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Urban Theatricalities, A Communicational Claim. Reading of the Scenic Performances of the City of Jijel (Algeria)

Sheherazad Khelfallah

Sheherazad Khelfallah

  • Department of Architecture, Mohammed Seddik Ben Yahia UniversityJijel, Algeria
  • Laboratory of Conception and Modeling Urban and Architectural Forms (LACOMOFA) BiskraAlgeria
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Khelfallah, Sheherazad
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Abdallah Farhi

Abdallah Farhi

  • Laboratory of Conception and Modeling Urban and Architectural Forms (LACOMOFA) BiskraAlgeria
  • Department of Architecture, Mohamed Khider UniversityBiskra, Algeria
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Farhi, Abdallah
  
30 giu 2021
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Pubblicato online: 30 giu 2021
Pagine: 139 - 151
Ricevuto: 10 ago 2020
DOI: https://doi.org/10.2478/quageo-2021-0010
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© 2021 Sheherazad Khelfallah et al., published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Fig. 1

Situation of spatial diversity zones (by category) and the selected sites. Multi-criteria evaluation grid (criteria and scale) and results of the selected sites.Source: own study.
Situation of spatial diversity zones (by category) and the selected sites. Multi-criteria evaluation grid (criteria and scale) and results of the selected sites.Source: own study.

Fig. 2

Few stage captures of urban theatricality of November 12th, 2019 – Emir Abdelkader avenue, accompanied by their evolutions in scenes – from exposition to denouement.Source: Khelfallah 2019.
Few stage captures of urban theatricality of November 12th, 2019 – Emir Abdelkader avenue, accompanied by their evolutions in scenes – from exposition to denouement.Source: Khelfallah 2019.

Fig. 3

From left to right; situation of urban theatericalities (Source: own study.), scenic shift from the stadium (Chemcham 2019a) to the street (Chemcham 2019d) and its theatricalisation (Chemcham 2019c).
From left to right; situation of urban theatericalities (Source: own study.), scenic shift from the stadium (Chemcham 2019a) to the street (Chemcham 2019d) and its theatricalisation (Chemcham 2019c).

Fig. 4

2.0. Youth between visual and signage – Roubeh Hocine boulevard.Source: Khelfallah 2019.
2.0. Youth between visual and signage – Roubeh Hocine boulevard.Source: Khelfallah 2019.

Fig. 5

Pictorial constructions of existential distinctions. From left to right: situation at boulevard Zighoud Youcef (Source: own study), political demonstration chanting peace, unity, brotherhood (Chemcham 2019b), and murals on the themes of peace and love.Source: Khelfallah 2019.
Pictorial constructions of existential distinctions. From left to right: situation at boulevard Zighoud Youcef (Source: own study), political demonstration chanting peace, unity, brotherhood (Chemcham 2019b), and murals on the themes of peace and love.Source: Khelfallah 2019.

Fig. 6

Urban theatricalities around the shooting of a music clip – City Centre, May 21st, 2019.Source: Khelfallah 2019.
Urban theatricalities around the shooting of a music clip – City Centre, May 21st, 2019.Source: Khelfallah 2019.

Fig. 7

Synthesis of lexical occurrences analysis of the corpus.Source: own study.
Synthesis of lexical occurrences analysis of the corpus.Source: own study.

Fig. 8

Mural ‘la casa de papel’. On the left as is seen on the web (La casa de papel 2019). On the right in Jijel – Village Moussa area (December 20th, 2019).Source: Khelfallah 2019.
Mural ‘la casa de papel’. On the left as is seen on the web (La casa de papel 2019). On the right in Jijel – Village Moussa area (December 20th, 2019).Source: Khelfallah 2019.

Spatio-theatrical script design and composition of acts_

Acts Theatrical description Acts conception Spatial description
First acts Exposition: presentation of actors and the piece's context Unstable country, constitutional void, spontaneous popular movement Grouping in public space
Central acts Knots and conflicts Military control of country, presidential election setup Presentation of facts through demonstrations, slogans and chants
Climax Refusal to vote by demonstrators and mobilisation of citizens
Last acts Denouement Forced voting via trash cans instead of ballot boxes Go to fictitious ballot boxes

Summary of the methodological course_

Samples
Public spaces Parent population Collection technique Analysis tools
Selection mode Polar diagram Random Observation Photography observation grid
Sample size Six sites (32) interviewees Interviews (semi-directive) Interview guide content analysis software
Lingua:
Inglese
Frequenza di pubblicazione:
4 volte all'anno
Argomenti della rivista:
Geoscienze, Geografia
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