<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Working on the hugely successful series of novels known collectively as <italic>A Song of Ice and Fire</italic>, George R. R. Martin is known to have drawn much of his inspiration from real-life events, landmarks in the history of the Middle Ages, such as the Hundred Years’ War, the Wars of the Roses, and the Crusades. It is not known, however, to what degree he actually relies in his work on sources of genuinely medieval provenance, since he himself frequently admits that amongst those that made the biggest impact on his writing are modern works of fiction, such as Maurice Druon’s heptalogy <italic>Les Rois maudits</italic> (2019 [1955–1977]). It is not impossible, though, that at least some features of Martin’s series have more or less direct parallels in medieval literature. One such element may be so-called kennings, the highly-stylised circumlocutions found in plenty in the poetic works of early Germanic literature and whose diction appears to shine through some of the series’ titles.</p>
</abstract>

Working on the hugely successful series of novels known collectively as A Song of Ice and Fire, George R. R. Martin is known to have drawn much of his inspiration from real-life events, landmarks in the history of the Middle Ages, such as the Hundred Years’ War, the Wars of the Roses, and the Crusades. It is not known, however, to what degree he actually relies in his work on sources of genuinely medieval provenance, since he himself frequently admits that amongst those that made the biggest impact on his writing are modern works of fiction, such as Maurice Druon’s heptalogy Les Rois maudits (2019 [1955–1977]). It is not impossible, though, that at least some features of Martin’s series have more or less direct parallels in medieval literature. One such element may be so-called kennings, the highly-stylised circumlocutions found in plenty in the poetic works of early Germanic literature and whose diction appears to shine through some of the series’ titles.

What’s in a Title? Some Remarks on the Semantic Features of Kenning-Like Titles in George R. R. Martin’s <italic>A Song of Ice and Fire</italic> Series

Studia Anglica Posnaniensia

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

What’s in a Title? Some Remarks on the Semantic Features of Kenning-Like Titles in George R. R. Martin’s  Series

Working on the hugely successful series of novels known collectively as A Song of Ice and Fire, George R. R. Martin is known to have drawn much of his...

What’s in a Title? Some Remarks on the Semantic Features of Kenning-Like Titles in George R. R. Martin’s A Song of Ice and Fire Series

Pubblicato online: 08 ago 2022

Pagine: 131 - 157

DOI: https://doi.org/10.2478/stap-2022-0006

Parole chiave
George R. R. Martin, kennings, Old English poetry, Old Norse poetry

© 2022 Łukasz Neubauer, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

What’s in a Title? Some Remarks on the Semantic Features of Kenning-Like Titles in George R. R. Martin’s A Song of Ice and Fire Series

Pubblicato online: 08 ago 2022

Pagine: 131 - 157

DOI: https://doi.org/10.2478/stap-2022-0006

Parole chiaveGeorge R. R. Martin, kennings, Old English poetry, Old Norse poetry

© 2022 Łukasz Neubauer, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Parole chiave
George R. R. Martin, kennings, Old English poetry, Old Norse poetry