming the elitist museum into an inclusive learning place. In N. Abery (Ed.), The new museum community: Audiences, challenges, benefits (pp. 272–291).Search in Google Scholar

24MuseumsEtc. Lorente, J. P. (2015). From the white cube to a critical museography: The development of interrogative, plural and subjective museum discourses. In K. Murawska-Muthesius & P. Piotrowski (Eds.), From museum critique to the critical museum (pp. 115–128). Routledge.Search in Google Scholar

25Lynch, B. (2011). Collaboration, contestation, and creative conflict: On the efficacy of museum/community partnerships. In J. Marstine (Ed.), Redefining museum ethics (pp. 146–163). Routledge.Search in Google Scholar

26MCSweeney K., Kavanagh, J. (Eds.), (2016). Museum participation: New directions for audience participation. Museums Etc.Search in Google Scholar

27Molle, F. (2019). Construire une exposition sur l’histoire sociale du VIH-sida au Mucem. La Lettre de l’Ocim, 183, 32–39.Search in Google Scholar

28Molle, F., & Chenu, C. (2020). Act Up-Paris dans les collections du Mucem. La Revue des musées de France. Revue du Louvre, 4, 80–92.Search in Google Scholar

29Molle, F., & Sitzia, E. (2022). Une nouvelle façon de construire le discours muséal : L’exemple d’une exposition sur le VIH conçue avec des personnes concernées (A new way to build a museum discourse: The example of an HIV exhibition constructed with communities). Patrimoine, (17) 80–89.Search in Google Scholar

30Molle, F. (2023). L’universalisme des musées à l’épreuve de la participation. PhD Thesis, Cy Cergy Paris Université. Mouffe, C. (2016). An agonistic conception of the museum. Proyectomuseu, np. http://proyectomuseu.org/an-agonistic-conception-of-the-museum/?doing_wp_cron=1639564257.4222729206085205078125. (no longer accessible online)Search in Google Scholar

31Otte, H. (2019). Bonding or bridging? On art participation and social cohesion in a rural region of the Netherlands. Poetics, 76, 1–14.Search in Google Scholar

32Pegno, M. (2021). Engaging refugee audiences through process and performance in multivocal, community-based programs. In B. Bobick & B. DiCindio (Eds.), Engaging communities through civic engagement in art museum education. IGI Global.Search in Google Scholar

33Pollock, V. L. & Sharp, J. (2012). Real Participation or the Tyranny of Participatory Practice? Public Art and Community Involvement in the Regeneration of the Raploch, Scotland. Urban Studies, 49(14), 3063–3079B. Search in Google Scholar

34Rancière, J. (1987). Le maître ignorant. Fayard.Search in Google Scholar

35Rancière, J. (2008). Le spectateur émancipé. La Fabrique Editions.Search in Google Scholar

36Rausch, C., Benschop, R., Sitzia, E., van Saaze,V. (eds) (2022). Participatory Practices in Art and Cultural Heritage: Learning Through and from Collaboration, Springer.Search in Google Scholar

37Sandell, R. (1998) Museums as agents of social inclusion. Museum Management and Curatorship. 17:4, 401–418. Search in Google Scholar

38Sandell, R. (2003). Social inclusion, the museum and the dynamics of sectoral change. Museum and Society, 1, 45–62.Search in Google Scholar

39Sandell, R., & Nightingale, E. (Eds.). (2012). Museums, equality and social justice. Routledge.Search in Google Scholar

40Schulman, S. (2017). Conflict is not abuse: Overstating harm, community responsibility, and the duty of repair. Arsenal Pulp Press.Search in Google Scholar

41Shirky, C. (2008) Here comes everybody: The power of organizing without organizations. Penguin Press.Search in Google Scholar

42Simon, N. (2010) The participatory museum, Museum 2.0.Search in Google Scholar

43Sitzia, E. (2017). The ignorant art museum: Beyond meaning-making. International Journal of Lifelong Education, 37(1), 73–87.Search in Google Scholar

44Sitzia, E. (2023). Multiple Narratives and Polyvocality as Strategies of Inclusive Public Participation: Challenges and Disruption in the History Museum. Museologies, 10:2, 51–63Search in Google Scholar

45Yasmin, N. (2021). Awash and awoke: Examining cross sectoral museum collaborations [Master’s thesis, Amsterdam University]. https://scripties.uba.uva.nl/search?id=c3993462.Search in Google Scholar

46Zask, J. (2011). Participer : Essai sur les formes démocratiques de la participation. Le Bord de l’eau.Search in Google Scholar