<abstract xmlns="http://www.w3.org/1999/xhtml">This comparative reading of two conceptual corpora, Russian formalism and Germano-Austrian or Germanic formalism, begins with the idea that the European formalism presents a coherent unit. The continuity of this program authorizes such a comparative reading. The comparative analysis of formalisms in Europe could be a research program aimed at an epistemological reading of the phenomenon of European formalism at the turn of the 20th century. This program deals with a rereading of two conceptual fields–Russian formalism and Germanic (Germano-Austrian) formalism. This study seeks to contextualise the formalist project within the knowledge of its time by showing its genetic links with the disciplines of this period and by introducing it as an epistemological fact. At the turn of the 19th and 20th centuries, the growth of psychologism in aesthetic theories, constitutes a reaction against the dominant scientific positivism in the “humanities” of this period. Stemming from the tensions between “aesthetics from below” and “aesthetics from above,” European formalism expresses and achieves a heterogeneous aesthetic program, halfway between “experimental science” and the “science of lived experience.”</abstract>

This comparative reading of two conceptual corpora, Russian formalism and Germano-Austrian or Germanic formalism, begins with the idea that the European formalism presents a coherent unit. The continuity of this program authorizes such a comparative reading. The comparative analysis of formalisms in Europe could be a research program aimed at an epistemological reading of the phenomenon of European formalism at the turn of the 20th century. This program deals with a rereading of two conceptual fields–Russian formalism and Germanic (Germano-Austrian) formalism. This study seeks to contextualise the formalist project within the knowledge of its time by showing its genetic links with the disciplines of this period and by introducing it as an epistemological fact. At the turn of the 19th and 20th centuries, the growth of psychologism in aesthetic theories, constitutes a reaction against the dominant scientific positivism in the “humanities” of this period. Stemming from the tensions between “aesthetics from below” and “aesthetics from above,” European formalism expresses and achieves a heterogeneous aesthetic program, halfway between “experimental science” and the “science of lived experience.”

Russian Formalism vs Germanic Formalism: exploring the concept of European Formalism

Linguistic Frontiers

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

This comparative reading of two conceptual corpora, Russian formalism and Germano-Austrian or Germanic formalism, begins with the idea that the European...

Russian Formalism vs Germanic Formalism: exploring the concept of European Formalism

Pubblicato online: 11 ott 2021

Pagine: -

Ricevuto: 01 mar 2021

Accettato: 01 mag 2021

DOI: https://doi.org/10.2478/lf-2021-0009

Parole chiave
European Formalism, Russian formalism, Germanic (Germano-Austrian) formalism, formality, essential form, Grundbegriffe (fundamental notions), visibility, literarity, new psychologism

© 2021 Serge Tchougounnikov, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Russian Formalism vs Germanic Formalism: exploring the concept of European Formalism

Pubblicato online: 11 ott 2021

Pagine: -

Ricevuto: 01 mar 2021

Accettato: 01 mag 2021

DOI: https://doi.org/10.2478/lf-2021-0009

Parole chiaveEuropean Formalism, Russian formalism, Germanic (Germano-Austrian) formalism, formality, essential form, Grundbegriffe (fundamental notions), visibility, literarity, new psychologism

© 2021 Serge Tchougounnikov, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Parole chiave
European Formalism, Russian formalism, Germanic (Germano-Austrian) formalism, formality, essential form, Grundbegriffe (fundamental notions), visibility, literarity, new psychologism