[Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.]Search in Google Scholar
[Bleeker, Maaike, ed. 2017. Transmission in Motion: The Technologizing of Dance. Abingdon: Routledge.]Search in Google Scholar
[Borggren, Gunhild, and Rune Gade, eds. 2013. Performing Archives - Archives of Performance. Copenhagen: Museum Tusculanum Press.]Search in Google Scholar
[Brooks, Lynn Matluck, and Joellen A. Meglin, eds. 2013. Preserving Dance Across Time and Space. Abingdon: Routledge.]Search in Google Scholar
[Burt, Ramsay. 2003. “Memory, Repetition and Critical Intervention: The Politics of Historical Reference in Recent European Dance Performance.” Performance Research 8(2): 34–41.10.1080/13528165.2003.10871925]Search in Google Scholar
[Cveji, Bojana. 2015. Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance. Basingstoke: Palgrave Macmillan.]Search in Google Scholar
[Derrida, Jacques. 1996. Archive Fever: A Freudian Impression. Translated by Eric Prenowitz. Chicago: University of Chicago Press.10.2307/465144]Search in Google Scholar
[Eisner, Rivka Syd. 2013. “Living Archives as Interventions in Ea Sola’s Forgotten Fields.” In Performing Archives–Archives of Performance, edited by Gunhild Borggren and Rune Gade, 127–145. Copenhagen: Museum Tusculanum Press.]Search in Google Scholar
[Foster, Hal. 2004. “An Archival Impulse.” October, no. 110: 3–22.10.1162/0162287042379847]Search in Google Scholar
[Hutchinson Guest, Ann. 2001. “Is Authenticity to be Had?” In Preservation Politics: Dance Revived, Reconstructed, Remade, edited by Stephanie Jordan, 65–71. Alton: Dance Books.]Search in Google Scholar
[Ingvartsen, Mette. 2016. “EXPANDED CHOREOGRAPHY: Shifting the Agency of Movement in The Artificial Nature Project and 69 Positions”, PhD diss., Stockholms konstnärliga högskola & Lunds universitet.]Search in Google Scholar
[Jones, Amelia, and Adrian Heathfield, eds. 2012. Perform, Repeat, Record: Live Art in History. Bristol: Intellect.]Search in Google Scholar
[Kirshenblatt-Gimblett, Barbara. 2007. “Performance Studies.” In The Performance Studies Reader (2nd ed.), edited by Henry Bial, 43–55. London: Routledge.]Search in Google Scholar
[Lepecki, André. 2016. Singularities: Dance in the Age of Performance. London: Routledge.10.4324/9781315694948]Search in Google Scholar
[Lepecki, André. 2010. “The Body as Archive: Will to Re-enact and the Afterlives of Dances.” Dance Research Journal 42(2): 28–48.10.1017/S0149767700001029]Search in Google Scholar
[Noland, Carrie. 2013. “Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the ‘Legacy Plan.’” Dance Research Journal 45(2): 85–122.10.1017/S0149767713000028]Search in Google Scholar
[Osthoff, Simone. 2009. Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art Medium. New York: Atropos Press.]Search in Google Scholar
[Phelan, Peggy. 1993. Unmarked: The Politics of Performance. London: Routledge.]Search in Google Scholar
[Schneider, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Re-enactment. London: Routledge.]Search in Google Scholar
[Schneider, Rebecca. 1997. The Explicit Body in Performance. London: Routledge.]Search in Google Scholar
[Siegel, Marcia B. 1972. At the Vanishing Point: A Critic Looks at Dance. New York: Saturday Review Press.]Search in Google Scholar
[Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.10.2307/j.ctv11smz1k]Search in Google Scholar
