[
Barbour, Karen. 2019. “Dancing gardens: Phenomenology and affective practices.” In (Re)Positioning Site: Local Acts, Global Perspectives, edited by Karen Barbour, Victoria Hunter, and Melanie Kloetzel, 107–132. Intellect.
]Search in Google Scholar
[
Foster, Susan L.2011. Choreographing Empathy. Taylor & Francis Group.
]Search in Google Scholar
[
Foster, Susan L. 1997. “Dancing Bodies.” In Meaning in Motion: New Cultural Studies in Dance, edited by Jane C. Desmond, 235–258. Indiana University Press.
]Search in Google Scholar
[
Gallagher, Shaun. 2020. Action and Interaction. Oxford University Press.
]Search in Google Scholar
[
Gallagher, Shaun.2004. How the Body Shapes the Mind. Clarendon Press.
]Search in Google Scholar
[
Heimonen, Kirsi, and Rouhiainen, Leena. 2024. “The Choreographic Politics of a Staircase.” In Writing Choreography: Textualities of and beyond Dance, edited by Leena Rouhiainen, Kirsi Heimonen, Rebecca Hilton, and Chrysa Parkinson, 165–177. Routledge, Taylor & Francis Group.
]Search in Google Scholar
[
Heimonen, Kirsi, and Rouhiainen, Leena. 2024. “On the Process of Writing Site-Specific Textual Choreography.” Scriptum: Creative Writing Research Journal 1: 1–25. https://doi.org/10.17011/scriptum/2024/1.
]Search in Google Scholar
[
Heimonen, Kirsi, and Rouhiainen, Leena. 2022. “In the Shadows: Phenomenological Choreographic Writing.” Choreographic Practices 13 (1): 75–96. https://doi.org/10.1386/chor_00042_1.
]Search in Google Scholar
[
Heinämaa, Sara. 1996. Ele, tyyli ja sukupuoli: Merleau-Pontyn ja Beauvoirin ruumiinfenomenologia ja sen merkitys sukupuolikysymykselle. Gaudeamus.
]Search in Google Scholar
[
Hunter, Victoria. 2015. “Introduction.” In Moving Sites: Investigating Site-Specific Dance Performance, edited by Victoria Hunter, 1–24. Routledge, Taylor & Francis Group.
]Search in Google Scholar
[
Hunter, Victoria. 2015. “Spatial Translation, Embodiment and the Site-Specific Event.” In Moving Sites: Investigating Site-Specific Dance Performance, edited by Victoria Hunter, 178–196. Routledge, Taylor & Francis Group.
]Search in Google Scholar
[
Hunter, Victoria. 2015. “Dancing the Beach: In Between Land, Sea and Sky.” In Moving Sites: Investigating Site-Specific Dance Performance, edited by Victoria Hunter, 295–309. Routledge, Taylor & Francis Group.
]Search in Google Scholar
[
Kauppinen, Anneli. 2020. Mistä kieli meihin tulee. Vastapaino.
]Search in Google Scholar
[
Kramer, Paula. 2021. Suomenlinna // Gropius: Two Contemplations on Body, Movement and Intermediality. Triarchy Press.
]Search in Google Scholar
[
Language-Based Artistic Research Group. 2024. Accessed 1 April 2024. https://www.researchcatalogue.net/view/835089/835129.
]Search in Google Scholar
[
Madison, Gary B. 1990. The Phenomenology of Merleau-Ponty: A Search for the Limits of Consciousness. Ohio University Press.
]Search in Google Scholar
[
Marratto, Scott. 2020. “Intercorporeality.” In 50 Concepts for a Critical Phenomenology, edited by Gail Weiss, Ann V. Murphy, and Gayle Salamon, 197–202. Northwestern University Press.
]Search in Google Scholar
[
Meglin, Joellen A., and Lynn Matluck Brooks. 2016. “Embodied Texts, Textual Choreographies.” Dance Chronicle 39 (1): 1–10. https://doi.org/10.1080/01472526.2016.1136183.
]Search in Google Scholar
[
Merleau-Ponty, Maurice. 1995. Signs. Translated by Richard McCleary. Northwestern University Press.
]Search in Google Scholar
[
Merleau-Ponty, Maurice. 1995. Phenomenology of Perception. Translated by Colin Smith. Routledge.
]Search in Google Scholar
[
Moran, Dermot. 2000. Introduction to Phenomenology. Routledge.
]Search in Google Scholar
[
Parviainen, Jaana. 2006. Meduusan liike: mobiiliajan tiedonmuodostuksen filosofiaa. Gaudeamus.
]Search in Google Scholar
[
Parviainen, Jaana. 1998. “Bodies Moving and Moved: A Phenomenological Analysis of the Dancing Subject and the Cognitive and Ethical Values of Dance Art.” PhD diss., Tampere University Press.
]Search in Google Scholar
[
Roche, Jennifer. 2015. Multiplicity, Embodiment and The Contemporary Dancer: Moving Identities. Palgrave Macmillan.
]Search in Google Scholar
[
Rouhiainen, Leena. “Phenomenological Insights into Embodied Writing in Artistic Research.” In Counterpoints of Art and Research – Concepts, Practices, and Demarcations from the Finnish Academia, edited by Otso Aavanranta and Susanna Välimäki. University of the Arts Helsinki, Academy of Fine Arts Publication Series, forthcoming.
]Search in Google Scholar
[
Rouhiainen, Leena. 2003. “Living Transformative Lives: Finnish Freelance Dance Artists Brought into Dialogue with Merleau-Ponty’s Phenomenology.” PhD diss., Theatre Academy.
]Search in Google Scholar
[
Rouhiainen, Leena, and Heimonen, Kirsi. 2024. “Motifs and Insights: Textual Choreography, Dance Studies and the Local Conditions in Finland.” In Writing Choreography: Textualities of and beyond Dance, edited by Leena Rouhiainen, Kirsi Heimonen, Rebecca Hilton, and Chrysa Parkinson, 9–34. Routledge, Taylor & Francis Group.
]Search in Google Scholar
[
Rouhiainen, Leena, and Heimonen, Kirsi. 2021. “Katveen Varjon Sanominen Koreografisena Kirjoittamisena.” Ruukku Studies in Artistic Research 15. https://www.researchcatalogue.net/view/848270/848271.
]Search in Google Scholar
[
Sen, Arijt, and Lisa Silverman. 2014. “Introduction. Embodied Placemaking: An Important Category of Critical Analysis.” In Making Place: Space and Embodiment in the City, edited by Arijt Sen and Lisa Silverman, 1–18. Indiana University Press.
]Search in Google Scholar
[
Sheets-Johnstone, Maxine.1981. “Thinking in Movement.” The Journal of Aesthetics and Art Criticism 39, (4): 399–408.
]Search in Google Scholar
[
Writing the Shadows as Choreography. 2021. Video: length 12:01. Concept, choreography, text, speech, and co-editing Kirsi Heimonen and Leena Rouhiainen, cinematography and co-editing Raimo Uunila, sound recording and design Antti Nykyri.
]Search in Google Scholar