[Bangs, Lance and Oliver Gondry. 2003. The Work of Director Michel Gondry. Palm Pictures, DVD.]Search in Google Scholar
[Barthes, Roland. (1967) 1981. “The Death of the Author”. Theories of Authorship: a Reader. John Caughie. (Ed.). London: Routledge & Kegan Paul in Association with the British Film Institute.]Search in Google Scholar
[Burke, Sean. 1992. The Death and Return of the Author: Criticism and Subjectivity inBarthes, Foucault andDerrida. Edinburgh: Edinburgh UP.]Search in Google Scholar
[Burns, Gary. “Authorship and Point-of-View Issues in Music Video” in Making Television: Authorship and theProduction Process. Robert J. Thompson (Ed.) NewYork: Praeger.]Search in Google Scholar
[Caughie, John. 1981. Theories of Authorship: a Reader. London: Routledge & Kegan Paul in Association with the British Film Institute.]Search in Google Scholar
[Cook, Nicholas. 1998. Analysing Musical Multimedia. Oxford:Clarendon Fidler, Tristan, 2007. Music video auteurs : the directors label DVDs and the music videos of Chris Cunningham,Michel Gondry and Spike Jonze. University of Western Australia.School of Social and Cultural Studies and University of Western Australia.English, Communication and Cultural Studies Discipline Group.]Search in Google Scholar
[Foucault, Michel. (1969) 1981. “What Is an Author?” in Theories of Authorship: a Reader. John Caughie. London: Routledge & Kegan Paul in Association with the British Film Institute ]Search in Google Scholar
[“Pop Goes the Video” in . Sydney Morning Herald -Dec. 18th 2004 [Online] Available<http://www.smh.com.au/news/Music/Popgoesthevideo/2004/12/17/1102787260169.html>.[Acce ssed August 10th 2012].]Search in Google Scholar
[Staiger, Janet.2003. “Authorship Approaches” in Authorship and Film. David A. Gerstner (Ed.). New York: Routledge.]Search in Google Scholar
[Vernallis, Carol. 2004. Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia UP.]Search in Google Scholar
