Accesso libero

‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Sławomira Żerańska-Kominek

Sławomira Żerańska-Kominek

Institute of Musicology, University of Warsaw
Cerca questo autore su
Sciendo|Google Scholar
Żerańska-Kominek, Sławomira
  
31 dic 2022
‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker's Cover Image
INFORMAZIONI SU QUESTO ARTICOLO
Articolo precedente
Articolo Successivo
Cita
Scarica la copertina
Pubblicato online: 31 dic 2022
Pagine: 96 - 103
DOI: https://doi.org/10.2478/muso-2022-0007
Parole chiave
© 2022 Sławomira Żerańska-Kominek, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker. Ewell's main claim is that European music theory is based on racist concepts.

Lingua:
Inglese
Frequenza di pubblicazione:
1 volte all'anno
Argomenti della rivista:
Musica, Musica, in generale
Feed RSS della rivista