[
Aarnes, Thea Ericson. 2022. “Elizabeth Svarstad – Dansehistoriens forkjemper”. Danseinformasjonen. Accessed 20 November 2022. https://danseinfo.no/intervjuer/elizabeth-svarstad-dansehistoriens-forkjemper/.
]Search in Google Scholar
[
Adewole, Funmi. 2020. Africanist Choreography as Cultural Citizenship: Thomas ´Talawa’ Prestø’s Philosophy of Africana Dance. In Routledge Companion to Performance Philosophy. Eds. Laura Cull Ó Maoilearca & Alice Lagaay. London: Routledge, 299-309.
]Search in Google Scholar
[
Bakka, Egil. 1997. Europeisk dansehistorie: for VK1 og VK2. Oslo: Gyldendal undervisning.
]Search in Google Scholar
[
Bergholm, Kari. 1977. Suomalaisen kansantanssin tyylipiirteitä. In Tanhuvakka. Suuri suomalainen kansantanssikirja. Eds. Pirkko-Liisa & Esko Rausmaa. Porvoo: WSOY, 24–27.
]Search in Google Scholar
[
Bonfil Batalla, Guillermo. 1996. Mexico Profundo: Reclaiming a Civilization. Translated by Philip A. Dennis. Austin: University of Texas Press.
]Search in Google Scholar
[
Burt, Ramsay. 2009. “The Specter of Interdisciplinarity.” Dance Research Journal 41, no. 1: 3-22.
]Search in Google Scholar
[
Burt, Ramsay. 2020. “Elroy Josephs and the Hidden History of Black British Dance.” In The Routledge Companion to Dance Studies. Eds. Helen Thomas and Stacey Prickett, 236–246. New York: Routledge.
]Search in Google Scholar
[
Caswell, Michelle, and Marika Cifor. 2016. “From Human Rights to Feminist Ethics: Radical Empathy in the Archives.” Archivaria 81: 23–43.
]Search in Google Scholar
[
Chatterjea, Ananya. 2020. Heat and Alterity in Contemporary Dance: South–South Choreographies. Basingstoke: Palgrave Macmillan.
]Search in Google Scholar
[
Clark, Vèvè A. & Sara E. Johnson. 2006. Kaiso: Writings by and about Katherine Dunham. Madison: University of Wisconsin Press.
]Search in Google Scholar
[
Daly, Ann. 1987. “The Balanchine Woman.” Drama Review 113: 8–21.
]Search in Google Scholar
[
Danseinformasjonen and CODA International dance festival. Accessed 1 July 2022. https://codadance-fest.no/events/norsk-dansehistorie/.
]Search in Google Scholar
[
DeFrantz, Thomas F. 2007. “Review of Exhausting Dance: Performance and the Politics of Movement, by André Lepecki.” TDR: The Drama Review 51, no. 3: 189–191.
]Search in Google Scholar
[
DeFrantz, Thomas F. 2002. “African American Dance: A Complex History.” In Dancing Many Drums: Excavations in African American Dance. Ed. Thomas F. DeFrantz. Madison: The University of Wisconsin Press. 3–17.
]Search in Google Scholar
[
Dekker, Anett. 2023. “Please Put It Somewhere Safe.” Seminar presentation at Digital Sustainability conference hosted by GRIDH Gothenburg Research Infrastructure in Digital Humanities and the research program DIGARV. University of Gothenburg 27.4.2023.
]Search in Google Scholar
[
DeNora, Tia. 1995. Beethoven and the Construction of Genius: Musical Politics in Vienna 1792–1803. Berkeley, CA: University of California Press.
]Search in Google Scholar
[
Dodds, Sherril. 2011. Dancing on the Canon: Embodiments of Value in Popular Dance. Basingstoke: Palgrave Macmillan.
]Search in Google Scholar
[
Erichsen, Chris. 2014. “Danseinformasjonen fyller 20 år.” Scenekunst.no. Accessed 1 July 2022. https://www.scenekunst.no/sak/danseinformasjonen-fyller-20-ar/.
]Search in Google Scholar
[
Expanded Choreography. 2012. MACBA: Museum of Contemporary Art, Barcelona. https://www.e-flux.com/announcements/34425/expanded-choreography/
]Search in Google Scholar
[
Findlay, Cassie. 2017. “Participatory Cultures, Trust Technologies and Decentralisation: Innovation Opportunities for Recordkeeping.” Archives and Manuscripts 45, no. 3: 176–190.
]Search in Google Scholar
[
Flinn, Andrew. 2011. “Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions.” InterActions 7. http://escholarship.org/uc/item/9pt2490x (retrieved 29.22.2019).
]Search in Google Scholar
[
Flinn, Andrew & von Rosen, Astrid. 2023. “An Introduction to the Long-Awaited English Translation of Dig Where You Stand”. In Dig Where You Stand: How to Research a Job. Ed. Sven Lind-qvist. London: Repeater Books, 1–19.
]Search in Google Scholar
[
Gilliland, Anne J., Sue McKemmish & Andrew J Lau, eds. 2017. Research in the Archival Multiverse. Clayton Victoria: Monash University Publishing.
]Search in Google Scholar
[
Gottschild, Brenda Dixon. 1996. Digging the Africanist Prescence in American Perfromance: Dance and Other Contexts. Westport, CT: Greenwood Press.
]Search in Google Scholar
[
Hammergren, Lena. 2009. Dans och historiografiska reflectioner. Stockholm: Stiftelsen för utgivning av teatervetenskapliga studier.
]Search in Google Scholar
[
Hansteen, Valdemar. 1989. Historien om norsk ballett. Oslo: Universitetsforlaget.
]Search in Google Scholar
[
Hart, Michael Anthony. 2010. “Indigenous Worldviews, Knowledge, and Research: The Development of an Indigenous Research Paradigm.” Journal of Indigenous Voices in Social Work 1, no. 1: 1–16. http://hdl.handle.net/10125/15117
]Search in Google Scholar
[
Heikkilä, Lydia & Miettunen, Tuuli. 2016. Yhteisöllisyys ja eettisyys saamentutkimuksessa. Agon, (2). http://agon.fi/article/yhteisollisyys-ja-eettisyys-saamentutkimuksessa/
]Search in Google Scholar
[
Hoppu, Petri. 2020. “Dancing Agency: Skolt Saami Identities in Transition.” Puls 5: 26–44.
]Search in Google Scholar
[
Jonassen, Roy Lie. 2008. Dansens historie. Vettre: Tell forlag.
]Search in Google Scholar
[
Johnson, Jasmine. 2016. “Black Dance.” In The Rout-ledge Encyclopedia of Modernism. Online resource. https://www.rem.routledge.com/articles/black-dance. doi:10.4324/9781135000356-REM1661-1
]Open DOISearch in Google Scholar
[
Kulturdepartementet. 2011. “Dans i hele landet”. 2011–2014 strategy paper by the Norwegian
]Search in Google Scholar
[
Ministry of Culture. Accessed 1 July 2022. https://www.regjeringen.no/globalassets/upload/kud/kunstavdelingen/rapporter_utredninger/strategi_dansi-hele-landet-2013.pdf
]Search in Google Scholar
[
Lehtola, Veli-Pekka. 2002. The Saami People – Traditions in Transition. Transl. by L. Weber Müller-Wille. Inari: Kustannus-Puntsi.
]Search in Google Scholar
[
Lehtola, Veli-Pekka 2004. Saamelainen evakko. Inari: Kustannus-Puntsi.
]Search in Google Scholar
[
Linkola, Martti, & Sammallahti, Pekka. 1995. Koltanmaa, osa Saamenmaata. In Koltat, karjalaiset ja setukaiset: Pienet kansat maailmojen rajoilla. Eds. Tuija Saarinen & Seppo Suhonen. Kuopio: Snellman-instituutti, 39–57.
]Search in Google Scholar
[
Löfblad, Josefine. 2018. “Bodily Archiving in 69 Positions.” Nordic Journal of Dance 9, no.1: 4–11.
]Search in Google Scholar
[
Martin, Randy. 1998. Critical Moves: Dance Studies in Theory and Politics. Durham: Duke University Press.
]Search in Google Scholar
[
Mensah, Ayoko. 2005. “Corps noirs, regards blancs: retour sur la danse africaine contemporaine.” Africultures 62: 164–171.
]Search in Google Scholar
[
Banerji, Anurima & Mitra, Royona, eds. 2020. Decolonizing Dance Discourses. Conversations across the Field of Dance Studies, vol. XL. https://dancestudiesassociation.org/publications/conversations-across-the-field-of-dance-studies/decolonizing-dance-discourses
]Search in Google Scholar
[
Oksanen, Taru 2005. Tiina Sanila – Sää’mjannam rocks! Pop-lehti 6, no. 5: 12.
]Search in Google Scholar
[
Rausmaa, Pirkko-Liisa. 1978/1979. Kolttien tanssiperinteet. Manuscript. Folklore Archive, Finnish Literature Society.
]Search in Google Scholar
[
von Rosen, Astrid. 2017a. “’Dream no Small Dreams!’ Impossible Archival Imaginaries in Dance Community Archiving in a Digital Age”. In Rethin-king Dance History: Issues and Methodologies. Eds. Geraldine Morris & Larraine Nicholas. London: Routledge, 148–159.
]Search in Google Scholar
[
von Rosen, Astrid. 2017b. “Activating Dance Records: Conceptualizing Research into the Swedish, Nordic and Global Archives Pertaining to the Russian Dancer Anna Robenne”. Nordic Theatre Studies 29 no. 1, 117–137.
]Search in Google Scholar
[
von Rosen, Astrid, Marsha Meskimmon & Monica Sand. 2018. “Transversal Dances across Time and Space: Feminist Strategies for a Critical Heritage Studies”. In Gender and Heritage: Performance, Place and Politics. Eds. Wera Grahn & Ross J. Wilson. London: Routledge, 169–184.
]Search in Google Scholar
[
von Rosen. 2019a.“Radikal empati i dansarkivet: Omsorg om den ryska dansaren Anna Robenne.” In I avantgardets skugga: Brytpunkter och kontinuitet i svensk teater kring 1900. Ed. Rikard Hoogland. Göteborg: LIR skrifter, 203-242.
]Search in Google Scholar
[
von Rosen Astrid. 2019b. “Kroppsligt kunskapande i dansarkivet: sinnliga, scenografiska och transformativa forskningspraktiker.” På Spissen forskning / Dance Articulated, 1–18.
]Search in Google Scholar
[
von Rosen, Astrid, Eugenia Klimova & Olga Nikolaeva. 2020. “Russian Relations: Radical Empathy as a Method for Researching the Migrant Dancer Anna Robenne in Russian Archives.” Nordic Theatre Studies 32, no. 2: 89–105.
]Search in Google Scholar
[
von Rosen, Astrid. 2021a. “Scenographing the Dance Archive - Keep Crawling!” In Scenography and Art History: Performance Design and Visual Culture. Eds. Astrid von Rosen and Viveka Kjellmer. London: Bloomsbury, 29–46.
]Search in Google Scholar
[
von Rosen, Astrid. 2021b. “Om Claude Marchant: Ett historiografiskt bidrag till svart danshistoria i Sverige.” Nordic Journal of Dance 12, no. 1: 4–21.
]Search in Google Scholar
[
von Rosen, Astrid. 2022. “Affect and Digital Caregiving: Challenging the Performing Arts Canon with a ‘Dig Where You Stand’ Database”. Archives and Records 43(2): 128-142.
]Search in Google Scholar
[
Saxholm, Sari, Moshnikoff, Minna, Gauriloff, Mari. 2022. Sevettijärven kolttakatrilli. Če’vetjääu’r ka’dre’l. Inari: Sámi duodji.
]Search in Google Scholar
[
Sexton, Anna. 2015. “Archival activism and mental health: being participatory, sharing control and building legitimacy.” PhD diss. University College London.
]Search in Google Scholar
[
Sharpe, Christina. 2016. In the Wake: On Blackness and Being. Durham: Duke University Press.
]Search in Google Scholar
[
Vedel, Karen, ed. 2011. Dance and the Formation of Norden: Emergences and Struggles. Trondheim: Tapir.
]Search in Google Scholar
