<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Iris Murdoch’s novel <italic>A Severed Head</italic> (1961) is an example of convoluted relationships that may appear hilarious upon superficial analysis. A close reading, however, reveals the suffering triggered by the behaviour of the central characters. The most mysterious female protagonist, the sexually ambivalent Honor Klein, deploys a wide range of possible interpretations. Honor’s powerful figure is like an axis around which the rest of the characters rotate and without whom the plot would fall apart. The question is, nonetheless, if she is a real figure or not. This paper argues that this pivotal character is not a real person but a dreamy and ghostly concentration of elements in relation to the protagonist Martin Lynch-Gibbon. Honor Klein is a force, is suspicion, and fear, and seems to be an external projection of Martin’s subconscious imaginary fears and trauma. She has a similar narrative function as Shakespeare‘s ghosts in, e.g., <italic>Macbeth</italic>, <italic>Hamlet</italic> and <italic>Julius Caesar</italic>.</p></abstract>

Iris Murdoch’s novel A Severed Head (1961) is an example of convoluted relationships that may appear hilarious upon superficial analysis. A close reading, however, reveals the suffering triggered by the behaviour of the central characters. The most mysterious female protagonist, the sexually ambivalent Honor Klein, deploys a wide range of possible interpretations. Honor’s powerful figure is like an axis around which the rest of the characters rotate and without whom the plot would fall apart. The question is, nonetheless, if she is a real figure or not. This paper argues that this pivotal character is not a real person but a dreamy and ghostly concentration of elements in relation to the protagonist Martin Lynch-Gibbon. Honor Klein is a force, is suspicion, and fear, and seems to be an external projection of Martin’s subconscious imaginary fears and trauma. She has a similar narrative function as Shakespeare‘s ghosts in, e.g., Macbeth, Hamlet and Julius Caesar.

A Shadow of Truth: Honor Klein in Iris Murdoch’s <italic>A Severed Head</italic>

Prague Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

A Shadow of Truth: Honor Klein in Iris Murdoch’s 

Iris Murdoch’s novel A Severed Head (1961) is an example of convoluted relationships that may appear hilarious upon superficial analysis. A close reading,...

A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head

Pubblicato online: 24 set 2019

Pagine: 21 - 34

DOI: https://doi.org/10.2478/pjes-2019-0002

Parole chiave
Iris Murdoch, Honor Klein, Martin Lynch-Gibbon, psychoanalysis, spectre, Hamlet

© 2019 Barbora Kašpárková, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head

Pubblicato online: 24 set 2019

Pagine: 21 - 34

DOI: https://doi.org/10.2478/pjes-2019-0002

Parole chiaveIris Murdoch, Honor Klein, Martin Lynch-Gibbon, psychoanalysis, spectre, Hamlet

© 2019 Barbora Kašpárková, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Parole chiave
Iris Murdoch, Honor Klein, Martin Lynch-Gibbon, psychoanalysis, spectre, Hamlet