<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Michael Fried’s 1967 essay “Art and Objecthood” is one of the most well-known and influential pieces of art criticism ever written, and continues to generate novel interpretations. Its overtly theological cast, however, has never been the subject of close study. This article focuses on Fried’s decision to use a lengthy quotation from Perry Miller’s biography of the theologian Jonathan Edwards as his epigram, and contends that Fried’s essay is informed in significant ways by Edwards’ notions of history and grace, and characterized by wordings that reveal an active engagement with Miller’s text. Certainly, the contexts in which Edwards and Fried worked were irreducibly different. Nevertheless, an examination of the ways in which Fried drew on Miller’s text and Edwards’ ideas demonstrates that he was productively influenced by both in composing “Art and Objecthood.”</p>
</abstract>

Michael Fried’s 1967 essay “Art and Objecthood” is one of the most well-known and influential pieces of art criticism ever written, and continues to generate novel interpretations. Its overtly theological cast, however, has never been the subject of close study. This article focuses on Fried’s decision to use a lengthy quotation from Perry Miller’s biography of the theologian Jonathan Edwards as his epigram, and contends that Fried’s essay is informed in significant ways by Edwards’ notions of history and grace, and characterized by wordings that reveal an active engagement with Miller’s text. Certainly, the contexts in which Edwards and Fried worked were irreducibly different. Nevertheless, an examination of the ways in which Fried drew on Miller’s text and Edwards’ ideas demonstrates that he was productively influenced by both in composing “Art and Objecthood.”

“Art and Objecthood,” Michael Fried and Jonathan Edwards

Art History & Criticism

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"\u201cArt and Objecthood,\u201d Michael Fried and Jonathan Edwards"}

Michael Fried’s 1967 essay “Art and Objecthood” is one of the most well-known and influential pieces of art criticism ever written, and continues to generate...

“Art and Objecthood,” Michael Fried and Jonathan Edwards

Pubblicato online: 30 nov 2023

Pagine: 1 - 14

DOI: https://doi.org/10.2478/mik-2023-0001

Parole chiave
Michael Fried, Minimalism, Jonathan Edwards, theology, grace, Modernist art theory

© 2023 Kerr Houston, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“Art and Objecthood,” Michael Fried and Jonathan Edwards

Pubblicato online: 30 nov 2023

Pagine: 1 - 14

DOI: https://doi.org/10.2478/mik-2023-0001

Parole chiaveMichael Fried, Minimalism, Jonathan Edwards, theology, grace, Modernist art theory

© 2023 Kerr Houston, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Parole chiave
Michael Fried, Minimalism, Jonathan Edwards, theology, grace, Modernist art theory