Accesso libero

Age and Gender in the European Contact Improvisation Community

   | 29 set 2020
INFORMAZIONI SU QUESTO ARTICOLO

Cita

Albright, Ann C. 2003. ’Dwelling in Possibility’. In Taken by Surprise, edited by Ann C. Albright and David Gere, 257–266. Middletown: Wesleyan University Press.Search in Google Scholar

Banes, Sally. 1987. Terpsichore in Sneakers. Middletown: Wesleyan University Press.Search in Google Scholar

Bull, Cynthia Jean Cohen. 1997. ’Sense, Meaning and Perception in Three Dance Cultures’. In Meaning in Motion, edited by Jane Desmond, 269–288. London: Duke University Press.10.2307/j.ctv11sn2b4.18Search in Google Scholar

Dey, Misri, & Malaika Sarco-Thomas. 2014, a. ’Framing the Gap: Contact [and] Improvisation’. Journal of Dance and Somatic Practices 6, no. 2, 119–128.Search in Google Scholar

Dey, Misri, & Malaika Sarco-Thomas (eds.). 2014, b. Journal of Dance and Somatic Practices 6, no. 2.10.1386/jdsp.6.2.119_2Search in Google Scholar

Engelsrud, Gunn. 2007. ’Teaching Styles in Contact Improvisation: An Explicit Discourse with Implicit Meaning’. Dance Research Journal 39, no. 2, 58–73.10.1017/S014976770000022XSearch in Google Scholar

Hammergren, Lena. 2011. ’Dance and Democracy in Norden’. In Dance and the Formation of Norden: Emergences and Struggles, edited by Karen Vedel, 175–196. Trondheim: Tapir Academic Press.Search in Google Scholar

Hennesy, Keith. 2011. ’Touch and Play Schwelle 7, Berlin’. Contact Quarterly 36, no. 1. https://contactquarterly.com/contact-improvisation/newsletter/view/touch-play#$Search in Google Scholar

Hustvedt, Siri. 2016. A woman looking at men looking at women; essays on art, sex and the mind. London: Hodder Stoughton.Search in Google Scholar

Houston, Sara. 2011. ’The Methodological Challenges of Researching Dance for People Living with Parkinson’s’. Dance Research 29, no. 2, 329–351.10.3366/drs.2011.0023Search in Google Scholar

Jowitt, Deborah. 1994. ’Ages of the Avant-garde: Dancers for Life’. Performing Art Journal 46, 23–26.Search in Google Scholar

Kvale, Steinar, and Brinkman Svend. 2015. Det kvalitative forskningsintervju [Interview: Learning the Craft of Qualitative Research Interviewing]. Oslo: Gyldendal Akademisk.Search in Google Scholar

Lindholm, Tore. 1985. ’Coming to Terms with Tradition’. In Essays in Pragmatic Philosophy, edited by Helge Høibraaten and Ingemund Gullvåg, 103–117. Oslo: Norwegian University Press.Search in Google Scholar

Little, Nita. 2014. ’Reconstructing the Self-sensing: Attention Training in Contact Improvisation’. Journal of Dance and Somatic Practices 6, no. 2, 247–260.10.1386/jdsp.6.2.247_1Search in Google Scholar

Lovatt, Peter. 2011. ’Dance Confidence, Age and Gender’. Personality and Individual Differences 50, 668–672.10.1016/j.paid.2010.12.014Search in Google Scholar

Nakajima, Nanako. 2011. ’De-aging Dancerism: The Aging Body in Contemporary and Community Dance’. Performance Research 16, no. 3, 100–104.10.1080/13528165.2011.606033Search in Google Scholar

Neumann, Cecilie B., and Iver B. Neumann. (2012). Forskeren i forskningsprosessen. En metodebok om situering [The researcher in the research process; A method book about situating]. Oslo: Cappelen Damm Akademisk.Search in Google Scholar

Novack, Cynthia J. 1990. Sharing the Dance: Contact Improvisation and American Culture. Madison, Wisconsin: The University of Wisconsin Press.Search in Google Scholar

Østern, Tone, P. 2015. ’Samtidsdans i møte med erfaringsrike kropper—inkluderende kunstdidaktiske grep i dans’ [Contemporary dance meeting with experienced bodies – inclusive art didactic grips in dance]. InFormation: Nordic Journal of Art and Research 4, no. 2, 1–20.10.7577/if.v4i2.1553Search in Google Scholar

Paxton, Steve. 2008. ’Backwords’. In Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas, edited by Nancy Stark Smith, 86–89. Northampton: Contact Editions.Search in Google Scholar

Rustad, Hilde. 2013. ’Dans etter egen pipe? En analyse av danseimprovisasjon og kontaktimprovisasjon— som tradisjon, fortolkning og levd erfaring’ [Dancing to your own music; An analysis of dance improvisation and contact improvisation – as tradition, interpretation and lived experience]. PhD diss., Norwegian School for Sport Sciences.Search in Google Scholar

Rustad, Hilde. 2017. ’Livets dans og danserens liv’ [The dance of life, and the dancer’s life]. På Spissen 3, no. 1. 1-21. http://dx.doi.org/10.18862/ps.2017.30110.18862/ps.2017.301Search in Google Scholar

Schwaiger, Elizabeth. 2012. Aging, Gender, Embodiment and Dance: Finding a Balance. Basingstoke: Palgrave Macmillan.10.1057/9780230359086Search in Google Scholar

Schwaiger, Lis. 2005. ’Performing One’s Age: Cultural Constructions of Aging and Embodyment in Western Theatrical Dancers’. Dance Research Journal 37, no. 1, 107–120.10.1017/S014976770000838XSearch in Google Scholar

Stark Smith, Nancy. 2008. Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas. Northampton: Contact Editions.Search in Google Scholar

Thomas, Helen. 2013. The Body and Everyday Life. Abingdon: Routledge.10.4324/9780203392348Search in Google Scholar

Wadel, Cato. 1991. Feltarbeid i egen kultur [Doing fieldwork in your own culture]. Flekkefjord: Seek A/S.Search in Google Scholar

Wainwright, Steven P., and Bryan S. Turner. (2004). ’Narratives of Embodiment: Body, Aging, and Career in Royal Ballet Dancers’. In Cultural Bodies: Ethnography and Theory, edited by Helen Thomas and Jamilah Ahmed, 98–120. Malden: Blackwell Publishing.10.1002/9780470775837.ch4Search in Google Scholar

Wenger, Etienne. 1998. Communities of Practice. Learning, Meaning and Identity. New York: Cambridge University Press.10.1017/CBO9780511803932Search in Google Scholar

Zhang, Jian-Guo, Kazuko Ishikawa-Takata, Hideo Yamazaki, Takae Morita and Toshiki Ohta. 2008. ’Postural Stability and Physical Performance in Social Dancers’. Gait and Posture 27, no. 4, 697–701. http://dx.doi.org/10.1016/j.gaitpost.2007.09.00410.1016/j.gaitpost.2007.09.004Search in Google Scholar

eISSN:
2703-6901
Lingua:
Inglese
Frequenza di pubblicazione:
2 volte all'anno
Argomenti della rivista:
Arts, general, Cultural Studies, Genres and Media in Cultural Studies, Dance, Social Sciences, Education, other